{"id":23,"date":"2011-01-28T19:09:07","date_gmt":"2011-01-28T19:09:07","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?page_id=23"},"modified":"2015-01-20T17:20:18","modified_gmt":"2015-01-20T17:20:18","slug":"table-of-contents","status":"publish","type":"page","link":"http:\/\/artjournal.collegeart.org\/?page_id=23","title":{"rendered":"Current Issue: Spring 2014"},"content":{"rendered":"<h2> Selected content from this issue of <em> Art Journal<\/em> is available at the <font color=\"#FF0000\">links<\/font> below.<\/h2>\n<p> <a href=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/doc00169720140922130528.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/doc00169720140922130528.jpg\" alt=\"Spring 2014\" width=\"221\" height=\"270\" class=\"alignleft size-full wp-image-4875\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/doc00169720140922130528.jpg 221w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/doc00169720140922130528-163x200.jpg 163w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/doc00169720140922130528-210x256.jpg 210w\" sizes=\"auto, (max-width: 221px) 100vw, 221px\" \/><\/a> <\/p>\n<h1> Table of Contents<\/h1>\n<h2> Artist&#8217;s Project<\/h2>\n<figure id=\"attachment_4717\" aria-describedby=\"caption-attachment-4717\" style=\"width: 270px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/07\/SchiffTOC.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/07\/SchiffTOC.jpg\" alt=\"From &quot;Connecting the Dots\/Hijacking Typography,&quot; Karen L. Schiff\" width=\"270\" height=\"327\" class=\"size-full wp-image-4717\" \/><\/a><figcaption id=\"caption-attachment-4717\" class=\"wp-caption-text\"><strong>From &#8220;Connecting the Dots\/Hijacking Typography,&#8221; Karen L. Schiff<\/strong><\/figcaption><\/figure>\n<p>Karen L. Schiff, <em>Counter to Type<\/em><\/p>\n<p>Drawings appear on the front and back covers of this issue, on pages 2-3, on pages 5\u201311 with the artist&#8217;s essay, &#8220;Connecting the Dots\/Hijacking Typography,&#8221; and in the Reviews section, pages 76\u201385.<\/p>\n<p>\n<\/br><\/p>\n<h2> Features<\/h2>\n<div id='gallery-2' class='gallery galleryid-23 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=4708'><img loading=\"lazy\" decoding=\"async\" width=\"143\" height=\"200\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/07\/AndrewsTOC.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4708\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-4708'>\n\t\t\t\tNell Andrew, <strong>Sophie Taueber-Arp, <em>Free Vertical-Horizontal Rhythms (Rythmes verticaux-horizontaux libres)<\/em>, 1919, <\/strong>gouache, 11\u200a15\u204416 x 8\u200a9\u204416 in. (30.3 x 21.8 cm). Stiftung Hans Arp und Sophie Taeuber Arp e.V., inv. 003.205 (artwork in the public domain; photograph provided by Stiftung Hans Arp und Sophie Taeuber Arp)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=4721'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"200\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/07\/AsheTOC.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4721\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-4721'>\n\t\t\t\tLisa Frye Ashe, <strong>Visitors with Barnett Newman\u2019s <em>The Wild<\/em> (1950) at the Museum of Modern Art, 2010<\/strong> (photograph by the author)\n\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=4727'><img loading=\"lazy\" decoding=\"async\" width=\"151\" height=\"200\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/07\/MednicovTOC.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4727\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-4727'>\n\t\t\t\tMelissa L. Mednicov, <strong>James Rosenquist, <em>Big Bo<\/em>, 1966,<\/strong> oil on shaped canvas, 7 ft. 8 in. x 65\u00bd in. (233.7 x 166.4 cm). Mus\u00e9e d\u2019Art Moderne et d\u2019Art Contemporain, Nice, France (artwork \u00a9 James Rosenquist\/licensed by VAGA, New York, NY; photograph provided by the artist)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=4724'><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"146\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/07\/TerraccianoTOC.