{"id":3749,"date":"2013-05-16T16:36:53","date_gmt":"2013-05-16T16:36:53","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?p=3749"},"modified":"2019-11-21T14:49:08","modified_gmt":"2019-11-21T14:49:08","slug":"no-1","status":"publish","type":"post","link":"http:\/\/artjournal.collegeart.org\/?p=3749","title":{"rendered":"Spring 2012, Vol. 71, No. 1"},"content":{"rendered":"<h2>In This Issue<\/h2>\n<p>Katy Siegel, <strong>Art, History, and Criticicsm<\/strong>, 5<\/p>\n<hr>\n<h2>Artist\u2019s Project<\/h2>\n<p>Allen Ruppersberg, <strong>PST: Before and After<\/strong><\/p>\n<hr>\n<h2>Features<\/h2>\n<p><a href=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/CAA_SP12_COVER-F-270.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/CAA_SP12_COVER-F-270.jpg\" alt=\"Spring 2012\" class=\"alignright size-full wp-image-3022\" width=\"270\" height=\"314\"><\/a><\/p>\n<p>Andrew Perchuk, Thomas Crow, and Howard Singerman, <strong>Pacific Standard Time: A Preliminary Conversation<\/strong>, 8<\/p>\n<p>Connie Butler, <strong>This is Art&#8211;These People Are Artists: Pacific Standard Time, Conceptual Art, and Other Momentous Events from a Local Point of View<\/strong>, 38<\/p>\n<p>Jan Tumlir, <strong>Studio Crisis!<\/strong>, 58<\/p>\n<p>Lucia Sanroman, <strong>PST Mexican American and Chicano Exhibitions Legitimize the Periphery<\/strong>, 76<\/p>\n<p>Malik Gaines, <strong>City after Fifty Years&#8217; Living: Differences in Relation<\/strong>, 88<\/p>\n<p>Michael Ned Holte, <strong>Critical Distance: <em>Pacific Standard Time<\/em> and the History of Remembering<\/strong>, 106<\/p>\n<p>Ken Gonzales-Day, <strong>From Postcards to Plaster Casts: The Image of Lynching in Kienholz&#8217;s <em>Five Card Stud<\/em><\/strong>, 120<\/p>\n<p>Lucy Bradnock <strong>Walter Hopps&#8217;s Los Angeles Pastoral<\/strong>, 126<\/p>\n<p>Andrea Bowers, Suzanne Lacy, and Maria Elena Buszek, <strong>&#8220;Necessary Positions&#8221; in Feminist Art: A Conversation<\/strong>, 138<\/p>\n<hr>\n<h2>Reviews<\/h2>\n<p>111<\/p>\n<p<jennifer doyle=\"\" on=\"\" elissa=\"\" auther=\"\" and=\"\" adam=\"\" lerner,=\"\" eds.,=\"\" <em=\"\">West of Center: Art and the Counterculture Experiment in America, 1965-1977, Chris Kraus, <em>Video Green: Los Angeles art and the triumph of NothingnessL.A. Xicano<\/em>, Alexandra Schwartz, <em>Ed Ruscha&#8217;s Los Angeles<\/em>, and Cecile Whiting, <em>Pop L.A.:Art and the City in the 1960s<\/em>; Sohl Lee on Melissa Chiu and Benjamin Genocchio, eds., <em>Contemporary Art in Asia :A Critical Reader<\/em>; Suzanne Hudson on David Raskin, <em> Donald Judd<\/em>; James Nisbet on Amanda Boetzkes, <em> The Ethics of Earth Art<em>; and Marla Stone on Romy Golan, <em>Muralnomad:The Paradox of Wall Painting<\/em>, 1927-1957<\/p>\n<p><\/em><\/em><\/p<jennifer>\n","protected":false},"excerpt":{"rendered":"<p>In This Issue Katy Siegel, Art, History, and Criticicsm, 5 Artist\u2019s Project Allen Ruppersberg, PST: Before and After Features Andrew &hellip; <a class=\"more-link\" href=\"http:\/\/artjournal.collegeart.org\/?p=3749\">More<\/a><\/p>\n","protected":false},"author":9,"featured_media":3022,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kia_subtitle":"","footnotes":""},"categories":[10],"tags":[],"class_list":["post-3749","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-toc",""],"_links":{"self":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/3749","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3749"}],"version-history":[{"count":0,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/3749\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/3022"}],"wp:attachment":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3749"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3749"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3749"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}