{"id":5773,"date":"2015-02-09T16:35:00","date_gmt":"2015-02-09T16:35:00","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?page_id=5773"},"modified":"2015-02-09T16:51:25","modified_gmt":"2015-02-09T16:51:25","slug":"current-issue-fall-2014","status":"publish","type":"page","link":"http:\/\/artjournal.collegeart.org\/?page_id=5773","title":{"rendered":"Current Issue: Fall 2014"},"content":{"rendered":"<h2> Selected content from this issue of <em> Art Journal<\/em> is available at the links below.<\/h2>\n<figure id=\"attachment_5937\" aria-describedby=\"caption-attachment-5937\" style=\"width: 270px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/02\/Fall-2014.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/02\/Fall-2014.jpg\" alt=\"Fall 2014\" width=\"270\" height=\"324\" class=\"size-full wp-image-5937\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/02\/Fall-2014.jpg 270w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/02\/Fall-2014-167x200.jpg 167w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/02\/Fall-2014-210x252.jpg 210w\" sizes=\"auto, (max-width: 270px) 100vw, 270px\" \/><\/a><figcaption id=\"caption-attachment-5937\" class=\"wp-caption-text\">Fall 2014<\/figcaption><\/figure>\n<h1>Table of Contents<\/h1>\n<h2>Features<\/h2>\n<div id='gallery-2' class='gallery galleryid-5773 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=5792'><img loading=\"lazy\" decoding=\"async\" width=\"171\" height=\"200\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/MaizelsTOC1-171x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-5792\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/MaizelsTOC1-171x200.jpg 171w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/MaizelsTOC1-343x400.jpg 343w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/MaizelsTOC1-210x244.jpg 210w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/MaizelsTOC1.jpg 858w\" sizes=\"auto, (max-width: 171px) 100vw, 171px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-5792'>\n\t\t\t\t<strong>Andy Warhol, <em>Do It Yourself (Flowers)<\/em>, 1962,<\/strong> synthetic polymer paint and Press Type on canvas, 69 x 59 in. (175.3 x 149.9 cm) (artwork and photograph \u00a9 2014 The Andy Warhol Foundation for the Visual Arts, Inc.\/licensed by Artists Rights Society (ARS), New York)\n\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=5790'><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"154\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/WoodruffTOC1-200x154.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-5790\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/WoodruffTOC1-200x154.jpg 200w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/WoodruffTOC1-400x308.jpg 400w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/WoodruffTOC1-210x161.jpg 210w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/WoodruffTOC1.jpg 1000w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-5790'>\n\t\t\t\t<strong>Julio Le Parc, <em>Anti-Car<\/em>, 1966,A<\/strong> various materials, installation view, Paris, 1966 (artwork \u00a9 2014 Julio Le Parc\/Artists Rights Society (ARS), New York\/ADAGP, Paris; photograph provided by Julio Le Parc archives)\n\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=5793'><img loading=\"lazy\" decoding=\"async\" width=\"133\" height=\"200\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/QuilesTOC1-133x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-5793\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/QuilesTOC1-133x200.jpg 133w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/QuilesTOC1-267x400.jpg 267w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/QuilesTOC1.jpg 343w\" sizes=\"auto, (max-width: 133px) 100vw, 133px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-5793'>\n\t\t\t\t<strong>Roberto Jacoby, <em>1968: El culo te abrocho<\/em> (1968: I Do Your Ass), 2008,<\/strong> two of a series of 28 inkjet and silkscreen prints on cotton linters papers, 35\u00bd x 27\u00bd in. (90 x 70 cm) (artwork \u00a9 Roberto Jacoby; photograph provided by the artist)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=5791'><img loading=\"lazy\" decoding=\"async\" width=\"157\" height=\"200\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/CastanedaTOC1-157x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-5791\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/CastanedaTOC1-157x200.jpg 157w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/CastanedaTOC1-314x400.jpg 314w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/CastanedaTOC1-210x267.jpg 210w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/CastanedaTOC1.jpg 785w\" sizes=\"auto, (max-width: 157px) 100vw, 157px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-5791'>\n\t\t\t\t<strong>Philom\u00e9 Obin, <em>Franklin D. Roosevelt Interceding in the Beyond for the Peace of the Americas<\/em>, 1946,<\/strong> oil on masonite, dimensions unknown\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Michael Maizels<\/strong><br \/>\nDoing It Yourself: Machines, Masturbation, and Andy Warhol, 5<\/p>\n<p><strong>Lily Woodruff<\/strong><br \/>\nThe Groupe de Recherche d\u2019Art Visuel against the Technocrats, 18<\/p>\n<p><a href=\"http:\/\/artjournal.collegeart.org\/?p=5743\"><strong>Daniel R. Quiles<\/strong><br \/>\nDead Boars, Viruses, and Zombies: Roberto Jacoby\u2019s Art History, 38<\/a><\/p>\n<p><strong>Luis M. Casta\u00f1eda<\/strong><br \/>\nIsland Culture Wars: Selden Rodman and Haiti, 56<\/p>\n<h2>Artist\u2019s Project<\/h2>\n<figure id=\"attachment_5788\" aria-describedby=\"caption-attachment-5788\" style=\"width: 160px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/BakkerTOC.