Posts Tagged: Fall

Fall 2012, Vol. 71, No. 3

In This Issue Katy Siegel, Attention Deficit, 5 Features Chris Balaschak, Planet of the Apes: John Szarkowski, My Lai, and The Animals, 6 Adele Nelson, Sensitive and Nondiscurive Things: Lygia Pape and the Reconception of Printmaking, 26 Pamela N. Corey,Crafted

Fall 2012, Vol. 71, No. 3

In This Issue Katy Siegel, Attention Deficit, 5 Features Chris Balaschak, Planet of the Apes: John Szarkowski, My Lai, and The Animals, 6 Adele Nelson, Sensitive and Nondiscurive Things: Lygia Pape and the Reconception of Printmaking, 26 Pamela N. Corey,Crafted

Sara Greenberger Rafferty, PDF Hoarding, 2014, photographs, 10 x 8¼ in. (25.4 x 21 cm)

Fall 2013, Vol. 73, No. 3

Karin Higa: A Collage of Remembrances, 5 Artist’s Project Sara Greenberger Rafferty, Grabs, 1, 47, 64, 82, 91, 104 Features Matthew Goulish, “A Clear Day and No Memories”: Neurology, Philosophy, and Analogy in Kerry Tribe’s H.M., 12 Atreyee Gupta, In

Sara Greenberger Rafferty, PDF Hoarding, 2014, photographs, 10 x 8¼ in. (25.4 x 21 cm)

Fall 2013, Vol. 73, No. 3

Karin Higa: A Collage of Remembrances, 5 Artist’s Project Sara Greenberger Rafferty, Grabs, 1, 47, 64, 82, 91, 104 Features Matthew Goulish, “A Clear Day and No Memories”: Neurology, Philosophy, and Analogy in Kerry Tribe’s H.M., 12 Atreyee Gupta, In

Art Journal Fall 2011

Fall 2011, Vol. 70, No. 3

In This Issue Katy Siegel, Reconstruction, 5 Centennial Essay Krista Thompson, A Sidelong Glance: The Practice of African Diaspora Art History in the United States, 6 Forum: Performance, Live or Dead Amelia Jones, Introduction, 32 Ron Athey, Getting It Right

Art Journal Fall 2011

Fall 2011, Vol. 70, No. 3

In This Issue Katy Siegel, Reconstruction, 5 Centennial Essay Krista Thompson, A Sidelong Glance: The Practice of African Diaspora Art History in the United States, 6 Forum: Performance, Live or Dead Amelia Jones, Introduction, 32 Ron Athey, Getting It Right

aj_fall1998

Fall 1998, Vol. 57, No. 3

Race and Visual Representation Guest edited by James Smalls and Judith Wilson; portfolio selected by Kenseth Armstead James Smalls, Visualizing Race: A Lifelong Process and Training, 2 Kenseth Armstead, Surface Tensions, 4 Eduardo de Jesús Douglas, The Colonial Self: Homosexuality

aj_fall1998

Fall 1998, Vol. 57, No. 3

Race and Visual Representation Guest edited by James Smalls and Judith Wilson; portfolio selected by Kenseth Armstead James Smalls, Visualizing Race: A Lifelong Process and Training, 2 Kenseth Armstead, Surface Tensions, 4 Eduardo de Jesús Douglas, The Colonial Self: Homosexuality

aj_fall1999

Fall 1999, Vol. 58, No. 3

In This Issue Janet A. Kaplan, On Translation, 3 Responses Patricia Phillips and Maxine Payne Caulfield, 4 Contemporary Indian Art Guest edited by Andrew L. Cohen and Marcella C. Sirhandi Guest Editors’ Statements, 7 Andrew L. Cohenm, Contemporary Indian Painting:

aj_fall1999

Fall 1999, Vol. 58, No. 3

In This Issue Janet A. Kaplan, On Translation, 3 Responses Patricia Phillips and Maxine Payne Caulfield, 4 Contemporary Indian Art Guest edited by Andrew L. Cohen and Marcella C. Sirhandi Guest Editors’ Statements, 7 Andrew L. Cohenm, Contemporary Indian Painting:

