Posts Tagged: winter

Winter 2012, Vol. 71, No. 4

In This Issue Katy Siegel, Shaping the Glass, 5 Artist’s Project Tomma Abts, Untitled, 8 Features Christine Mehring, Richter’s Willkür, 20 Carrie Moyer, Zero to the Bone: Louise Fishman Speaks with Carrie Moyer, 36 Elyse Speaks, The Terms of Craft

Winter 2012, Vol. 71, No. 4

In This Issue Katy Siegel, Shaping the Glass, 5 Artist’s Project Tomma Abts, Untitled, 8 Features Christine Mehring, Richter’s Willkür, 20 Carrie Moyer, Zero to the Bone: Louise Fishman Speaks with Carrie Moyer, 36 Elyse Speaks, The Terms of Craft

Heather Cassils, After, 2014, 2,000-pound clay bash, remnant sculpture from the performance Becoming an Image, Buddies in Bad Times, Toronto, 2014

Winter 2013, Vol. 72, No. 4

Artist’s Project Jeanne Dunning,Tom Thumb, the New Oedipus, 5 Features Forum: Sexing Sculpture: New Approaches to Theorizing the Object Jillian Hernandez and Susan Richmond, Introduction, 27 Rachel Lachowicz, Portfolio: Material Specificity and the Index of the Feminine, 30 Rachel Middleman,Rethinking

Heather Cassils, After, 2014, 2,000-pound clay bash, remnant sculpture from the performance Becoming an Image, Buddies in Bad Times, Toronto, 2014

Winter 2013, Vol. 72, No. 4

Artist’s Project Jeanne Dunning,Tom Thumb, the New Oedipus, 5 Features Forum: Sexing Sculpture: New Approaches to Theorizing the Object Jillian Hernandez and Susan Richmond, Introduction, 27 Rachel Lachowicz, Portfolio: Material Specificity and the Index of the Feminine, 30 Rachel Middleman,Rethinking

Art Journal Winter 2011

Winter 2011, Vol. 70, No. 4

In This Issue Katy Siegel, In Print, 5 Artist’s Project Matthew Brannon, Pressing the “Delete” button, not pressing the “Are you sure you want to delete?” button, covers Centennial Essay Sarah Suzuki, Print People: A Brief Taxonomy of Contemporary Printmaking, 6

Art Journal Winter 2011

Winter 2011, Vol. 70, No. 4

In This Issue Katy Siegel, In Print, 5 Artist’s Project Matthew Brannon, Pressing the “Delete” button, not pressing the “Are you sure you want to delete?” button, covers Centennial Essay Sarah Suzuki, Print People: A Brief Taxonomy of Contemporary Printmaking, 6

Art Journal winter 2010

Winter 2010, Vol. 69, No. 4

In This Issue Katy Siegel, Something Totally Unpredictable, 5 Features Kerry James Marshall, Adrift, Infinity, or Oblivion, from Dailies, Inside Cover Kelly Baum, Santiago Sierra: How to Do Things with Words, 6 Forum: Land Use in Contemporary Art Kirsten Swenson,

Art Journal winter 2010

Winter 2010, Vol. 69, No. 4

In This Issue Katy Siegel, Something Totally Unpredictable, 5 Features Kerry James Marshall, Adrift, Infinity, or Oblivion, from Dailies, Inside Cover Kelly Baum, Santiago Sierra: How to Do Things with Words, 6 Forum: Land Use in Contemporary Art Kirsten Swenson,

Art Journal Winter 1998

Winter 1998, Vol. 57, No. 4

Features Vera Frenkel with Dot Tuer and Clive Robertson, The Story Is Always Partial: A Conversation with Vera Frenkel, 2 Michael Brenson, The Curator’s Moment, 16 Mónica Amor, Okwui Enwezor, Gao Minglu, Oscar Ho, Kobena Mercer, Irit Rogoff, Liminalities: Discussions

