{"id":590,"date":"2011-01-01T23:37:31","date_gmt":"2011-01-01T23:37:31","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?p=590"},"modified":"2015-03-11T16:29:36","modified_gmt":"2015-03-11T16:29:36","slug":"no-3-8","status":"publish","type":"post","link":"http:\/\/artjournal.collegeart.org\/?p=590","title":{"rendered":"Fall 2004, Vol. 63, No. 3"},"content":{"rendered":"

In This Issue<\/strong><\/p>\n

Patricia C. Phillips, Art and Risk<\/strong>, 3<\/p>\n\n

Features<\/strong><\/p>\n

\"Fall<\/p>\n

Alejandro Anreus, The Road to Dystopia: The Paintings of Antonia Eiriz<\/strong>, 4<\/p>\n

Branislav Jakovljevic, Unframe Malevich!\u2014Ineffability and Sublimity in Suprematism<\/strong>, 18<\/p>\n\n

Artist Project<\/strong><\/p>\n

Eve Andr\u00e9e Laram\u00e9e, Netherzone: A Psychogeographical Farce<\/strong>, 32<\/p>\n\n

Features<\/strong><\/p>\n

Carrie Lambert, Other Solutions<\/strong>, 48<\/p>\n

Patricia C. Phillips, A Parallax Practice: A Conversation with Elizabeth Diller and Ricardo Scofidio<\/strong>, 62<\/p>\n

Laura Roulet, Ana Mendieta and Carl Andre: Duet of Leaf and Stone<\/strong>, 80<\/p>\n\n

Reviews<\/strong><\/p>\n

Benjamin Lima on Robert Plunket, Walker Evans: Florida<\/em>, Andrei Codrescu, Walker Evans: Cuba<\/em>, Andrei Codrescu, Walker Evans: Signs<\/em>, Virginia-Lee Webb, Perfect Documents: Walker Evans and African Art, 1935<\/em>, Clark Worswick and Belinda Rathbone, Walker Evans: The Lost Work<\/em>, Jeff L. Rosenheim, Walker Evans: Polaroids<\/em>, Luc Sante, Walker Evans<\/em>, Maria Morris Hambourg, Jeff L. Rosenheim, Douglas Eklund, and Mia Fineman, Walker Evans<\/em>, and Jeff L. Rosenheim and Douglas Eklund, Unclassified: A Walker Evans Anthology<\/em>; >Paul Galvez on Carol Armstrong, Manet Manette<\/em>; >Sarah Rogers on Veil: Veiling, Representation, and Contemporary Art<\/em>, ed. David A. Bailey and Gilane Tawadros; Jeffrey Thompson on Gordon Matta-Clark<\/em>, ed. Corinne Diserens; Karen Fraser on Anne Wilkes Tucker, Dana Friis-Hansen, Kaneko Ry\u00fbichi, and Takeba Joe, The History of Japanese Photography<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

In This Issue Patricia C. Phillips, Art and Risk, 3 Features Alejandro Anreus, The Road to Dystopia: The Paintings of … More<\/a><\/p>\n","protected":false},"author":9,"featured_media":591,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kia_subtitle":"","footnotes":""},"categories":[8,10],"tags":[27,28],"class_list":["post-590","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-from-art-journal","category-toc","tag-27","tag-vol63",""],"_links":{"self":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/590","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=590"}],"version-history":[{"count":0,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/590\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/591"}],"wp:attachment":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=590"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=590"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}