{"id":14220,"date":"2020-09-10T14:48:13","date_gmt":"2020-09-10T14:48:13","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?p=14220"},"modified":"2021-04-08T15:41:38","modified_gmt":"2021-04-08T15:41:38","slug":"the-masked-island","status":"publish","type":"post","link":"https:\/\/artjournal.collegeart.org\/?p=14220","title":{"rendered":"The Masked Island"},"content":{"rendered":"\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div id=\"metaslider-id-14227\" style=\"max-width: 1000px; margin: 0 auto;\" class=\"ml-slider-3-19-1 ml-slider-pro-2-18-1 metaslider metaslider-nivo metaslider-14227 ml-slider ml-slider-lightbox-1-11-3 gallery wp-featherlight-1-3-4 ms-theme-architekt has-dots-nav\">\n    <div id=\"metaslider_container_14227\">\n        <div class='slider-wrapper theme-default'><div class='ribbon'><\/div><div id='metaslider_14227' class='nivoSlider'><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-01.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-01.jpg\" class=\"slider-14227 slide-14249\" alt=\"A person wearing a surgical mask sits on a bench by a lily pond in front of Singapore&#039;s skyline\" data-caption=\"The lily pond in front of the ArtScience Museum, along Marina Bay Waterfront Promenade, Singapore (all photographs &copy; John Lee). &lt;i&gt;Click images to enlarge.&lt;\/i&gt;\" data-thumb=\"\" title=\"SG-01\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-01.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-01-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-01-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-01-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-01-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-01-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-02.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-02.jpg\" class=\"slider-14227 slide-14273\" alt=\"Various mask-wearing shoppers in front of a glowing display at 313@somerset mall in Singapore\" data-caption=\"Shoppers at the 313@somerset mall along Singapore&rsquo;s Orchard Road shopping district\" data-thumb=\"\" title=\"SG-02\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-02.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-02-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-02-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-02-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-02-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-02-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-03.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-03.jpg\" class=\"slider-14227 slide-14272\" alt=\"Masked shoppers stand under awnings at a Singapore wet market\" data-caption=\"Shoppers at a wet market in Singapore&rsquo;s Bishan neighborhood\" data-thumb=\"\" title=\"SG-03\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-03.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-03-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-03-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-03-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-03-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-03-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-04.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-04.jpg\" class=\"slider-14227 slide-14271\" alt=\"Two cement park benches covered with caution tape and separated by bright orange cones\" data-caption=\"Taped-off park benches along the shores of the Kallang River during Singapore&rsquo;s COVID Circuit Breaker \" data-thumb=\"\" title=\"SG-04\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-04.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-04-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-04-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-04-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-04-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/08\/SG-04-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-05.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-05.jpg\" class=\"slider-14227 slide-14270\" alt=\"Two cyclists on an empty road surrounded by palm trees and a ferris wheel\" data-caption=\"Cyclists at the Singapore Grand Prix pit grandstand \" data-thumb=\"\" title=\"SG-05\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-05.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-05-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-05-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-05-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-05-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-05-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-06.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-06.jpg\" class=\"slider-14227 slide-14269\" alt=\"People wearing masks and standing under umbrellas wait in a socially distanced line on a tree-lined city street\" data-caption=\"Voters waiting in line at a polling center on Singapore&rsquo;s July parliamentary election day \" data-thumb=\"\" title=\"SG-06\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-06.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-06-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-06-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-06-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-06-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-06-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-07.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-07.jpg\" class=\"slider-14227 slide-14268\" alt=\"Several masked, gray-haired men talk in an indoor space, one of them raising his phone to take a picture\" data-caption=\"Lee Hsien Yang, &lt;i&gt;second from left&lt;\/i&gt;, during a campaign rally for the Progress Singapore Party in the Bishan neighborhood. Lee is the youngest child of Singapore founder Lee Kuan Yew and the brother of current prime minister Lee Hsien Loong\" data-thumb=\"\" title=\"SG-07\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-07.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-07-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-07-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-07-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-07-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-07-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-08.