aj_fall2000

Fall 2000, Vol. 59, No. 3

In This Issue Janet A. Kaplan, 3 Features France Morin, The Quiet in the Land: Everyday Life, Contemporary Art, and Projeto Axé, 4 Moira Roth, Of Self and History: Exchanges with Linda Nochlin, 18 John Alan Farmer, Through the Labyrinth:

aj_fall2000

Fall 2000, Vol. 59, No. 3

In This Issue Janet A. Kaplan, 3 Features France Morin, The Quiet in the Land: Everyday Life, Contemporary Art, and Projeto Axé, 4 Moira Roth, Of Self and History: Exchanges with Linda Nochlin, 18 John Alan Farmer, Through the Labyrinth:

aj_fall2001

Fall 2001, Vol. 60, No. 3

In This Issue Janet A. Kaplan, Beyond Words, 3 Responses Ernesto Pujol, 4 Network Society Gregg Bordowitz, 7 Features Mary Katherine Coffey, Histories that Haunt: A Conversation with Ann Hamilton, 10 Joanna Frueh, Bloodred Beauty: A Meditation on Mel Gibson’s

aj_fall2001

Fall 2001, Vol. 60, No. 3

In This Issue Janet A. Kaplan, Beyond Words, 3 Responses Ernesto Pujol, 4 Network Society Gregg Bordowitz, 7 Features Mary Katherine Coffey, Histories that Haunt: A Conversation with Ann Hamilton, 10 Joanna Frueh, Bloodred Beauty: A Meditation on Mel Gibson’s

aj_fall2002

Fall 2002, Vol. 61, No. 3

In This Issue Janet A. Kaplan, 3 Artist’s Project Ben Katchor, Hotel & Farm, 4 Features Janet A. Kaplan, Johanna d’Arc of Mongolia: Interview with Ulrike Ottinger, 7 Hattie Gordon, Anne Wilson’s Feast, 23 Daniel Rosenberg, One Small Step (for

aj_fall2002

Fall 2002, Vol. 61, No. 3

In This Issue Janet A. Kaplan, 3 Artist’s Project Ben Katchor, Hotel & Farm, 4 Features Janet A. Kaplan, Johanna d’Arc of Mongolia: Interview with Ulrike Ottinger, 7 Hattie Gordon, Anne Wilson’s Feast, 23 Daniel Rosenberg, One Small Step (for

aj_fall2003

Fall 2003, Vol. 62, No. 3

In This Issue Patricia C. Phillips, Close Encounters, 3 Thematic Investigation: Photography and the Paranormal Paranormal Portfolio, 4 Mark Alice Durant, The Blur of the Otherworldly, 6 Louis Kaplan, Where the Paranoid Meets the Paranormal: Speculations on Spirit Photography, 18

aj_fall2003

Fall 2003, Vol. 62, No. 3

In This Issue Patricia C. Phillips, Close Encounters, 3 Thematic Investigation: Photography and the Paranormal Paranormal Portfolio, 4 Mark Alice Durant, The Blur of the Otherworldly, 6 Louis Kaplan, Where the Paranoid Meets the Paranormal: Speculations on Spirit Photography, 18

aj_fall2004

Fall 2004, Vol. 63, No. 3

In This Issue Patricia C. Phillips, Art and Risk, 3 Features Alejandro Anreus, The Road to Dystopia: The Paintings of Antonia Eiriz, 4 Branislav Jakovljevic, Unframe Malevich!—Ineffability and Sublimity in Suprematism, 18 Artist Project Eve Andrée Laramée, Netherzone: A Psychogeographical

aj_fall2004

Fall 2004, Vol. 63, No. 3

In This Issue Patricia C. Phillips, Art and Risk, 3 Features Alejandro Anreus, The Road to Dystopia: The Paintings of Antonia Eiriz, 4 Branislav Jakovljevic, Unframe Malevich!—Ineffability and Sublimity in Suprematism, 18 Artist Project Eve Andrée Laramée, Netherzone: A Psychogeographical

