{"id":495,"date":"2011-01-01T22:26:25","date_gmt":"2011-01-01T22:26:25","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?p=495"},"modified":"2015-03-11T20:02:11","modified_gmt":"2015-03-11T20:02:11","slug":"no-1-3","status":"publish","type":"post","link":"http:\/\/artjournal.collegeart.org\/?p=495","title":{"rendered":"Spring 2007, Vol. 66, No. 1"},"content":{"rendered":"<h2>In This Issue<\/h2>\n<p>Patricia C. Phillips, <strong>The Exquisite and Urgent Importance of Art<\/strong>, 5<\/p>\n<hr\/>\n<h2>Features<\/h2>\n<p>Matthew Gehring, <strong>Words of Art<\/strong>, 8<\/p>\n<p>Rachel Weiss, <strong>Visions, Valves, and Vestiges: The Curdled Victories of the Bienal de La Habana<\/strong>, 10<\/p>\n<p>Robert Blackson, <strong>Once More . . With Feeling: Reenactment in Contemporary Art and Culture<\/strong>, 28<\/p>\n<hr\/>\n<h2>Thematic Investigation: Alternate Modes of Distribution, Organized by Gwen Allen and Cherise Smith<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Spring-2007.jpg\" alt=\"Spring 2007\" width=\"270\" height=\"338\" class=\"alignleft size-full wp-image-5127\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Spring-2007.jpg 270w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Spring-2007-159x200.jpg 159w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Spring-2007-210x262.jpg 210w\" sizes=\"auto, (max-width: 270px) 100vw, 270px\" \/><\/p>\n<p>Gwen Allen and Cherise Smith, <strong>Publishing Art: Alternative Distribution in Print<\/strong>, 41<\/p>\n<p>Cherise Smith, <strong>Re-member the Audience: Adrian Piper\u2019s Mythic Being Advertisements<\/strong>, 46<\/p>\n<p>Arnold J. Kemp, <strong>Trueblack<\/strong>, 59<\/p>\n<p>David E. Little, <strong>Colab Takes a Piece, History Takes It Back: Collectivity and New York Alternative Spaces<\/strong>, 60<\/p>\n<p>Slop Art co-laborers Adriane Herman and Brian Reeves, with Rent-an-Art-Historian\u2019s Chris Thompson, PHD, <strong>Special Corporate Self-Aggrandizement Section<\/strong>, 75<\/p>\n<p>Gwen Allen, <strong>Interview with Seth Price<\/strong>, 79<\/p>\n<p>Seth Price, <strong>Excerpts from Title Variable<\/strong>, 79<\/p>\n<hr\/>\n<h3>Features<\/h3>\n<p>Barbara J. Bloemink, Brooke Hodge, Ellen Lupton, and Matilda McQuaid, with Patricia C. Phillips, <strong>Emerging Issues in Contemporary Design: A Roundtable<\/strong>, 92,<\/p>\n<p>Sarah Oppenheimer <strong>555-1171<\/strong>, 112<\/p>\n<hr\/>\n<h2>Reviews <\/h2>\n<p>Stephen Melville on J. M. Bernstein, <em>Against Voluptuous Bodies: Late Modernism and the Meaning of Painting<\/em>; Ikem Stanley Okoye on Annie E. Coombes, <em>History after Apartheid: Visual Culture and Public Memory in a Democratic South Africa<\/em>; and Courtney J. Martin on David A. Bailey, Ian Baucom, and Sonia Boyce, eds., <em>Shades of Black: Assembling Black Arts in 1980s Britain<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In This Issue Patricia C. Phillips, The Exquisite and Urgent Importance of Art, 5 Features Matthew Gehring, Words of Art, &hellip; <a class=\"more-link\" href=\"http:\/\/artjournal.collegeart.org\/?p=495\">More<\/a><\/p>\n","protected":false},"author":9,"featured_media":505,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kia_subtitle":"","footnotes":""},"categories":[8,10],"tags":[57,58],"class_list":["post-495","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-from-art-journal","category-toc","tag-57","tag-vol66",""],"_links":{"self":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/495","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=495"}],"version-history":[{"count":0,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/495\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/505"}],"wp:attachment":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=495"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=495"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}