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-08.jpg\" class=\"slider-14227 slide-14267\" alt=\"Four masked children stand on astroturf, looking at the ground and surrounded by mist\" data-caption=\"Children playing in Jewel Changi Airport&rsquo;s top-floor Canopy Park \" data-thumb=\"\" title=\"SG-08\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-08.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-08-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-08-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-08-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-08-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-08-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-09.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-09.jpg\" class=\"slider-14227 slide-14266\" alt=\"Two masked women walk under a mesh roof, surrounded by greenery\" data-caption=\"Women walking through a garden in Jewel Changi Airport&rsquo;s top-floor Canopy Park\" data-thumb=\"\" title=\"SG-09\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-09.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-09-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-09-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-09-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-09-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-09-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-10.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-10.jpg\" class=\"slider-14227 slide-14265\" alt=\"A masked man in the foreground looks at the camera, while shoppers behind him walk in front of backlit ad displays\" data-caption=\"An entrance to the ION Orchard mall in Singapore&rsquo;s Orchard Road shopping district\" data-thumb=\"\" title=\"SG-10\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-10.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-10-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-10-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-10-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-10-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-10-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-11.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-11.jpg\" class=\"slider-14227 slide-14264\" alt=\"Several masked people stand, look, and take pictures in front of a wall of water\" data-caption=\"The base of the world&rsquo;s tallest indoor waterfall, Jewel Changi Airport\" data-thumb=\"\" title=\"SG-11\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-11.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-11-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-11-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-11-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-11-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-11-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-12.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-12.jpg\" class=\"slider-14227 slide-14263\" alt=\"A clothing store featuring a sign asking visitors to use its bottle of hand sanitizer upon entry; the masked cashier stands behind plexiglass\" data-caption=\"COVID deterrence methods at a shop inside the ION Orchard mall in Singapore&rsquo;s Orchard Road shopping district\" data-thumb=\"\" title=\"SG-12\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-12.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-12-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-12-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-12-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-12-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-12-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-13.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-13.jpg\" class=\"slider-14227 slide-14262\" alt=\"Sign with neon-outlined parted lips that reads &quot;Urban Decay&quot; at entrance to Sephora store, with masked woman in background looking at the camera\" data-caption=\"Sephora shop, ION Orchard mall in Singapore&rsquo;s Orchard Road shopping district\" data-thumb=\"\" title=\"SG-13\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-13.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-13-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-13-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-13-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-13-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-13-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-14.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-14.jpg\" class=\"slider-14227 slide-14261\" alt=\"Masked shoppers walk along a darkened street beside a glass &quot;Coach&quot; shop window\" data-caption=\"Shoppers, Ngee Ann City mall in Singapore&rsquo;s Orchard Road shopping district\" data-thumb=\"\" title=\"SG-14\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-14.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-14-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-14-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-14-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-14-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-14-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-15.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-15.jpg\" class=\"slider-14227 slide-14260\" alt=\"Small green sign reading &quot;Let&#039;s make room to keep each other safe&quot; on a wooden restaurant table\" data-caption=\"Social distancing reminder, Jewel Changi Airport\" data-thumb=\"\" title=\"SG-15\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-15.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-15-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-15-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-15-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-15-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-15-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-16.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-16.jpg\" class=\"slider-14227 slide-14259\" alt=\"Woman wearing a face mask and red hijab walks down a hallway past several shuttered shopss\" data-caption=\"Shuttered shops during Circuit Breaker, Orchard Road, Singapore\" data-thumb=\"\" title=\"SG-16\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-16.