aj_fall2005

Fall 2005, Vol. 64, No. 3

In This Issue Patricia C. Phillips, Something to Talk About, 3 Artist Project Barbara Bloom, Commemorative Stamps, Art Journal 1929–2005, 4 Features Patricia C. Phillips, The Aesthetics of Witnessing: A Conversation with Alfredo Jaar, 6 David Levi Strauss and Daniel

aj_fall2005

Fall 2005, Vol. 64, No. 3

In This Issue Patricia C. Phillips, Something to Talk About, 3 Artist Project Barbara Bloom, Commemorative Stamps, Art Journal 1929–2005, 4 Features Patricia C. Phillips, The Aesthetics of Witnessing: A Conversation with Alfredo Jaar, 6 David Levi Strauss and Daniel

aj_fall2006

Fall 2006, Vol. 65, No. 3

In This Issue Patricia C. Phillips, Remediations—Re-viewing Art, 5 Features Frazer Ward, Alien Durations: Tehching Hsieh, 1978–99, 6 Anna Hammond, Ian Berry, Sheryl Cokelton, Sharon Corwin, Pamala Franks, katherine Hart, Wynona Lynch-McWhite, Charles Reeve, and John Stomberg, The Role of

aj_fall2006

Fall 2006, Vol. 65, No. 3

In This Issue Patricia C. Phillips, Remediations—Re-viewing Art, 5 Features Frazer Ward, Alien Durations: Tehching Hsieh, 1978–99, 6 Anna Hammond, Ian Berry, Sheryl Cokelton, Sharon Corwin, Pamala Franks, katherine Hart, Wynona Lynch-McWhite, Charles Reeve, and John Stomberg, The Role of

aj_fall2007

Fall 2007, Vol. 66, No. 3

In This Issue Judith F. Rodenbeck, Contingency and Engagement, 5 Features Martha Gever, Like TV: On Barbara Kruger’s Twelve, 6 Kate Mondloch, Be Here (and There) Now: The Spatial Dynamics of Screen-Reliant Installation Art, 20 Forum: The Look of Law

aj_fall2007

Fall 2007, Vol. 66, No. 3

In This Issue Judith F. Rodenbeck, Contingency and Engagement, 5 Features Martha Gever, Like TV: On Barbara Kruger’s Twelve, 6 Kate Mondloch, Be Here (and There) Now: The Spatial Dynamics of Screen-Reliant Installation Art, 20 Forum: The Look of Law

aj_fall2010

Fall 2010, Vol. 69, No. 3

In This Issue Katy Siegel, War and Other Disasters, 5 Features Kerry James Marshall, P-Van, from Dailies, inside covers Walid Raad, Appendix XVIII: Plates 88–107, 7 David McCarthy, David Smith’s Spectres of War and Peace, 20 Cécile Whiting, California War

aj_fall2010

Fall 2010, Vol. 69, No. 3

In This Issue Katy Siegel, War and Other Disasters, 5 Features Kerry James Marshall, P-Van, from Dailies, inside covers Walid Raad, Appendix XVIII: Plates 88–107, 7 David McCarthy, David Smith’s Spectres of War and Peace, 20 Cécile Whiting, California War

aj_fall2009

Fall 2009, Vol. 68, No. 3

In This Issue Judith F. Rodenbeck, Models and Propositions, 5 Features Hajime Nakatani, Imperious Griffonage: Xu Bing and the Graphic Regime, 6 Seth McCormick, Reiko Tomii, Hiroko Ikegami, Jeffrey Wechsler, and Midori Yoshimoto, with a response by Alexandra Munroe, Exhibition

aj_fall2009

Fall 2009, Vol. 68, No. 3

In This Issue Judith F. Rodenbeck, Models and Propositions, 5 Features Hajime Nakatani, Imperious Griffonage: Xu Bing and the Graphic Regime, 6 Seth McCormick, Reiko Tomii, Hiroko Ikegami, Jeffrey Wechsler, and Midori Yoshimoto, with a response by Alexandra Munroe, Exhibition