Feature<\/h2>\n
![\"Summer](\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Summer-2004.jpg\")
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Derek Conrad Murray, Hip-Hop vs. High Art: Notes on Race as Spectacle<\/strong>, 4<\/p>\n Thematic Investigation, James Meyer and Toni RossAesthetic\/Anti-Aesthetic: An Introduction<\/strong>, 20<\/p>\n <\/span><\/p>\n Arthur C. Danto, Kalliphobia in Contemporary Art<\/strong>, 24<\/p>\n Alexander Alberro, Beauty Knows No Pain<\/strong>, 36<\/p>\n Margaret Iversen, Readymade, Found Object, Photograph<\/strong>, 44<\/p>\n Anna Dezeuze, Tactile Dematerialization, Sensory Politics: H\u00e9lio Oiticica\u2019s Parangol\u00e9s<\/strong>, 58<\/p>\n Jeanne Siegel, Eva Hesse\u2019s Influence Today? Conversations with Three Contemporary Artists<\/strong>, 72<\/p>\n Yevgeniy Fiks, Primary Documents: A Sourcebook for Eastern and Central European Art since the 1950s<\/em>, ed. Laura Hoptman and Tom\u00e1\u0161 Pospiszyl, and Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918\u20131991<\/em, ed. Dubravka Djuri. Mary Lecl\u00e8re, Ann Reynolds, Robert Smithson: Learning from New Jersey and Elsewhere<\/em>. John Peffer, The Short Century: Independence and Liberation Movements in Africa 1945\u20131994<\/em>, ed. Okwui Enwezor. Michael Lobel, The Andy Warhol Catalogue Raisonn\u00e9, Volume 1: Paintings and Sculpture 1961\u20131963<\/em>, ed. Georg Frei and Neil Printz. Kate Mondloch, Digital Media Revisited: Theoretical and Conceptual Innovation in Digital Domains<\/em>, ed. Gunnar Liest\u00f8l, Andrew Morrison, and Terje Rasmussen. V\u00edctor Alejandro Sorell, Gary D. Keller et al., Contemporary Chicana and Chicano Art: Artists, Works, Culture, and Education.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"Interview <\/h2>\n
Reviews<\/h2>\n