{"id":679,"date":"2011-01-02T14:22:21","date_gmt":"2011-01-02T14:22:21","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?p=679"},"modified":"2015-03-11T16:15:45","modified_gmt":"2015-03-11T16:15:45","slug":"no-3-14","status":"publish","type":"post","link":"http:\/\/artjournal.collegeart.org\/?p=679","title":{"rendered":"Fall 1998, Vol. 57, No. 3"},"content":{"rendered":"<h2>Race and Visual Representation<\/h2>\n<p>Guest edited by James Smalls and Judith Wilson; portfolio selected by Kenseth Armstead<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Fall-1998.jpg\" alt=\"Fall 1998\" width=\"270\" height=\"329\" class=\"alignright size-full wp-image-5291\" srcset=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Fall-1998.jpg 270w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Fall-1998-164x200.jpg 164w, http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Fall-1998-210x255.jpg 210w\" sizes=\"auto, (max-width: 270px) 100vw, 270px\" \/><\/p>\n<p>James Smalls, <strong>Visualizing Race: A Lifelong Process and Training<\/strong>, 2<\/p>\n<p>Kenseth Armstead, <strong>Surface Tensions<\/strong>, 4<\/p>\n<p>Eduardo de Jes\u00fas Douglas, <strong>The Colonial Self: Homosexuality and Mestizaje in the Art of Nahum B. Zenil<\/strong>, 14<\/p>\n<p>Ellen McBreen, <strong>Biblical Gender Bending in Harlem: The Queer Peformance of Nugent&#8217;s <em>Salome<\/em><\/strong>, 22<\/p>\n<p>Norman L. Kleeblatt, <strong>MASTER NARRATIVES\/minority artists<\/strong>, 29<\/p>\n<p>Magali M. Carrera, <strong>Locating Race in Late Colonial Mexico<\/strong>, 36<\/p>\n<p>Karen K. Kosasa, <strong>Pedagogical Sights\/Sites: Producing Colonialism and Practicing Art in the Pacific<\/strong>, 46<\/p>\n<p>Herman Pi&#8217;ikea Clark and April A. H. Drexel, <strong>A Native Hawaiian Visual Language Project and Native Hawaiian Artists<\/strong>, 55<\/p>\n<p>Jeannene M. Przyblyski, <strong>American Visions at the Paris Exposition, 1900: Another Look at Frances Benjamin Johnston&#8217;s Hampton Photographs<\/strong>, 60<\/p>\n<hr\/>\n<h2>Conversation<\/h2>\n<p>Michael Brenson, Alejandro Diaz, Judy Kim, Malgorzata Lisiewicz, and Jessica Murray, <strong><em>American Canvas<\/em>: A Roundtable on the 1997 NEA Report<\/strong>, 69<\/p>\n<hr\/>\n<h2>Profiles<\/h2>\n<p>Holland Cotter, <strong>Agnes Martin<\/strong>, 77<\/p>\n<p>Richard Meyer, <strong>Paul Cadmus<\/strong>, 80<\/p>\n<hr\/>\n<h2>Reviews<\/h2>\n<p>M. A. Greenstein on <em>Out of Actions: Between Performance and the Object, 1949\u20131979<\/em>; Alexandra Anderson-Spivy on The Freeze Generation and Beyond; Steven Nelson on Richard J. Powell, <em>Black Art and Culture in the 20th Century<\/em> and Alan Read, ed., <em>The Fact of Blackness: Frantz Fanon and Visual Representation<\/em>; Melody D. Davis on William C. Darrah, <em>The World of Stereographs<\/em>; Richard Leslie on David Craven, <em>Poetics and Politics in the Art of Rudolf Baranik<\/em>; short reviews by Deborah Johnson and Alexandra Anderson-Spivy<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Race and Visual Representation Guest edited by James Smalls and Judith Wilson; portfolio selected by Kenseth Armstead James Smalls, Visualizing &hellip; <a class=\"more-link\" href=\"http:\/\/artjournal.collegeart.org\/?p=679\">More<\/a><\/p>\n","protected":false},"author":9,"featured_media":602,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kia_subtitle":"","footnotes":""},"categories":[8,10],"tags":[47,91],"class_list":["post-679","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-from-art-journal","category-toc","tag-47","tag-vol-57",""],"_links":{"self":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/679","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=679"}],"version-history":[{"count":0,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/679\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/602"}],"wp:attachment":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=679"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=679"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=679"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}