{"id":541,"date":"2011-01-01T23:14:05","date_gmt":"2011-01-01T23:14:05","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?p=541"},"modified":"2015-03-11T19:58:22","modified_gmt":"2015-03-11T19:58:22","slug":"no-4-4","status":"publish","type":"post","link":"http:\/\/artjournal.collegeart.org\/?p=541","title":{"rendered":"Winter 2006, Vol. 65, No. 4"},"content":{"rendered":"

In This Issue<\/strong><\/p>\n

Patricia C. Phillips, On Locations<\/strong>, 5<\/p>\n\n

Features<\/strong><\/p>\n

\"Winter<\/p>\n

Simone Osthoff, Elsewhere in Contemporary Art: Topologies of Artists\u2019 Works, Writings, and Archives<\/strong>, 6<\/p>\n

Marquard Smith, Journeys, Documenting, Indexing, Archives, and Practice-Based Research: A Conversation with susan pui san lok<\/strong>, 18<\/p>\n\n

Forum: Publishing Paradigms in Art History <\/strong><\/p>\n

Catherine M. Soussloff, Publishing Paradigms in Art History<\/strong>, 36<\/p>\n

Michael Ann Holly, Mark ledbury, Douglas Armato, Susan Bielstein, Andrew Brown, Roger Conover, Vivian Constantinopoulos, Stephanie Fay, Herman Pabbruwe, Catherine M. Soussloff, and Ken Wissoker, Art History and Its Publishers<\/strong>, 41<\/p>\n

Murtha Baca and William Tronzo, Art History and the Digital World<\/strong>, 51<\/p>\n\n

Features<\/strong><\/p>\n

David Clarke, The Watery Turn in Contemporary Chinese Art<\/strong>, 56<\/p>\n

Carol Becker, Gandhi\u2019s Body and Further Representations of War and Peace<\/strong>, 78<\/p>\n

Susan Lacy and Pilar Riano-Alcala, Medellin, Colombia: Reinhabiting Memory<\/strong>, 96<\/p>\n

Garth James, Thoughts on Graduate Studio Education<\/strong>, 113<\/p>\n\n

Reviews<\/strong><\/p>\n

FRANCES K. POHL on ed. Alejandro Anreus, Diana L. Linden, Johnathan Weinberg, The Social and the Real: Political Art of the 1930s in Western Hemisphere<\/em>; MICHELE HUNTINGFORD CRAIG on Elizabeth Harney, In Senghor\u2019s Shadow: Art, politics, and the Avant-Garde in Senegal, 1960\u20131995<\/em>; and AMY LYFORD on Masayo Duus, The Life of Isamu Noguchi: Journey without Borders<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

In This Issue Patricia C. Phillips, On Locations, 5 Features Simone Osthoff, Elsewhere in Contemporary Art: Topologies of Artists\u2019 Works, … More<\/a><\/p>\n","protected":false},"author":9,"featured_media":544,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kia_subtitle":"","footnotes":""},"categories":[8,10],"tags":[60,61],"class_list":["post-541","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-from-art-journal","category-toc","tag-60","tag-vol65",""],"_links":{"self":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=541"}],"version-history":[{"count":0,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/541\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/544"}],"wp:attachment":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=541"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}