Posts Tagged: vol. 72

Summer 2013, Vol. 72, No. 2

Features Alexandra M. Kokoli, The Voice as Uncanny Index in Susan Hiller’s The Last Silent Movie, 6 Kristen Olds, “Gay Life Artists”: Les Petites Bonbons and Camp Performativity in the 1970s, 16 Forum: Conversations on Queer Affect and Queer Archives

Summer 2013, Vol. 72, No. 2

Features Alexandra M. Kokoli, The Voice as Uncanny Index in Susan Hiller’s The Last Silent Movie, 6 Kristen Olds, “Gay Life Artists”: Les Petites Bonbons and Camp Performativity in the 1970s, 16 Forum: Conversations on Queer Affect and Queer Archives

Spring 2013, Vol. 72, No.1

Editor’s Note Lane Relyea, 5 Features Peggy Wang, Art Critics as Middlemen: Navigating State and Market in Contemporary Chinese Art, 1980s–1990s, 6 Michael Jay McClure, If It Need Be Termed Surrender: Trisha Donnelly’s Subjunctive Case, 20 Artist’s Project Moyra Davey,

Spring 2013, Vol. 72, No.1

Editor’s Note Lane Relyea, 5 Features Peggy Wang, Art Critics as Middlemen: Navigating State and Market in Contemporary Chinese Art, 1980s–1990s, 6 Michael Jay McClure, If It Need Be Termed Surrender: Trisha Donnelly’s Subjunctive Case, 20 Artist’s Project Moyra Davey,

Heather Cassils, After, 2014, 2,000-pound clay bash, remnant sculpture from the performance Becoming an Image, Buddies in Bad Times, Toronto, 2014

Winter 2013, Vol. 72, No. 4

Artist’s Project Jeanne Dunning,Tom Thumb, the New Oedipus, 5 Features Forum: Sexing Sculpture: New Approaches to Theorizing the Object Jillian Hernandez and Susan Richmond, Introduction, 27 Rachel Lachowicz, Portfolio: Material Specificity and the Index of the Feminine, 30 Rachel Middleman,Rethinking

Heather Cassils, After, 2014, 2,000-pound clay bash, remnant sculpture from the performance Becoming an Image, Buddies in Bad Times, Toronto, 2014

Winter 2013, Vol. 72, No. 4

Artist’s Project Jeanne Dunning,Tom Thumb, the New Oedipus, 5 Features Forum: Sexing Sculpture: New Approaches to Theorizing the Object Jillian Hernandez and Susan Richmond, Introduction, 27 Rachel Lachowicz, Portfolio: Material Specificity and the Index of the Feminine, 30 Rachel Middleman,Rethinking

Veronica Friedman, Pages from monthly planners, 1980 and 1981. Veronica Friedman Papers, Gay, Lesbian, Bisexual, Transgender Historical Society, San Francisco (photograph © Barbara McBane).

Summer 2013, Vol. 72, No. 2

Features Alexandra M. Kokoli, The Voice as Uncanny Index in Susan Hiller’s The Last Silent Movie, 6 Kirsten Olds, “Gay Life Artists”: Les Petites Bonbons and Camp Performativity in the 1970s, 16 Forum: Conversations on Queer Affect and Queer Archives

Veronica Friedman, Pages from monthly planners, 1980 and 1981. Veronica Friedman Papers, Gay, Lesbian, Bisexual, Transgender Historical Society, San Francisco (photograph © Barbara McBane).

Summer 2013, Vol. 72, No. 2

Features Alexandra M. Kokoli, The Voice as Uncanny Index in Susan Hiller’s The Last Silent Movie, 6 Kirsten Olds, “Gay Life Artists”: Les Petites Bonbons and Camp Performativity in the 1970s, 16 Forum: Conversations on Queer Affect and Queer Archives