{"id":637,"date":"2011-01-02T13:54:24","date_gmt":"2011-01-02T13:54:24","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?p=637"},"modified":"2015-03-11T16:28:07","modified_gmt":"2015-03-11T16:28:07","slug":"no-3-9","status":"publish","type":"post","link":"http:\/\/artjournal.collegeart.org\/?p=637","title":{"rendered":"Fall 2003, Vol. 62, No. 3"},"content":{"rendered":"

In This Issue<\/h2>\n

Patricia C. Phillips, Close Encounters<\/strong>, 3<\/p>\n\n

Thematic Investigation: Photography and the Paranormal<\/h2>\n

\"Fall<\/p>\n

Paranormal Portfolio<\/strong>, 4<\/p>\n

Mark Alice Durant, The Blur of the Otherworldly<\/strong>, 6<\/p>\n

Louis Kaplan, Where the Paranoid Meets the Paranormal: Speculations on Spirit Photography<\/strong>, 18<\/p>\n

Karl Schoonover, Ectoplasms, Evanescence, and Photography<\/strong>, 30<\/p>\n

Alison Ferris, Disembodied Spirits: Spirit Photography and Rachel Whiteread’s Ghost<\/em><\/strong>, 44<\/p>\n

Jane D. Marsching, Orbs, Blobs, and Glows: Astronauts, UFOs, and Photography<\/strong>, 56<\/p>\n\n

Projects<\/h2>\n

Moira Roth, Rachel Marker and Her Book of Shadows<\/strong>, 66<\/p>\n

Shimon Attie, From The Writing on the Wall, Berlin, 1992\u201393: Projections in Berlin’s Jewish Quarter<\/strong>, 74<\/p>\n

Marco Maggi and Linda Weintraub, Constructing and Demolishing: Manual to Settle Sediments<\/strong>, 84<\/p>\n\n

Reviews<\/h2>\n

James Elkins on Iconoclash: Beyond the Image Wars in Science, Religion, and Art<\/em>, ed. Bruno Latour and Peter Weibel; David Brody on Anthony W. Lee, Picturing Chinatown: Art and Orientalism in San Francisco<\/em>; Francine Weiss on Kirsten Swinth, Painting Professionals: Women Artists and the Development of Modern American Art, 1870\u20131930<\/em>, and Erica E. Hirshler, A Studio of Her Own: Women Artists in Boston, 1870\u20131940<\/em>; Saul Ostrow on Beauty Matters<\/em>, ed. Peg Zeglin Brand, Elaine Scarry, On Beauty and Being Just<\/em>, Joanna Frueh, Monster\/Beauty: Building the Body of Love<\/em>, and Jeremy Gilbert-Rolfe, Beauty and the Contemporary Sublime<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

In This Issue Patricia C. Phillips, Close Encounters, 3 Thematic Investigation: Photography and the Paranormal Paranormal Portfolio, 4 Mark Alice … More<\/a><\/p>\n","protected":false},"author":9,"featured_media":607,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kia_subtitle":"","footnotes":""},"categories":[8,10],"tags":[29,33],"class_list":["post-637","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-from-art-journal","category-toc","tag-29","tag-vol62",""],"_links":{"self":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=637"}],"version-history":[{"count":0,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/637\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/607"}],"wp:attachment":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=637"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=637"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}