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-16-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-16-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-16-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-16-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-16-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-17.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-17.jpg\" class=\"slider-14227 slide-14258\" alt=\"Masked man leans against glass window of a bus, cradling his head\" data-caption=\"Bus, Marine Parade district\" data-thumb=\"\" title=\"SG-17\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-17.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-17-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-17-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-17-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-17-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-17-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-18.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-18.jpg\" class=\"slider-14227 slide-14257\" alt=\"A lone masked person stands before a taped-off small building by the water in Singapore\" data-caption=\"Marina Bay Waterfront Promenade\" data-thumb=\"\" title=\"SG-18\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-18.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-18-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-18-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-18-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-18-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-18-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-19.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-19.jpg\" class=\"slider-14227 slide-14256\" alt=\"Many masked people stand on the grass wearing various shades of red; at the center is a person in military garb\" data-caption=\"Crowds in the Sengkang neighborhood during Singapore&rsquo;s National Day celebrations\" data-thumb=\"\" title=\"SG-19\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-19.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-19-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-19-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-19-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-19-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-19-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-20.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-20.jpg\" class=\"slider-14227 slide-14255\" alt=\"Many masked people wearing red stare at the sky, many with their phones raised to take pictures\" data-caption=\"Crowds watching the Red Lions paratrooper team in the Sengkang neighborhood during Singapore&rsquo;s National Day celebrations \" data-thumb=\"\" title=\"SG-20\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-20.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-20-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-20-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-20-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-20-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-20-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-21.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-21.jpg\" class=\"slider-14227 slide-14254\" alt=\"Masked shoppers, looking at their phones and waiting in line before a mural-painted wall\" data-caption=\"Shoppers, cell phones, and SafeEntry QR codes at the entrance to Scotts Square mall in Singapore&rsquo;s Orchard Road shopping district \" data-thumb=\"\" title=\"SG-21\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-21.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-21-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-21-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-21-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-21-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-21-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-22.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-22.jpg\" class=\"slider-14227 slide-14253\" alt=\"Masked shoppers sitting and standing in a mall, with a greenery-covered wall to the left and a large glowing Apple-brand logo on the wall to the right\" data-caption=\"Weekend shopping at the Jewel Changi Airport mall \" data-thumb=\"\" title=\"SG-22\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-22.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-22-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-22-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-22-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-22-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-22-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-23.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-23.jpg\" class=\"slider-14227 slide-14252\" alt=\"Masked white families standing near each other by a palm-tree lined residential street\" data-caption=\"Expat families awaiting morning school buses in central Singapore \" data-thumb=\"\" title=\"SG-23\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-23.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-23-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-23-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-23-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-23-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-23-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-24.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-24.jpg\" class=\"slider-14227 slide-14251\" alt=\"Seven water fountains lined up against the wall; every other foundatin is marked with a red X in tape\" data-caption=\"Social-distancing water fountains at an international school in Singapore \" data-thumb=\"\" title=\"SG-24\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-24.