{"id":675,"date":"2011-01-02T14:20:13","date_gmt":"2011-01-02T14:20:13","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?p=675"},"modified":"2015-03-11T16:16:36","modified_gmt":"2015-03-11T16:16:36","slug":"no-1-14","status":"publish","type":"post","link":"http:\/\/artjournal.collegeart.org\/?p=675","title":{"rendered":"Spring 1998, Vol. 57, No. 1"},"content":{"rendered":"<h2>The Reception of Christian Devotional Art<\/h2>\n<h2>Editor&#8217;s Statement<\/h2>\n<p>Pamela M. Jones, <strong>The Reception of Christian Devotional Art: The Renaissance to the Present<\/strong>, 2<\/p>\n<h2>Articles<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Spring-1998.jpg\" alt=\"Spring 1998\" width=\"270\" height=\"355\" class=\"alignright size-full wp-image-5292\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Spring-1998.jpg 270w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Spring-1998-152x200.jpg 152w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Spring-1998-210x276.jpg 210w\" sizes=\"auto, (max-width: 270px) 100vw, 270px\" \/><\/p>\n<p>Roger J. Crum, <strong>Facing the Closed Doors to Reception? Speculations on Foreign Exchange, Liturgical Difference, and the &#8220;Failure&#8221; of the Portinari Altarpiece<\/strong>, 5<\/p>\n<p>Mitchell B. Merback, <strong>Torture and Teaching: The Reception of Lucas Cranach the Elder&#8217;s <em>Martyrdom of the Twelve Apostles in the Protestant Era<\/em><\/strong>, 14<\/p>\n<p>Gauvin Alexander Bailey, <strong>The Indian Conquest of Catholic Art: The Mughals, the Jesuits, and Imperial Mural Painting<\/strong>, 24<\/p>\n<p>Sally M. Promey, <strong>The Afterlives of Sargent&#8217;s Prophets<\/strong>, 31<\/p>\n<p>David Morgan, <strong>Domestic Devotion and Ritual: Visual Piety in the Modern American Home<\/strong>, 44<\/p>\n<p>Annette Stott, <strong>Transformative Triptychs in Multicultural America<\/strong>, 55<\/p>\n<hr\/>\n<h2>Artists&#8217; Pages<\/h2>\n<p><strong>Devotion<\/strong>, edited by John  Alan Farmer, 64<\/p>\n<hr\/>\n<h3>Reviews<\/h3>\n<p>Martica Sawin on Robert Hughes, <em>American Visions: The Epic History of Art in America<\/em>; Michele C. Cone on Irving Sandler, <em>Art of the Postmodern Era: From the Late 1960s to the Early 1990s<\/em>, Robert C. Morgan, <em>Art into Ideas: Essays on Conceptual Art<\/em>, Eleanor Heartney, <em>Critical Condition: American Culture at the Crossroads<\/em>, Thomas McEvilley, with G. Roger Denson, <em>Capacity, History, the World, and the Self in Contemporary Art and Criticism<\/em>; Steven Bleicher on Lois Palken Rudnick, <em>Utopian Vistas: The Mabel Dodge Luhan House and the American Counterculture<\/em>; James Gaillard Romaine, Jr. on Carol Zemel, <em>Van Gogh&#8217;s Progress: Utopia, Modernity, and Late-Nineteenth-Century Art<\/em>, Jan Hulsker, <em>The New Complete Van Gogh: Paintings, Drawings, Sketches<\/em>, Ronald de Leeuw, ed., <em>The Letters of Vincent van Gogh<\/em>, Tsukasa Kodera, <em>Vincent van Gogh: Christianity versus Nature<\/em>; Helen Molesworth on Anne Middleton Wagner, <em>Three Artists (Three Women): Modernism and the Art of Hesse, Krasner, and O&#8217;Keeffe<\/em>, Mary Kelly, <em>Imaging Desire<\/em>. Robert Kushner on Sheila S. Blair and Jonathan M. Bloom, <em>The Art and Architecture of Islam 1250\u20131800<\/em>; Corinne Robins on Mira Schor, <em>WET: On Painting, Feminism, and Art Culture<\/em>, Beryl Smith, Joan Arbeiter, and Sally Shearer Swenson, eds., <em>Lives and Works: Talks with Women Artists<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Reception of Christian Devotional Art Editor&#8217;s Statement Pamela M. Jones, The Reception of Christian Devotional Art: The Renaissance to &hellip; <a class=\"more-link\" href=\"http:\/\/artjournal.collegeart.org\/?p=675\">More<\/a><\/p>\n","protected":false},"author":9,"featured_media":608,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kia_subtitle":"","footnotes":""},"categories":[8,10],"tags":[47,91],"class_list":["post-675","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-from-art-journal","category-toc","tag-47","tag-vol-57",""],"_links":{"self":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/675","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=675"}],"version-history":[{"count":0,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/675\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/608"}],"wp:attachment":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=675"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=675"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=675"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}