Posts Tagged: Contemporary Projects

Kuo_cover image_Tables of Content

Tables of Content

By Ryan Kuo

Art Journal Open presents an interactive artist’s project by Ryan Kuo.

Kuo_cover image_Tables of Content

Tables of Content

By Ryan Kuo

Art Journal Open presents an interactive artist’s project by Ryan Kuo.

Anna Craycroft, The Earth Is a Magnet, 2016, installation view, part of The Artist’s Museum, Institute of Contemporary Art Boston, November 16, 2016–March 26, 2017 (artwork © Anna Craycroft; photograph by Charles Mayer)

To Record, to Interpret, to Comment

By Anna Craycroft

In “To Record, to Interpret, to Comment,” Brookyn–based artist Anna Craycroft asks readers to reconsider how we come to know what we think we know about the history of modernist photography and the photographer Berenice Abbott, which draws from Craycroft’s extensive research into Abbott’s writings, photographs, letters, inventions, and other archival materials.

Anna Craycroft, The Earth Is a Magnet, 2016, installation view, part of The Artist’s Museum, Institute of Contemporary Art Boston, November 16, 2016–March 26, 2017 (artwork © Anna Craycroft; photograph by Charles Mayer)

To Record, to Interpret, to Comment

By Anna Craycroft

In “To Record, to Interpret, to Comment,” Brookyn–based artist Anna Craycroft asks readers to reconsider how we come to know what we think we know about the history of modernist photography and the photographer Berenice Abbott, which draws from Craycroft’s extensive research into Abbott’s writings, photographs, letters, inventions, and other archival materials.

Nick Herman, still from Edges of Action, 2016, video, 21 min., 11 sec. (artwork © Nick Herman)

Edges of Action

By Nick Herman

In Edges of Action (2016), Los Angeles–based artist Nick Herman finds a distinctive method of framing his practice, blending the studied delivery of a public artist’s talk with the conversational pace of an intimate studio visit. This is the first installment of a unique three-part artist’s project Herman has created for Art Journal Open.

Nick Herman, still from Edges of Action, 2016, video, 21 min., 11 sec. (artwork © Nick Herman)

Edges of Action

By Nick Herman

In Edges of Action (2016), Los Angeles–based artist Nick Herman finds a distinctive method of framing his practice, blending the studied delivery of a public artist’s talk with the conversational pace of an intimate studio visit. This is the first installment of a unique three-part artist’s project Herman has created for Art Journal Open.

Nick Herman, Phantasm (In Between), 2010, inkjet and mixed media mounted under plexiglass, 32 x 22 x 2 in. (81.2 x 55.8 x 5 cm)  (artwork © Nick Herman)

Art Journal Open Presents Edges of Action by Nick Herman

By Gloria Sutton

Art Journal Open is pleased to present Edges of Action by artist Nick Herman.

Nick Herman, Phantasm (In Between), 2010, inkjet and mixed media mounted under plexiglass, 32 x 22 x 2 in. (81.2 x 55.8 x 5 cm)  (artwork © Nick Herman)

Art Journal Open Presents Edges of Action by Nick Herman

By Gloria Sutton

Art Journal Open is pleased to present Edges of Action by artist Nick Herman.

Kate Costello, P&P, 2016, artist's book (artwork © Kate Costello)

P&P

By Kate Costello

The Los Angeles–based artist Kate Costello has created a unique animation of her limited edition book, P&P. P&P conveys Costello’s examination and subjective cataloging of vernacular languages active within contemporary visual culture.

Kate Costello, P&P, 2016, artist's book (artwork © Kate Costello)

P&P

By Kate Costello

The Los Angeles–based artist Kate Costello has created a unique animation of her limited edition book, P&P. P&P conveys Costello’s examination and subjective cataloging of vernacular languages active within contemporary visual culture.

Kate Costello, P&P, 2016, artist's book (artwork © Kate Costello)

Art Journal Open Presents P&P by Kate Costello

By Gloria Sutton

Art Journal Open is pleased to present a new Contemporary Project by artist Kate Costello.

Kate Costello, P&P, 2016, artist's book (artwork © Kate Costello)

Art Journal Open Presents P&P by Kate Costello

By Gloria Sutton

Art Journal Open is pleased to present a new Contemporary Project by artist Kate Costello.

pv_1_for-ajo

no water, Athens, Greece, 2015: Twenty-four hours with nothing to eat or drink, only smelling the jasmine

By Penelope Vlassopoulou

Penelope Vlassopoulou began her Metamorphosis series in her home city of Athens. The series evolved in multidisciplinary dialogue with diverse urban environments including Berlin, Belgrade, and Chicago. In March 2015, Metamorphosis returned to its point of origin with no water tracing a link between Greece’s historical past and the country’s current predicament.

pv_1_for-ajo

no water, Athens, Greece, 2015: Twenty-four hours with nothing to eat or drink, only smelling the jasmine

By Penelope Vlassopoulou

Penelope Vlassopoulou began her Metamorphosis series in her home city of Athens. The series evolved in multidisciplinary dialogue with diverse urban environments including Berlin, Belgrade, and Chicago. In March 2015, Metamorphosis returned to its point of origin with no water tracing a link between Greece’s historical past and the country’s current predicament.

sample layout of GIF placement of pop out window_SMALL

Oral Sadism & The Vegetarian Personality (Approximately)

By Karl Haendel

Artist Karl Haendel has been creating an archive of 35mm slides since 2000, composed of found images and photographs. The approximately 10,000 slides are organized into more than 250 categories and subcategories (from the W section: Wedding Geometry, Weapons, White House, World War I), and some of these slides become the basis for his drawings. Though this archive exists in analogue form, Haendel recognized that the popular GIF format functions in a similar manner to that of the slide projector, and thus created a digital slideshow experience of these source images for Art Journal Open. To view Oral Sadism & The Vegetarian Personality (Approximately), click on the image inside this post to launch the project.

sample layout of GIF placement of pop out window_SMALL

Oral Sadism & The Vegetarian Personality (Approximately)

By Karl Haendel

Artist Karl Haendel has been creating an archive of 35mm slides since 2000, composed of found images and photographs. The approximately 10,000 slides are organized into more than 250 categories and subcategories (from the W section: Wedding Geometry, Weapons, White House, World War I), and some of these slides become the basis for his drawings. Though this archive exists in analogue form, Haendel recognized that the popular GIF format functions in a similar manner to that of the slide projector, and thus created a digital slideshow experience of these source images for Art Journal Open. To view Oral Sadism & The Vegetarian Personality (Approximately), click on the image inside this post to launch the project.

Karen L. Schiff, Agnes Martin, El País, 21 December 2004, II, 2005, graphite and stylus on vellum, 17 x 12 inches (artwork © Karen L. Schiff)

Imprinting Agnes Martin

By Karen L. Schiff

In the early 1990s I saw a conference presentation about Agnes Martin’s grid paintings, and their rigor and sensitivity was imprinted on me: I felt motivated to return to making art. When Martin (1912–2004) passed away, I started making artworks to reflect on her work and life, often through printed texts.

Karen L. Schiff, Agnes Martin, El País, 21 December 2004, II, 2005, graphite and stylus on vellum, 17 x 12 inches (artwork © Karen L. Schiff)

Imprinting Agnes Martin

By Karen L. Schiff

In the early 1990s I saw a conference presentation about Agnes Martin’s grid paintings, and their rigor and sensitivity was imprinted on me: I felt motivated to return to making art. When Martin (1912–2004) passed away, I started making artworks to reflect on her work and life, often through printed texts.