{"id":515,"date":"2011-01-01T22:45:59","date_gmt":"2011-01-01T22:45:59","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?p=515"},"modified":"2015-03-11T20:00:50","modified_gmt":"2015-03-11T20:00:50","slug":"no-3-4","status":"publish","type":"post","link":"http:\/\/artjournal.collegeart.org\/?p=515","title":{"rendered":"Fall 2007, Vol. 66, No. 3"},"content":{"rendered":"<h2>In This Issue<\/h2>\n<p>Judith F. Rodenbeck, <strong>Contingency and Engagement<\/strong>, 5<\/p>\n<hr\/>\n<h2>Features<\/h2>\n<p>Martha Gever, <strong>Like TV: On Barbara Kruger\u2019s Twelve<\/strong>, 6<\/p>\n<p>Kate Mondloch, <strong>Be Here (and There) Now: The Spatial Dynamics of Screen-Reliant Installation Art<\/strong>, 20<\/p>\n<hr\/>\n<h2>Forum: The Look of Law<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Fall-2007.jpg\" alt=\"Fall 2007\" width=\"270\" height=\"331\" class=\"alignright size-full wp-image-5126\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Fall-2007.jpg 270w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Fall-2007-163x200.jpg 163w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Fall-2007-210x257.jpg 210w\" sizes=\"auto, (max-width: 270px) 100vw, 270px\" \/><\/p>\n<p>Simon Leung, <strong>The Look of Law<\/strong>, 34<\/p>\n<p>Jeff Cain, <strong>Radio LAPD: 70 Years of Public Work<\/strong>, 46<\/p>\n<p>Simon A. Cole, <strong>Jeff Cain\u2019s Radio LAPD: Police as Content Providers in the Digital Age<\/strong>, 52<\/p>\n<p>Trevor Paglen, <strong>Pictures from Nowhere: Three Moments<\/strong>, 56<\/p>\n<p>Karen Beckman, <strong>Telescopes, Transparency, and Torture: Trevor Paglen and the Politics of Exposure<\/strong>, 62<\/p>\n<p>Ashley Hunt, <strong>The Disappearing\/Reappearing Prison<\/strong>, 68<\/p>\n<p>Jared Sexton, <strong>Captivity, By Turns: A Comment on the Work of Ashley Hunt<\/strong>, 74<\/p>\n<p>Silvia Kolbowski, <strong>After Hiroshima Mon Amour<\/strong>, 80<\/p>\n<p>Bliss Cua Lim, <strong>Silvia Kolbowski\u2019s A Film Will be Shown without the Sound<\/strong>, 85<\/p>\n<hr\/>\n<h2>Features<\/h2>\n<p>Paul Duro, <strong>The Return to the Origin: Heidegger\u2019s Journey to Greece<\/strong>, 88<\/p>\n<p>Patrick Lakey, <strong>German Photographs (1724\u20132005); Heidegger<\/strong>, 102<\/p>\n<p>Mick Wilson, <strong>Autonomy, Agonism, and Activist Art: An Interview with Grant Kester<\/strong>, 106<\/p>\n<hr\/>\n<h2>Reviews<\/h2>\n<p>Robin Kelsey on James Elkins, ed., <em>Photography Theory<\/em>; Erika Naginski on Helen Molesworth, ed., <em>Part Object Part Sculpture<\/em>, and the exhibition <em>Part Object Part Sculpture<\/em>, Wexner Center for the Arts, 2005\u20136; Joseph Massad on Kamal Bullatah [Boullata], Istihdar al-Makan, <em>Dirasah fi al-Fann al-Tashkili al-Filastini al-Mu\u2018asir (Conjuring Up Space: A Study of Contemporary Palestinian Art)<\/em>, Samia A. Halaby, <em>Liberation Art of Palestine: Palestinian Painting and Sculpture in the Second Half of the 20th Century<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In This Issue Judith F. Rodenbeck, Contingency and Engagement, 5 Features Martha Gever, Like TV: On Barbara Kruger\u2019s Twelve, 6 &hellip; <a class=\"more-link\" href=\"http:\/\/artjournal.collegeart.org\/?p=515\">More<\/a><\/p>\n","protected":false},"author":9,"featured_media":517,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kia_subtitle":"","footnotes":""},"categories":[8,10],"tags":[57,58],"class_list":["post-515","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-from-art-journal","category-toc","tag-57","tag-vol66",""],"_links":{"self":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/515","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=515"}],"version-history":[{"count":0,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/515\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/517"}],"wp:attachment":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=515"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=515"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=515"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}