{"id":6970,"date":"2016-02-29T20:09:40","date_gmt":"2016-02-29T20:09:40","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?p=6970"},"modified":"2018-03-05T15:46:23","modified_gmt":"2018-03-05T15:46:23","slug":"introducing-a-three-part-project-by-natilee-harren-karl-haendel-and-nate-harrison","status":"publish","type":"post","link":"http:\/\/artjournal.collegeart.org\/?p=6970","title":{"rendered":"Introducing a Three-Part Project by Natilee Harren, Karl Haendel, and Nate Harrison"},"content":{"rendered":"
\"Karl<\/a>
Karl Haendel, Books with Ampersands #3 (For Your Own Good)<\/em>, 2013,<\/strong> enamel and pencil on paper, 40 x 26 in. (101.6 x 66 cm) (artwork \u00a9 Karl Haendel)<\/figcaption><\/figure>\n

Art Journal Open is pleased to present a three-part, three-author project by Natilee Harren, Karl Haendel, and Nate Harrison. It examines appropriation as an artistic strategy that pressures both the legal and conceptual definitions of authorship. In a case study of the Los Angeles\u2013based artist Haendel\u2019s practice of recirculating images, Harren, an assistant professor of art history at the University of Houston, explores three telling \u201cepisodes\u201d in Haendel\u2019s work over the past dozen years in her series \u201cKnight\u2019s Heritage: Karl Haendel and the Legacy of Appropriation.\u201d The artist Nate Harrison, a faculty member in the MFA program at the School of the Museum of Fine Arts in Boston, responds to Harren\u2019s texts with a critical reminder of the historical specificity of postmodernism and appropriation. Haendel himself vividly evokes his working methods by assembling some 130 images from his analogue archive of 10,000 found images and photographs into thematic animations, created especially for the project.<\/p>\n

This project embodies Art Journal Open\u2019s commitment to fostering new formats for critical thinking on the web. The Art Journal Open editorial platform takes full advantage of the unique qualities of web-based media to present artists\u2019 projects, scholarly essays, and timely criticism. In this project, all three are presented on equal footing, underscoring the fact that no single format constitutes the historical record. Embracing the evolving nature of multimedia formats and techniques, this site seeks to serve as a provisional, suggestive, and projective archive for contemporary art.<\/p>\n

The project\u2019s focus on appropriation coincides with the recent publication of CAA\u2019s landmark Code of Best Practices in Fair Use for the Visual Arts<\/em> (see www.collegeart.org\/fair-use\/<\/a>). Detailing how \u201cfair use can be invoked and implemented when using copyrighted materials in scholarship, teaching, museums, archives, and in the creation of art,\u201d this resource presents artists, art historians, and \u201cother visual-arts professionals with a set of principles addressing best practices in the fair use of copyrighted materials.\u201d<\/p>\n

\u2014Gloria Sutton, Web Editor<\/p>\n

Art Journal Open welcomes proposals for artist\u2019s projects, critical writing, and other contributions. Please see the submission guidelines here<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

By Gloria Sutton<\/p>\n

Art Journal Open is pleased to present a three-part, three-author project by Natilee Harren, Karl Haendel, and Nate Harrison.<\/p>\n","protected":false},"author":9,"featured_media":6973,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kia_subtitle":"","footnotes":""},"categories":[1],"tags":[148,219],"class_list":["post-6970","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-editors-note","tag-gloria-sutton",""],"_links":{"self":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/6970","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6970"}],"version-history":[{"count":0,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/6970\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/6973"}],"wp:attachment":[{"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6970"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6970"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}