{"id":5449,"date":"2014-10-29T14:28:31","date_gmt":"2014-10-29T14:28:31","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?page_id=5449"},"modified":"2014-11-14T20:26:53","modified_gmt":"2014-11-14T20:26:53","slug":"current-issue-summer-2014","status":"publish","type":"page","link":"http:\/\/artjournal.collegeart.org\/?page_id=5449","title":{"rendered":"Current Issue: Summer 2014"},"content":{"rendered":"<h2> Selected content from this issue of <em> Art Journal<\/em> is available at the <font color=\"#FF0000\">links<\/font> below.<\/h2>\n<p><a href=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Summer-2014-CoverTOC.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Summer-2014-CoverTOC.jpg\" alt=\"AJ Summer 2014 \" width=\"270\" height=\"330\" class=\"aligncenter size-full wp-image-5493\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Summer-2014-CoverTOC.jpg 270w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Summer-2014-CoverTOC-163x200.jpg 163w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Summer-2014-CoverTOC-210x256.jpg 210w\" sizes=\"auto, (max-width: 270px) 100vw, 270px\" \/><\/a><\/p>\n<hr\/>\n<h2>Artist\u2019s Project<\/strong><\/h2>\n<figure id=\"attachment_5450\" aria-describedby=\"caption-attachment-5450\" style=\"width: 270px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Hodgson-TOC.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Hodgson-TOC.jpg\" alt=\"Jonathan Hodgson, Guant\u00e1namo Bay: \u2009The Hunger Strikes\" width=\"270\" height=\"152\" class=\"size-full wp-image-5450\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Hodgson-TOC.jpg 270w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Hodgson-TOC-200x112.jpg 200w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Hodgson-TOC-210x118.jpg 210w\" sizes=\"auto, (max-width: 270px) 100vw, 270px\" \/><\/a><figcaption id=\"caption-attachment-5450\" class=\"wp-caption-text\">Jonathan Hodgson, <em>Guant\u00e1namo Bay: \u2009The Hunger Strikes<\/em><\/figcaption><\/figure>\n<p><strong>Jonathan Hodgson<\/strong>, Guant\u00e1namo Bay: The Hunger Strikes, 5<\/p>\n<h2>Forum: Red Conceptualismos del Sur Southern Conceptualisms Network<\/h2>\n<div id='gallery-2' class='gallery galleryid-5449 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=5463'><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"143\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Longoni-intro-TOC-200x143.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-5463\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Longoni-intro-TOC-200x143.jpg 200w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Longoni-intro-TOC-210x150.jpg 210w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Longoni-intro-TOC.jpg 270w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-5463'>\n\t\t\t\t<strong>Poster for the first meeting of Southern Conceptualisms Network in S\u00e3o Paulo, Brazil, April 2008<\/strong>, based on Horacio Zabala\u2019s map with stamp interventions\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=5466'><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"133\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Freire-TOC-200x133.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-5466\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Freire-TOC-200x133.jpg 200w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Freire-TOC-210x140.jpg 210w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Freire-TOC.jpg 270w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-5466'>\n\t\t\t\t<strong>Fluxus Street, 17a Bienal de S\u00e3o Paulo, 1983<\/strong>, instala\u00e7\u00e3o \/ installation view, Museu de Arte Contempor\u00e2nea da Universidade de S\u00e3o Paulo (photographer unknown; photograph provided by Wanda Svevo Historical Archive, Funda\u00e7\u00e3o Bienal de S\u00e3o Paulo)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=5473'><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"127\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Longoni-essay-TOC-200x127.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-5473\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Longoni-essay-TOC-200x127.jpg 200w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Longoni-essay-TOC-210x133.jpg 210w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Longoni-essay-TOC.jpg 270w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-5473'>\n\t\t\t\t<strong>Escena de Para cenar Artaud [Dining with Artaud], performance, Buenos Aires, 1979 <\/strong>(photograph provided by Rub\u00e9n Campitelli)\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Ana Longoni<\/strong><br \/>\nSalir del silencio: Arte y pol\u00edtica en latinoam\u00e9rica entre los a\u00f1os 60 y 80, 14<br \/>\nComing out of Silence: Art and Politics in Latin America from the 1960s to the 1980s, 15<\/p>\n<p><strong>Cristina Freire<\/strong><br \/>\nMuseus em Rede: A dial\u00e9tica impec\u00e1vel de Walter Zanini, 20<br \/>\nA Network of Museums: The Impeccable Dialectic of Walter Zanini, 21<\/p>\n<p><strong>Miguel A. L\u00f3pez<\/strong><br \/>\nTeresa Burga: Desplegando el cuerpo (social) femenino, 66<br \/>\nTeresa Burga: Unfolding the (Social) Female Body, 47<\/p>\n<p><strong>Tamara D\u00edaz Bringas<\/strong><br \/>\n<a href=\"http:\/\/artjournal.collegeart.org\/?p=5429\"><font color=\"#FF0000\">Nueve entradas en 1989, 66<\/font><\/a><br \/>\n<a href=\"http:\/\/artjournal.collegeart.org\/?p=5378\"><font color=\"#FF0000\">Nine Innings in 1989, 67<\/font><\/a><\/p>\n<p><strong>Ana Longoni<\/strong><br \/>\nActivismo teatral durante la \u00faltima dictadura argentina: Apuntes sobre el Taller de Investigaciones Teatrales, 90<br \/>\nTheatrical Activism during the Last Argentine Dictatorship: Notes on the Taller de Investigaciones Teatrales, 91<\/p>\n<div id='gallery-4' class='gallery galleryid-5449 gallery-columns-2 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=5467'><img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"200\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Lopez-TOC-140x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-4-5467\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Lopez-TOC-140x200.jpg 140w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Lopez-TOC.jpg 270w\" sizes=\"auto, (max-width: 140px) 100vw, 140px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-4-5467'>\n\t\t\t\t<strong>Teresa Burga, Sin titulo, \u201c\u00bfQue y como porqu\u00e9?