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-24-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-24-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-24-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-24-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-24-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><a href=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-25.jpg\" target=\"_self\" rel=\"lightbox[14227]\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"1140\" src=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-25.jpg\" class=\"slider-14227 slide-14250\" alt=\"A masked person stands before a grassy field, tall buildings, and a blue sky\" data-caption=\"A grassy field, HDBs, and a Grab Food delivery person in Woodlands, Singapore \" data-thumb=\"\" title=\"SG-25\" rel=\"\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-25.jpg 1520w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-25-500x375.jpg 500w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-25-1000x750.jpg 1000w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-25-200x150.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-25-720x540.jpg 720w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2020\/09\/SG-25-560x420.jpg 560w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/a><\/div><\/div>\n        \n    <\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Singapore is unquestionably futuristic. Gravity-defying skyscrapers draped in vertical gardens crowd this modernist, air-conditioned city-state island on the equator. Nicknamed \u201cThe Little Red Dot,\u201d it is also geographically tiny\u2014about half the size of Los Angeles.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Because of its size, its population of 5.7 million can be managed and overseen with relative ease by the de facto one-party technocracy. In what constitutes an urban planning marvel, 91 percent of Singaporeans \u201cown\u201d their homes via ninety-nine-year leases in heavily subsidized, sparkling clean housing projects\u2014flats dubbed \u201cHDBs,\u201d after the Housing Development Board. Singaporeans of different ethnicities are neatly dispersed in equal mixes via a quota system, so that no single-race enclave can form within these housing blocks.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Singapore is also one of the safest countries in the world, <a href=\"https:\/\/worldpopulationreview.com\/country-rankings\/safest-countries-in-the-world\">outranked only by nations such as Iceland and New Zealand<\/a>. Crime is practically nonexistent\u2014so much so that locals will save their lunch seats in public food courts (or \u201chawker centers\u201d) by laying down their smartphones on shared tables while they step away to order their chicken rice. Kids as young as eight ride the city\u2019s ubiquitous mass transit solo. And a misplaced handbag at a park will be anonymously picked up and gently placed on the nearest bench, obediently waiting for its owner.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Singapore has achieved this level of safety largely through a mixture of civic pride, rigorous surveillance, and an arguably draconian legal system. Petty crimes carry hefty fines and jail time. More serious crimes are occasionally met with caning. And drug trafficking, however small the quantity, amounts to death by hanging. This heavy-handed governing and surrender of civil liberties is a trade-off that Singaporeans have made for their security.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A case in point is how Singapore has handled COVID-19. Like other nations in the region, Singapore was blindsided in 2003 by severe acute respiratory syndrome (SARS) and spent the subsequent two decades fortifying its health-care system and pandemic readiness. So in January 2020, when rumors of a new virus began to spread, countries like Singapore and Taiwan had plans in place.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Singapore registered its first COVID-19 case on January 23\u2014a traveler from Wuhan, China. Local transmission among the Singapore population began in February and March. And on April 7 the government imposed an eight-week \u201cCircuit Breaker\u201d lockdown of the city: mandatory face masks in public, stay-at-home notices, and severe limitations on people\u2019s movements. No one was to leave their home except for quick trips to the market, take-away meals, or exercise, all only within one\u2019s own neighborhood. An army of polo shirt\u2013wearing \u201csafe distancing ambassadors,\u201d equipped with clipboards and smartphone cameras, patrolled the subways and hawker centers, handing out fines to anyone caught without a mask or standing too close.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The government-controlled media was quick to publicly condemn violators. For instance, a local man was <a href=\"https:\/\/www.straitstimes.com\/singapore\/courts-crime\/jail-for-man-who-breached-stay-home-notice-to-eat-bak-kut-teh\">sentenced to six weeks in jail<\/a> for snubbing his two-week home quarantine and stepping out for some pork-rib soup. A particularly infamous incident occurred midway through the Circuit Breaker, when <a href=\"https:\/\/www.scmp.com\/news\/asia\/southeast-asia\/article\/3090552\/singapore-expats-who-flouted-circuit-breaker-rules-fined\">seven expats were charged for pub-crawling<\/a>. These masked <em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Ang_mo\">ang moh<\/a><\/em> (white people) faces were perp-walked in front of news photographers at court appearances\u2014their names, ages, and nationalities plastered alongside <a href=\"https:\/\/www.straitstimes.com\/singapore\/courts-crime\/seven-people-fined-for-breaching-covid-19-circuit-breaker-measures-in\">their mug shots on local news sites<\/a> and fed to netizens hurling virtual feces in their direction. They eventually were fined approximately US$6,500, had their work passes revoked for life, and then were promptly expelled from the country.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Singapore\u2019s Circuit Breaker may not have been necessary, and the city might have been able to gently ride the first wave of the pandemic, as did Taiwan\u2014with sealed national borders, mandatory face masks, and meticulous contact tracing\u2014and thus had minimal disruption to daily life. And Singapore\u2019s early numbers were excellent. On March 15, Singapore registered 15 daily cases, 226 total cases, and no deaths. But a COVID time bomb was ticking underneath Singapore\u2019s polished surface. By April 20, Singapore had 1,426 daily cases, 8,014 total cases, and 11 total deaths. Some of the rise had to do with COVID-infected Singaporeans returning home from abroad. But much of it could be attributed to a massive virus spread among the more than three hundred thousand migrant workers tasked with building and maintaining Singapore.