{"id":6444,"date":"2015-07-29T15:39:15","date_gmt":"2015-07-29T15:39:15","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?page_id=6444"},"modified":"2015-07-29T15:39:15","modified_gmt":"2015-07-29T15:39:15","slug":"winter-2014-vol-73-no-4","status":"publish","type":"page","link":"http:\/\/artjournal.collegeart.org\/?page_id=6444","title":{"rendered":"Winter 2014, Vol. 73, No. 4"},"content":{"rendered":"<h2>Table of Contents<\/h2>\n<h2>Features<\/h2>\n<figure id=\"attachment_6106\" aria-describedby=\"caption-attachment-6106\" style=\"width: 324px\" class=\"wp-caption alignright\"><a href=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/04\/Winter-2014.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/04\/Winter-2014-324x400.jpg\" alt=\"Winter 2014\" width=\"324\" height=\"400\" class=\"size-medium wp-image-6106\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/04\/Winter-2014-324x400.jpg 324w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/04\/Winter-2014-162x200.jpg 162w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/04\/Winter-2014-810x1000.jpg 810w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2015\/04\/Winter-2014-210x259.jpg 210w\" sizes=\"auto, (max-width: 324px) 100vw, 324px\" \/><\/a><figcaption id=\"caption-attachment-6106\" class=\"wp-caption-text\">Winter 2014<\/figcaption><\/figure>\n<p><strong>Anna C. Chave<\/strong><br \/>\nGrave Matters: Positioning Carl Andre at Career\u2019s End, 5<\/p>\n<p><strong>Kenneth R. Allan<\/strong><br \/>\nMarshall McLuhan and the Counterenvironment: \u201cThe Medium Is the Massage\u201d, 22<\/p>\n<p><strong>Adair Rounthwaite<\/strong><br \/>\nIn, Around, and Afterthoughts (on Participation): Photography and Agency in Martha Rosler\u2019s Collaboration with Homeward Bound, 46<\/p>\n<p><strong>Antoinette LaFarge<\/strong><br \/>\nSocial Proxies and Real-World Avatars: Impersonation as a Mode of Capitalist Production, 64<\/p>\n<hr\/>\n<h2>Reviews<\/h2>\n<p><strong>Dorota Biczel<\/strong> on Claire F. Fox, <em>Making Art Panamerican: Cultural Policy and the Cold War<\/em>; <strong>Jennifer A. Greenhill<\/strong> on David Cateforis, ed., <em>Rethinking Andrew Wyeth<\/em>; <strong>Michael Schreyach<\/strong> on Alex Potts, <em>Experiments in Modern Realism: World Making, Politics and the Everyday in Postwar European and American Art<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Table of Contents Features Anna C. Chave Grave Matters: Positioning Carl Andre at Career\u2019s End, 5 Kenneth R. Allan Marshall &hellip; <a class=\"more-link\" href=\"http:\/\/artjournal.collegeart.org\/?page_id=6444\">More<\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"parent":19,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"kia_subtitle":"","footnotes":""},"class_list":["post-6444","page","type-page","status-publish","hentry",""],"_links":{"self":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/pages\/6444","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6444"}],"version-history":[{"count":0,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/pages\/6444\/revisions"}],"up":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/pages\/19"}],"wp:attachment":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6444"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}