{"id":7185,"date":"2016-04-28T13:28:24","date_gmt":"2016-04-28T13:28:24","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?page_id=7185"},"modified":"2016-05-05T19:16:34","modified_gmt":"2016-05-05T19:16:34","slug":"current-issue-spring-2016","status":"publish","type":"page","link":"http:\/\/artjournal.collegeart.org\/?page_id=7185","title":{"rendered":"Current Issue: Spring 2016"},"content":{"rendered":"
\"Spring<\/a>
Spring 2016<\/figcaption><\/figure>\n

In This Issue<\/strong><\/p>\n

Rebecca M. Brown<\/strong>
\nBlack Holes, Old Light, and Future Returns, 5<\/p>\n

Artist\u2019s Project<\/strong><\/p>\n

Julia Oldham<\/strong>
\nThe Loneliest Place<\/em>, 7<\/p>\n

Roban Hultman Kramer<\/strong>
\nPeering into a Black Hole, 21<\/p>\n

Features<\/strong><\/p>\n

Emma Chubb \u25cf<\/span><\/strong>
\nSmall Boats, Slave Ship; or, Isaac Julien and the Beauty of Implied Catastrophe, 24<\/p>\n

Natilee Harren<\/strong>
\nFluxus and the Transitional Commodity, 44<\/p>\n

Forum: Diversity and Difference<\/strong><\/p>\n

Jordana Moore Saggese<\/strong>
\nIntroduction: Diversity and Difference, 70<\/p>\n

Tobias Wofford<\/strong>
\nWhose Diaspora?, 74<\/p>\n

T\u2019ai Smith<\/strong>
\nThe Problem with Craft, 80<\/p>\n

Tina Takemoto<\/strong>
\nQueer Art \/ Queer Failure, 85<\/p>\n

Camara Dia Holloway<\/strong>
\nCritical Race Art History, 89<\/p>\n

Petra Kuppers<\/strong>
\nDiversity: Disability, 93<\/p>\n

Jordana Moore Saggese, Camara Dia Holloway, T\u2019ai Smith, Tina Takemoto, and Tobias Wofford<\/strong>
\nBeyond the Numbers Game: Diversity in Theory and Practice, 98<\/p>\n

Reviews<\/strong><\/p>\n

Alessandra Amin<\/strong> on Gil Z. Hochberg, Visual Occupations: Violence and Visibility in a Conflict Zone<\/em>; Jay Murphy<\/strong> on Ros Murray, Antonin Artaud: The Scum of the Soul<\/em>; Nicoletta Rousseva<\/strong> on Anthony Gardner, Politically Unbecoming: Postsocialist Art against Democracy<\/em><\/p>\n

\u201cThe Arctic Plants of New York City,\u201d an annotated bibliography by James Walsh<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

In This Issue Rebecca M. Brown Black Holes, Old Light, and Future Returns, 5 Artist\u2019s Project Julia Oldham The Loneliest … More<\/a><\/p>\n","protected":false},"author":9,"featured_media":7188,"parent":4806,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"kia_subtitle":"","footnotes":""},"class_list":["post-7185","page","type-page","status-publish","has-post-thumbnail","hentry",""],"_links":{"self":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/pages\/7185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7185"}],"version-history":[{"count":0,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/pages\/7185\/revisions"}],"up":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/pages\/4806"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/7188"}],"wp:attachment":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}