Art Journal Winter 1998

Winter 1998, Vol. 57, No. 4

Features Vera Frenkel with Dot Tuer and Clive Robertson, The Story Is Always Partial: A Conversation with Vera Frenkel, 2 Michael Brenson, The Curator’s Moment, 16 Mónica Amor, Okwui Enwezor, Gao Minglu, Oscar Ho, Kobena Mercer, Irit Rogoff, Liminalities: Discussions

aj_winter1999

Winter 1999, Vol. 58, No. 4

In This Issue Janet A. Kaplan, 3 Responses Vasif Kortun and Judith Mastai, 4 Benefit Print Maura Reilly, Notes on Kiki Smiths Fall/Winter, 6 Features Mira Schor, Contemporary Feminism: Art Practice, Theory, and ActivismAn Intergenerational Perspective (Emma Amos, Susan Bee,

aj_winter1999

Winter 1999, Vol. 58, No. 4

In This Issue Janet A. Kaplan, 3 Responses Vasif Kortun and Judith Mastai, 4 Benefit Print Maura Reilly, Notes on Kiki Smiths Fall/Winter, 6 Features Mira Schor, Contemporary Feminism: Art Practice, Theory, and ActivismAn Intergenerational Perspective (Emma Amos, Susan Bee,

aj_winter2000

Winter 2000, Vol. 59, No. 4

In This Issue Janet A. Kaplan, 3 Responses Bradley Rubenstein, 4 Network Society Gregg Bordowitz, 5 Features Crossing Boundaries in Cyberspace? The Politics of “Body and Language” after the Emergence of New Media Guest Edited by Ursula Frohne and Christian

aj_winter2000

Winter 2000, Vol. 59, No. 4

In This Issue Janet A. Kaplan, 3 Responses Bradley Rubenstein, 4 Network Society Gregg Bordowitz, 5 Features Crossing Boundaries in Cyberspace? The Politics of “Body and Language” after the Emergence of New Media Guest Edited by Ursula Frohne and Christian

aj_winter2001

Winter 2001, Vol. 60, No. 4

In This Issue Janet A. Kaplan, 2 Responses Keith Townsend Obadike, 4 Features Joanna Roche, Performing Memory in Moon in a Tree: Carolee Schneemann Recollects Joseph Cornell, 6 Igor Zabel, Women in Black, 16 Laura Auricchio, Works in Translation: Ghada

aj_winter2001

Winter 2001, Vol. 60, No. 4

In This Issue Janet A. Kaplan, 2 Responses Keith Townsend Obadike, 4 Features Joanna Roche, Performing Memory in Moon in a Tree: Carolee Schneemann Recollects Joseph Cornell, 6 Igor Zabel, Women in Black, 16 Laura Auricchio, Works in Translation: Ghada

aj_winter2002

Winter 2002, Vol. 61, No. 4

In This Issue Patricia C. Phillips, At This Time, 3 Features and Artists’ Projects Kevin Chua, Simryn Gill and Migration’s Capital, 4 Alix Ohlin, Andreas Gursky and the Contemporary Sublime, 22 Martin Gantman, See you when we get home, 36

aj_winter2002

Winter 2002, Vol. 61, No. 4

In This Issue Patricia C. Phillips, At This Time, 3 Features and Artists’ Projects Kevin Chua, Simryn Gill and Migration’s Capital, 4 Alix Ohlin, Andreas Gursky and the Contemporary Sublime, 22 Martin Gantman, See you when we get home, 36

aj_winter2003

Winter 2003, Vol. 62, No. 4

In This Issue Patricia C. Phillips, Why We Should Care, 3 Forum Robin Greeley, Ancient Iraq, Contemporary Crisis, 6 Zainab Bahrani, Iraq’s Cultural Heritage: Monuments, History, and Loss, 10 Harriet Crawford, The Crumbling of an Ivory Tower, 18 John Malcolm

aj_winter2003

Winter 2003, Vol. 62, No. 4

In This Issue Patricia C. Phillips, Why We Should Care, 3 Forum Robin Greeley, Ancient Iraq, Contemporary Crisis, 6 Zainab Bahrani, Iraq’s Cultural Heritage: Monuments, History, and Loss, 10 Harriet Crawford, The Crumbling of an Ivory Tower, 18 John Malcolm

aj_winter2004

Winter 2004, Vol. 63, No. 4

In This Issue Patricia C. Phillips, Unsettled Imaginations, 3 Feature Raymond Spiteri, Envisioning Surrealism in Histoire de l’œil and La femme 100 têtes, 4 Artist Project Sze Tsung Leong, History Images, 19 Christopher Phillips, Drastic Urbanization: The Photographs of Sze

