Current Issue: Fall 2018

In This Issue

Rebecca M. Brown
Muttering and Listening, 5

Features

Sarah Hamill
Surface Matters: Erin Shirreff’s Videos and the Photography of Sculpture, 6

Mara Polgovsky Ezcurra
Beyond Evil: Politics, Ethics, and Religion in León Ferrari’s Illustrated Nunca más, 20

Gail Hastings
The Power of Inclusion in Donald Judd’s Art: Observations by an Artist, 48

Gail Hastings
Artist’s Project: Space Practising Tools: A Beginning, 63

Samantha A. Noel
Envisioning New Worlds: The “Tropical Aesthetics” in the Art of Wifredo Lam and Aaron Douglas, 76

Emily Kathryn Morgan
Harry Callahan’s Pornographic Appropriations, 92

Reviews

Terry Smith on Caroline A. Jones, The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience, and Charles Green and Anthony Gardner, Biennials, Triennials, and Documenta: The Exhibitions That Created Contemporary Art; Ara H. Merjian on Jaleh Mansoor, Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia; and Stephanie Sparling Williams on Uri McMillan, Embodied Avatars: Genealogies of Black Feminist Art and Performance, and Malik Gaines, Black Performance on the Outskirts of the Left: A History of the Impossible, 113