\u201d [Untitled, \u201cWhat, How, and Why?\u201d], 1975<\/strong>, tinta sobre papel \/ ink on paper, \n11\u00be x 8\u00bc in. (29.7 x 21 cm). Sammlung Verbund, \nVienna (artwork \u00a9 Teresa Burga; photograph \nprovided by Sammlung Verbund) \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=5428'><img loading=\"lazy\" decoding=\"async\" width=\"123\" height=\"200\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/BringasTOC-123x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-4-5428\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/BringasTOC-123x200.jpg 123w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/BringasTOC-210x339.jpg 210w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/BringasTOC.jpg 270w\" sizes=\"auto, (max-width: 123px) 100vw, 123px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-4-5428'>\n\t\t\t\t<strong>Nudo [Eduardo Marin y Vladimir Llaguno], cartel \u201cLa pl\u00e1stica joven se dedica al b\u00e9isbol\u201d \/ poster \u201cYoung Artists Take Up Baseball,\u201d 1989<\/strong>, impreso en \/ printed at Taller de Serigraf\u00eda Ren\u00e9 Portocarrero, Havana (artwork \u00a9 Nudo) \n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<h2>Reviews<\/h2>\n<p>Kim Charnley on Claire Bishop, <em>Artificial Hells: Participatory Art and the Politics of Spectatorship<\/em>, and Tom Finkelpearl, <em>What We Made: Conversations on Art and Social Cooperation<\/em>; David Markus on Peter Osborne, <em>Anywhere or Not at All: Philosophy of Contemporary Art<\/em>; and <a href=\"http:\/\/artjournal.collegeart.org\/?p=5440\"><font color=\"#FF0000\">Charissa N. Terranova on the exhibition <em>Le Corbusier: An Atlas of Modern Landscapes<\/em><\/font><\/a><\/p>\n<div id='gallery-6' class='gallery galleryid-5449 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=5470'><img loading=\"lazy\" decoding=\"async\" width=\"132\" height=\"200\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Finkelpearl-TOC-132x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-6-5470\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Finkelpearl-TOC-132x200.jpg 132w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Finkelpearl-TOC-210x317.jpg 210w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Finkelpearl-TOC.jpg 270w\" sizes=\"auto, (max-width: 132px) 100vw, 132px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-6-5470'>\n\t\t\t\tTom Finkelpearl, <em>What We Made: Conversations on Art and Social  Cooperation<\/em>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=5485'><img loading=\"lazy\" decoding=\"async\" width=\"132\" height=\"200\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Bishop-TOC-132x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-6-5485\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Bishop-TOC-132x200.jpg 132w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Bishop-TOC-210x316.jpg 210w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Bishop-TOC.jpg 270w\" sizes=\"auto, (max-width: 132px) 100vw, 132px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-6-5485'>\n\t\t\t\tClaire Bishop, <em>Artificial Hells: Participatory Art and the Politics of  Spectatorship<\/em>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=5468'><img loading=\"lazy\" decoding=\"async\" width=\"130\" height=\"200\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Osbourne-TOC-130x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-6-5468\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Osbourne-TOC-130x200.jpg 130w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Osbourne-TOC-210x321.jpg 210w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Osbourne-TOC.jpg 270w\" sizes=\"auto, (max-width: 130px) 100vw, 130px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-6-5468'>\n\t\t\t\tPeter Osborne, <em>Anywhere or Not at All: Philosophy of Contemporary Art<\/em>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=5446'><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"133\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Terranova-TOC-200x133.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-6-5446\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Terranova-TOC-200x133.jpg 200w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Terranova-TOC-210x140.jpg 210w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2014\/10\/Terranova-TOC.jpg 270w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-6-5446'>\n\t\t\t\tLe Corbusier, Cabanon, Roquebrune-Cap-Martin, 1951\u201352, re-creation of the interior, 2006, manufactured by Cassina SpA, Milan (photograph by Jonathan Muzikar \u00a9 2013 Museum of Modern Art)\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Selected content from this issue of Art Journal is available at the links below. Artist\u2019s Project Jonathan Hodgson, Guant\u00e1namo Bay: &hellip; <a class=\"more-link\" href=\"http:\/\/artjournal.collegeart.org\/?page_id=5449\">More<\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"parent":4806,"menu_order":3129,"comment_status":"closed","ping_status":"closed","template":"","meta":{"kia_subtitle":"","footnotes":""},"class_list":["post-5449","page","type-page","status-publish","hentry",""],"_links":{"self":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/pages\/5449","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5449"}],"version-history":[{"count":0,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/pages\/5449\/revisions"}],"up":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/pages\/4806"}],"wp:attachment":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}