{"id":3751,"date":"2013-05-16T16:39:02","date_gmt":"2013-05-16T16:39:02","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?p=3751"},"modified":"2019-11-19T22:24:29","modified_gmt":"2019-11-19T22:24:29","slug":"no-2-14","status":"publish","type":"post","link":"http:\/\/artjournal.collegeart.org\/?p=3751","title":{"rendered":"Summer 2012, Vol. 71, No. 2"},"content":{"rendered":"

In This Issue<\/h2>\n

Katy Siegel, What are you working on?<\/strong>, 5<\/p>\n

\n

Artist\u2019s Project<\/h2>\n

Lorraine O’Grady, This Will Have Been: My 1980s<\/strong>, 6<\/p>\n

Features<\/h2>\n

\"CAA_SU12_COVER_F-270\"<\/a><\/p>\n

Kate Mondloch, The Difference<\/em> Problem: Art History and the Critical Legacy of 1980s Theoretical Feminism<\/strong>, 18<\/p>\n

Alex Kitnick, Another Time<\/strong>, 32<\/p>\n

Beth Citron, Bhupen Khakhar’s “Pop” in India 1970-72<\/strong>, 44<\/p>\n

Julia Bryan-Wilson, Invisible Products<\/strong>, 62<\/p>\n

Grant Kester, The Noisy Optomism of Immediate Action:
\nTheory, Practice, and Pedagogy in Contemporary Art<\/strong>, 86<\/p>\n

Sandra Zalman, Secret Agency: Magritte at MoMA in the 1960s<\/strong>, 100<\/p>\n

\n

Reviews<\/h2>\n

Nuit Bandai on Sarah Wilson, The Visual World of French Theory: Figurations<\/em>; Jaimey Hamilton on Julia Robinson, ed., New Realism: 1957\u20131962; Object Strategies between Readymade and Spectacle<\/em>, and Jill Carrick, Nauveau Realisme, 1960s france, and the New-aveant-garde: Topographies of Chance and Return<\/em>; Jayna Brown on Cherise Smith, Enacting Others: The Politics of Identity in the Works of Eleanor Antin, Nikki s. Lee, Adrian Piper, and Anna Deavere Smith<\/em>; Harry J. Weil on Stephen F. Eisenman, The Abu Ghraib Effect<\/em>, and W.J.T. Mitchell. Cloning Terror: The War of IMages, 9\/11 to the present<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

In This Issue Katy Siegel, What are you working on?, 5 Artist\u2019s Project Lorraine O’Grady, This Will Have Been: My … More<\/a><\/p>\n","protected":false},"author":9,"featured_media":3756,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kia_subtitle":"","footnotes":""},"categories":[10],"tags":[],"class_list":["post-3751","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-toc",""],"_links":{"self":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/3751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3751"}],"version-history":[{"count":0,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/3751\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/3756"}],"wp:attachment":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3751"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3751"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}