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/BakkerTOC-160x200.jpg\" alt=\"Conrad Bakker, Untitled Project: Robert Smithson Library &amp; Book Club\" width=\"160\" height=\"200\" class=\"size-thumbnail wp-image-5788\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/BakkerTOC-160x200.jpg 160w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/BakkerTOC-320x400.jpg 320w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/BakkerTOC-800x1000.jpg 800w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/BakkerTOC-210x262.jpg 210w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/BakkerTOC.jpg 1000w\" sizes=\"auto, (max-width: 160px) 100vw, 160px\" \/><\/a><figcaption id=\"caption-attachment-5788\" class=\"wp-caption-text\">Conrad Bakker, <em>Untitled Project: Robert Smithson Library &#038; Book Club<\/em><\/figcaption><\/figure>\n<p><strong>Conrad Bakker<\/strong><br \/>\n<em>Untitled Project: Robert Smithson Library &#038; Book Club<\/em>, 71<\/strong><\/p>\n<h2>Reviews<\/h2>\n<div id='gallery-4' class='gallery galleryid-5773 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=5849'><img loading=\"lazy\" decoding=\"async\" width=\"132\" height=\"200\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/Reviews-1-Driscoll-Bowles-132x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-4-5849\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/Reviews-1-Driscoll-Bowles-132x200.jpg 132w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/Reviews-1-Driscoll-Bowles-264x400.jpg 264w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/Reviews-1-Driscoll-Bowles-210x317.jpg 210w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/Reviews-1-Driscoll-Bowles.jpg 662w\" sizes=\"auto, (max-width: 132px) 100vw, 132px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-4-5849'>\n\t\t\t\t<strong>John P. Bowles<\/strong>. <em>Adrian Piper: Race, Gender, and Embodiment<\/em>. \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=5847'><img loading=\"lazy\" decoding=\"async\" width=\"133\" height=\"200\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/Reviews-2-Taylor-Cooks-133x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-4-5847\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/Reviews-2-Taylor-Cooks-133x200.jpg 133w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/Reviews-2-Taylor-Cooks-267x400.jpg 267w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/Reviews-2-Taylor-Cooks-210x314.jpg 210w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/Reviews-2-Taylor-Cooks.jpg 668w\" sizes=\"auto, (max-width: 133px) 100vw, 133px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-4-5847'>\n\t\t\t\t<strong>Bridget Cooks<\/strong>. <em>Exhibiting Blackness: African Americans and the American Art <\/em>Museum. \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/artjournal.collegeart.org\/?attachment_id=5776'><img loading=\"lazy\" decoding=\"async\" width=\"154\" height=\"200\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/Reviews-4-Aranke-Copeland-154x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-4-5776\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/Reviews-4-Aranke-Copeland-154x200.jpg 154w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/Reviews-4-Aranke-Copeland-308x400.jpg 308w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/Reviews-4-Aranke-Copeland-210x272.jpg 210w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/01\/Reviews-4-Aranke-Copeland.jpg 772w\" sizes=\"auto, (max-width: 154px) 100vw, 154px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-4-5776'>\n\t\t\t\t<strong>Huey Copeland<\/strong>, <em>Bound to Appear: Art, Slavery, and the Site of Blackness in Multicultural America<\/em>\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Megan Driscoll<\/strong> on John P. Bowles, <em>Adrian Piper: Race, Gender, and Embodiment<\/em>; <strong>Lauren Taylor<\/strong> on Bridget Cooks, <em>Exhibiting Blackness: African Americans and the American Art Museum<\/em>; <strong>Anthony E. Grudin<\/strong> on Blake Stimson, <em>Citizen Warhol<\/em>; <a href=\"http:\/\/artjournal.collegeart.org\/?p=5775\"><strong>Sampada Aranke<\/strong> on Huey Copeland, <em>Bound to Appear: Art, Slavery, and the Site of Blackness in Multicultural America<\/em><\/a><\/p>\n<p>\u201cSome Tools for Radical Pedagogy,\u201d an annotated bibliography by the Pedagogy Group<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Selected content from this issue of Art Journal is available at the links below. Table of Contents Features Michael Maizels &hellip; <a class=\"more-link\" href=\"http:\/\/artjournal.collegeart.org\/?page_id=5773\">More<\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"parent":4806,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full-width-page.php","meta":{"kia_subtitle":"","footnotes":""},"class_list":["post-5773","page","type-page","status-publish","hentry",""],"_links":{"self":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/pages\/5773","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5773"}],"version-history":[{"count":0,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/pages\/5773\/revisions"}],"up":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/pages\/4806"}],"wp:attachment":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}