{"id":580,"date":"2011-01-01T23:31:53","date_gmt":"2011-01-01T23:31:53","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?p=580"},"modified":"2015-03-11T19:49:46","modified_gmt":"2015-03-11T19:49:46","slug":"no-1-7","status":"publish","type":"post","link":"http:\/\/artjournal.collegeart.org\/?p=580","title":{"rendered":"Spring 2004, Vol. 63, No. 1"},"content":{"rendered":"

In This Issue<\/h2>\n

Patricia C. Phillips, Aesthetic Practices<\/strong>, 3<\/p>\n\n

Features <\/h2>\n

Janine Mileaf, Between You and Me: Man Ray’s “Object to be Destroyed”<\/strong>, 4<\/p>\n

Jordana Mendelson, Joan Mir\u00f3’s “Drawing-Collage,” August 8, 1933: The “Intellectual Obscenities” of Postcards<\/strong>, 24<\/p>\n\n

Project<\/h2>\n

\"Spring<\/p>\n

Nato Thompson, Strategic Visuality: A Project by Four Artists\/Researchers<\/strong>, 30<\/p>\n

Trevor Paglen, Recording California’s Carceral Landscapes<\/strong>, 41<\/p>\n

The Speculative Archive, Addendum: as though there is nothing else on the drawing board<\/strong>, 46<\/p>\n

<\/span><\/p>\n

J. Morgan Puett with Jorge Colombo, The Grafter’s Shack<\/strong>, 50<\/p>\n

Center for Tactical Magic, Are We in the Dark Ages?<\/strong>, 58<\/p>\n\n

Interviews <\/strong><\/p>\n

Joseph Nechvatal, Origins of Virtualism: An Interview with Frank Popper<\/strong>, 62<\/p>\n

Ana Finel Honigman, What the Structure Defines: An Interview with Kutlug Ataman<\/strong>, 78<\/p>\n\n

Reviews<\/h2>\n

Joanna Frueh on ,em>Singular Women: Writing the Artist<\/em>, ed. Kristen Frederickson and Sarah E. Webb, and Marsha Meskimmon, Women Making Art: History, Subjectivity, Aesthetics<\/em>; Michael Darling on Ross K. Elfline, Roy McMakin: A Door Meant as Adornment<\/em>, and Constantin Boym, Curious Boym: Design Works<\/em>; Marie Clifford on Marcia Brennan, Painting Gender, Constructing Theory: The Alfred Stieglitz Circle and American Formalist Aesthetics<\/em>; Christopher Tradowsky on Douglas Crimp, Melancholia and Moralism: Essays on AIDS and Queer Politics<\/em>; Hearne Pardee on Geoffrey Dorfman, Out of the Picture: Milton Resnick and the New York School<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

In This Issue Patricia C. Phillips, Aesthetic Practices, 3 Features Janine Mileaf, Between You and Me: Man Ray’s “Object to … More<\/a><\/p>\n","protected":false},"author":9,"featured_media":582,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kia_subtitle":"","footnotes":""},"categories":[8,10],"tags":[27,28],"class_list":["post-580","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-from-art-journal","category-toc","tag-27","tag-vol63",""],"_links":{"self":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/580","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=580"}],"version-history":[{"count":0,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/580\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/582"}],"wp:attachment":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=580"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=580"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=580"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}