{"id":669,"date":"2011-01-02T14:17:04","date_gmt":"2011-01-02T14:17:04","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?p=669"},"modified":"2015-03-11T16:21:22","modified_gmt":"2015-03-11T16:21:22","slug":"no-2-11","status":"publish","type":"post","link":"http:\/\/artjournal.collegeart.org\/?p=669","title":{"rendered":"Summer 1999, Vol. 58, No. 2"},"content":{"rendered":"

In This Issue<\/h2>\n

John Alan Farmer, 3<\/p>\n\n

Responses<\/h2>\n

Russell Ferguson and Naomi Sawelson-Gorse, 4<\/p>\n\n

Features<\/h2>\n

\"Summer<\/p>\n

Janet A. Kaplan, Deeper and Deeper: Interview with Marina Abramovic<\/strong>, 6<\/p>\n

Carol Becker, The Romance of Nomadism: A Series of Reflections<\/strong>, 22<\/p>\n

Olu Oguibe, Finding a Place: Nigerian Artists in the Contemporary Art World<\/strong>, 30<\/p>\n

Jens Liebchen, Finding The Berlin Biennale<\/strong>, 42<\/p>\n

Francesca Dal Lago, Personal Mao: Reshaping an Icon in Contemporary Chinese Art<\/strong>, 46<\/p>\n\n

Conversation<\/h2>\n

Qian Zhijian, Performing Bodies: Zhang Huan, Ma Liuming and Performance Art in China<\/strong>, 60<\/p>\n\n

Working Notes<\/h2>\n

Moira Roth, Traveling Companions\/Fractured Worlds<\/strong>, 62<\/p>\n\n

International Dispatch<\/h2>\n

Malene Vest Hansen, Denmark: Double Agendas<\/strong>, 94<\/p>\n\n

Reviews<\/h2>\n

Robert C. Morgan on Tony Smith: Architect, Painter, Sculptor<\/em>; Debra Wacks on Hannah Wilke: A Retrospective<\/em>; Susan Platt on Pamela Allara, Pictures of People: Alice Neel\u2019s American Portrait Gallery<\/em>;
\nBonnie Yochelson, Berenice Abbott: Changing New York: The Complete WPA Project<\/em>; Martica Sawin, Nell Blaine: Her Art and Life<\/em>; Jeanne Siegel on Jackson Pollock<\/em>; Elizabeth L. Langhorne on Jackson Pollock: Early Sketchbooks and Drawings<\/em> and Focus: Pollock and Printmaking<\/em>; Jeannene M. Przyblyski on Police Pictures: The Photograph as Evidence<\/em> and Snapshots: The Photography of Everyday Life, 1888 to the Present<\/em>; Sue Taylor on Whitney Chadwick, ed., Mirror Images: Women, Surrealism, and Self-Representation<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

In This Issue John Alan Farmer, 3 Responses Russell Ferguson and Naomi Sawelson-Gorse, 4 Features Janet A. Kaplan, Deeper and … More<\/a><\/p>\n","protected":false},"author":9,"featured_media":615,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kia_subtitle":"","footnotes":""},"categories":[8,10],"tags":[45,46],"class_list":["post-669","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-from-art-journal","category-toc","tag-45","tag-vol58",""],"_links":{"self":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/669","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=669"}],"version-history":[{"count":0,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/669\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/615"}],"wp:attachment":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=669"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=669"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=669"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}