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Allen Ruppersberg, PST: Before and After, 2012 (artwork © Allen Ruppersberg; cover photograph copyright © 1947, Los Angeles Times, reprinted with permission; interior background images published under fair use)
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Art, History, and Criticism Katy Siegel, Editor-in-Chief

It can seem as if recent changes in how we learn do little more than facilitate a quantitative randomness. But the centrality of the Internet to intellectual work has made visible one under-recognized and revolutionary truth: the collective nature of … READ MORE

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Ice Cube Celebrates the Eames, poster, 2011, (artwork © J. Paul Getty Trust)
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City after Fifty Years’ Living: L.A.’s Differences in Relation Malik Gaines

It’s not about the piece but about how the pieces fit together. It’s about taking something that already exists, and making something special. —Ice Cube A marketing triumph, Pacific Standard Time has been responsible for a series of promotional videos, … READ MORE

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Elissa Auther and Adam Lerner, eds. West of Center: Art and the Counterculture Experiment in America, 1965–1977. Minneapolis: University of Minnesota Press, 2011. 448 pp., 92 color ills. $120, $39.95 paper
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City of Angles
Book Review
Jennifer Doyle

Elissa Auther and Adam Lerner, eds. West of Center: Art and the Counterculture Experiment in America, 1965–1977. Minneapolis: University of Minnesota Press, 2011. 448 pp., 92 color ills. $120, $39.95 paper Chris Kraus. Video Green: Los Angeles Art and the … READ MORE

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Cover: Matthew Brannon, Pressing the “Delete” button, not pressing the “Are you  sure you want to delete?” button, 2012, covers: paper collage and screenprint. © Matthew Brannon.
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In Print Katy Siegel, Editor-in-Chief

At my first meeting as editor-in-chief, the Art Journal Editorial Board learned that due to fallout from the financial crisis of 2008–9, CAA could not afford to publish the journal as a quarterly—there would only be three issues in 2010, … READ MORE

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Josh Kline, Fashion PR’s Hand with Blackberry (Cynthia Leung), 2011, pigmented silicone, 3 x 4¾ x 6¾ in. (7.6 x 12 x 17.1 cm), edition of 5 (artwork © Josh Kline; photograph by Joerg Lohse, provided by 47 Canal, New York)
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The Binder and the Server Triple Canopy

Lackeys Many young people strangely boast of being “motivated”; they re-request apprenticeships and permanent training. It’s up to them to discover what they’re being made to serve. —Gilles Deleuze At first a convenience, then quickly a conundrum: Of course we … READ MORE

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Hiroko Ikegami. The Great Migrator: Robert Rauschenberg and the Global Rise of American Art. Cambridge, MA: MIT Press, 2010. 288 pp., 87 color ills. $29.95
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Fête in Venice
Book Review
Seth McCormick

Hiroko Ikegami. The Great Migrator: Robert Rauschenberg and the Global Rise of American Art. Cambridge, MA: MIT Press, 2010. 288 pp., 87 color ills. $29.95 Hiroko Ikegami’s The Great Migrator, which toward the end quotes Homi Bhabha on the subjects … READ MORE

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Kitadai Shōzō, mask of Harlequin as worn by Kanze Hisao, 1955, painted wood (photograph © Kitadai Shōzō; photograph provided by Taro Okamoto Museum of Art, Kawasaki)
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Reconstruction Katy Siegel, Editor-in-Chief

For several days in 2000, William Pope.L sat enthroned on a towering toilet, contemplating and quite literally consuming The Wall Street Journal, dusted with white powder and surrounded by the great American fluids—milk and ketchup. This performance grew from an … READ MORE

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Kitadai Shōzō, drawing for the masks of Harlequin, 1955, ink on paper, 12-1/8 x 16-1/2 in. (30.7 x 41.9 cm) (artwork © Kitadai Shōzō; photograph provided by Taro Okamoto Museum of Art, Kawasaki)
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Experimentation and Tradition: The Avant-Garde Play Pierrot Lunaire by Jikken Kōbō and Takechi Tetsuji Miwako Tezuka

During the 1950s, after the devastating defeat in World War II, Japan exerted itself to regain political and economic confidence. Arts and culture played a key role in the country’s recovery: the image of a belligerent nation in the recent … READ MORE

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Take It to the Air: Radio as Public Art Sarah Kanouse

First staged in the main railroad station in Hamburg in 2002, the Leipzig version of Radio Ballet was performed the following year. Subtitled “Übung in nichtbestimmungsgemäßem Verweilen,” or “Exercise in Lingering Not According to the Rules,” the piece gathered people in the Leipzig station for a group radio listening experience. Using handheld radios, people listened to LIGNA’s critique of the normative ordering of public space … READ MORE

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Harald Falckenberg and Peter Weibel, eds. Paul Thek: Artist’s Artist. Cambridge, MA: MIT Press, 2009. 640 pp., 300 color ills., 200 b/w. $75
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Thek’s “As If”
Book Review
Robert Slifkin

“What is alive cannot signify—and vice versa.”[1. Roland Barthes, “The Reality Effect,” in The Rustle of Language, trans. Richard Howard (Berkeley: University of California Press, 1986), 146.] Roland Barthes’s pithy thesis from his seminal essay “The Reality Effect” (1968) reveals what might be called the vitalist basis of modernist indeterminacy. Countless artists in the 1960s … READ MORE

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