aj_winter2004

Winter 2004, Vol. 63, No. 4

In This Issue Patricia C. Phillips, Unsettled Imaginations, 3 Feature Raymond Spiteri, Envisioning Surrealism in Histoire de l’œil and La femme 100 têtes, 4 Artist Project Sze Tsung Leong, History Images, 19 Christopher Phillips, Drastic Urbanization: The Photographs of Sze

aj_winter2005

Winter 2005, Vol. 64, No. 4

In This Issue Patricia C. Phillips, Reconciliations: New Views and Re-views, 3 Artist Project Mary Lum, 64 Scenes (with an essay by Steven Nelson), 4 Features Roxana Marcoci, Perceptions at Play: Giacometti through Contemporary Eyes, 6 Rebecca M. Brown, P.T.

aj_winter2005

Winter 2005, Vol. 64, No. 4

In This Issue Patricia C. Phillips, Reconciliations: New Views and Re-views, 3 Artist Project Mary Lum, 64 Scenes (with an essay by Steven Nelson), 4 Features Roxana Marcoci, Perceptions at Play: Giacometti through Contemporary Eyes, 6 Rebecca M. Brown, P.T.

aj_winter2006

Winter 2006, Vol. 65, No. 4

In This Issue Patricia C. Phillips, On Locations, 5 Features Simone Osthoff, Elsewhere in Contemporary Art: Topologies of Artists’ Works, Writings, and Archives, 6 Marquard Smith, Journeys, Documenting, Indexing, Archives, and Practice-Based Research: A Conversation with susan pui san lok,

aj_winter2006

Winter 2006, Vol. 65, No. 4

In This Issue Patricia C. Phillips, On Locations, 5 Features Simone Osthoff, Elsewhere in Contemporary Art: Topologies of Artists’ Works, Writings, and Archives, 6 Marquard Smith, Journeys, Documenting, Indexing, Archives, and Practice-Based Research: A Conversation with susan pui san lok,

aj_winter2007

Winter 2007, Vol. 66, No. 4

In This Issue Judith F. Rodenbeck, Blindsight and Microblindness, 5 Features Jane Blocker, Blink: The Viewer as Blind Man in Installation Art, 6 Una Chung, What. Comes. After.: An Introduction to Lin + Lam’s Unidentified Vietnam, 22 Lin + Lam,

aj_winter2007

Winter 2007, Vol. 66, No. 4

In This Issue Judith F. Rodenbeck, Blindsight and Microblindness, 5 Features Jane Blocker, Blink: The Viewer as Blind Man in Installation Art, 6 Una Chung, What. Comes. After.: An Introduction to Lin + Lam’s Unidentified Vietnam, 22 Lin + Lam,

aj_winter2009

Winter 2009, Vol. 68, No. 4

In This Issue Judith F. Rodenbeck, The Shape of Time, 5 Features Qadri Ismail, Bound Together: On a Book of Antiwar Sri Lankan Drawings, 6 Nissim Gal. Bare Life: The Refugee in Contemporary Israeli Art and Critical Discourse, 24 Artists’

aj_winter2009

Winter 2009, Vol. 68, No. 4

In This Issue Judith F. Rodenbeck, The Shape of Time, 5 Features Qadri Ismail, Bound Together: On a Book of Antiwar Sri Lankan Drawings, 6 Nissim Gal. Bare Life: The Refugee in Contemporary Israeli Art and Critical Discourse, 24 Artists’

aj_winter2008

Winter 2008, Vol. 67, No. 4

In This Issue Judith F. Rodenbeck, Notes on Parrhesia, 5 Forum: I’ll Be Your Mirror, or Why and How Do We Work on Living Artists Suzanne Hudson, Why and How Do We Work on Living Artists, 8 Agnes Berecz, Painting

aj_winter2008

Winter 2008, Vol. 67, No. 4

In This Issue Judith F. Rodenbeck, Notes on Parrhesia, 5 Forum: I’ll Be Your Mirror, or Why and How Do We Work on Living Artists Suzanne Hudson, Why and How Do We Work on Living Artists, 8 Agnes Berecz, Painting