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4724\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-4724'>\n\t\t\t\tEmilia Terracciano, <strong>Nasreen Mohamedi, Untitled, ca. 1970,<\/strong> ink on paper, 19\u00bc x 27\u215b in. (49 x 69 cm). Glenbarra Art Museum, Japan (artwork \u00a9 Estate of Nasreen Mohamedi\/Talwar Gallery, New York; photograph provided by Glenbarra Art Museum)\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p> <strong>Nell Andrew<\/strong><br \/>\n<a href=\"http:\/\/artjournal.collegeart.org\/?p=4680\"><font color=\"#FF0000\">Dada Dance: Sophie Taeuber&#8217;s Visceral Abstraction<\/font><\/a>, 12<\/p>\n<p><strong>Lisa Frye Ashe<\/strong><br \/>\nOn Barnett Newman&#8217;s <em>The Wild<\/em>, 30<\/p>\n<p><strong>Emilia Terracciano<\/strong><br \/>\nFugitive Lines: Nasreen Mohamedi, 1960\u201375, 44<\/p>\n<p><strong>Melissa L. Mednicov<\/strong><br \/>\nPink, White, and Black: The Strange Case of James Rosenquist&#8217;s <em> Big Bo<\/em>, 60 <\/p>\n<p>\n<\/br><\/p>\n<h2>Reviews<\/h2>\n<div id='gallery-4' class='gallery galleryid-23 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=4714'><img loading=\"lazy\" decoding=\"async\" width=\"155\" height=\"200\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/07\/KleyBessTOC.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-4-4714\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-4-4714'>\n\t\t\t\tChuck Smith, <em> Forrest Bess: The Key to the Riddle <\/em>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=4712'><img loading=\"lazy\" decoding=\"async\" width=\"181\" height=\"200\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/07\/Reviews-02-Kley-2-Bess.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-4-4712\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-4-4712'>\n\t\t\t\tClaire Elliott and Robert Gober. <em>Forrest Bess: Seeing Things Invisible<\/em>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=4730'><img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"200\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/07\/MorrisManovichTOC.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-4-4730\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-4-4730'>\n\t\t\t\tLev Manovich, <em>Software Takes Command<\/em>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=4738'><img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"200\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/07\/SternTOC.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-4-4738\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-4-4738'>\n\t\t\t\tNathaniel Stern, <em> Interactive Art and Embodiment: The Implicit Body as Performance<\/p>\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><a href=\"http:\/\/artjournal.collegeart.org\/?p=4709\"><font color=\"#FF0000\"><strong>Elisabeth Kley<\/strong> on Chuck Smith, <em> Forrest Bess: Key to the Riddle<\/em>, and Claire Elliott and Robert Gober, <em>Forrest Bess: Seeing Things Invisible<\/em><\/font><\/a>, 76<\/p>\n<p><strong>Michael A. Morris<\/strong> on Lev Manovich, <em> Software Takes Command<\/em>, 79<\/p>\n<p><p><strong>Troy Rhoades<\/strong> on Nathaniel Stern, <em> Interactive Art and Embodiment: The Implicit Body as Performance<\/em>, 82 <\/p>\n<p>\n","protected":false},"excerpt":{"rendered":"<p>Selected content from this issue of Art Journal is available at the links below. Table of Contents Artist&#8217;s Project Karen &hellip; <a class=\"more-link\" href=\"http:\/\/artjournal.collegeart.org\/?page_id=23\">More<\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"parent":4806,"menu_order":9,"comment_status":"closed","ping_status":"closed","template":"full-width-page.php","meta":{"kia_subtitle":"","footnotes":""},"class_list":["post-23","page","type-page","status-publish","hentry",""],"_links":{"self":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/pages\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23"}],"version-history":[{"count":0,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/pages\/23\/revisions"}],"up":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/pages\/4806"}],"wp:attachment":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}