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Like cities such as Dubai, Singapore relies heavily on foreign labor. As of 2019, Singapore had more than 1.4 million foreign workers. About a third are what Singaporeans label \u201cPMETs\u201d (professionals, managers, executives, and technicians)\u2014expats from far-flung countries dispatched by multinational corporations and banks. The remaining are low-wage and\/or low-skilled laborers. Within this second group are the migrant workers who muscle away on construction projects and infrastructure maintenance. These are overwhelmingly <a href=\"https:\/\/youtu.be\/u25a_O60K2U\">young men from India and Bangladesh<\/a>, almost all of whom are confined to crowded dormitories scattered at the far edges of the city.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Conditions in these dormitories fostered <a href=\"https:\/\/www.nytimes.com\/interactive\/2020\/04\/28\/world\/asia\/coronavirus-singapore-migrants.html\">rampant COVID infection<\/a>: cramped rooms housing up to twenty workers each and shared bathrooms, sometimes with poor ventilation. Fortunately, most cases among these workers were not severe. But the Singapore government was blindsided not only by the huge spike in cases but also by an international public relations problem\u2014a spotlight on the disparity between the more affluent native Singaporean population and the migrant labor force. Exacerbating the issue were recent <a href=\"https:\/\/www.reuters.com\/article\/us-health-coronavirus-singapore-migrants\/spate-of-suicides-among-migrant-workers-in-singapore-raises-concern-idUSKCN2510QP\">reports of suicides among migrant workers<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Although these workers are largely segregated from the rest of the city\u2019s population, there were certain contact points that proved to be super spreaders. One was an immense, blocks-long megastore in Singapore\u2019s Little India neighborhood that laborers would frequent on days off. Another was a construction site in the heart of the Central Business District. And alongside the clusters originating at these sites were hundreds of other cases for which Singapore\u2019s Multi-Ministry Task Force could not identify sources.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">So on April 3, &nbsp;Prime Minister Lee Hsien Loong <a href=\"https:\/\/www.youtube.com\/watch?v=IzLWFY8wivA&amp;feature=youtu.be\">addressed the population over live video<\/a> (first in English, then Chinese, then Malay) and announced the Circuit Breaker. The initial plan was a twenty-eight-day lockdown. But two weeks in, the numbers had not improved, so the government tightened restrictions by closing down hair salons and several fast food outlets and severely limiting access to high-traffic \u201cwet markets.\u201d The government also tacked on an additional twenty-eight days, extending the Circuit Breaker to June 1. By the last day of the lockdown, Singapore had 35,292 total cases, 408 daily cases, and 25 total deaths.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On June 2, Singapore entered the first of its <a href=\"https:\/\/www.todayonline.com\/singapore\/covid-19-circuit-breaker-be-eased-after-june-1-three-phases-ending-new-normal\">three-tiered recovery phases<\/a>. Under Phase One, Singaporeans were allowed to get a simple haircut, and children could return to school to finish out their year, albeit with staggered weeks and under very strict social-distancing rules.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It wasn\u2019t until two and a half weeks later that the public let out a collective sigh of gratitude, when the city abruptly announced the start of Phase Two and reopened its more than 170 malls. Singaporeans were once again able to visit their shop of choice. Restaurants and the beloved bubble tea shops also resumed business, and life on the island began to feel a bit more normal.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">But after months of anxious lockdowns, \u201cnormal\u201d in this island city-state has morphed into tolerating a maze of social-distancing lines, constant temperature checks, and ubiquitous hand-sanitizing stations. Singapore adopted from China the use of quick response (QR) codes to track individuals\u2019 movements. &nbsp;All residents (children included) are required to scan with their smartphones prominently placed QR codes posted at the entrances and exits to every mall, restaurant, kiosk, and public space (including beaches). These scans feed into a national SafeEntry system, which uploads the individual\u2019s government identity number into a database that enables contact tracing. In mid-September the government will also begin distributing to all 5.7 million residents <a href=\"https:\/\/www.straitstimes.com\/singapore\/tracetogether-tokens-to-be-distributed-free-to-all-spore-residents-from-sept-14\">little plastic tokens<\/a> that continuously communicate short-range Bluetooth signals to each other as a means of blanketing the island with full contract tracing. Combine this with the aforementioned \u201csafe distancing ambassadors\u201d and an estimated eighty-six thousand security cameras, and a highly efficient COVID-beating nanny state emerges.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">These intensive measures have allowed the population some semblance of everyday life under COVID. People can freely visit friends and relatives, as long as they are in groups of five or less. The same rules apply for dining out. Malls are packed, and parks are brimming with exercisers, either panting for air through their masks or clutching them in their hands so they can immediately cover up once they\u2019ve stopped, thus avoiding the wrath of the numerous camera phone\u2013armed <em>kaypohs<\/em> (busybodies) eager to <a href=\"https:\/\/www.instagram.com\/stompsingapore\/?hl=en\">report any flaunters they spot<\/a>. And in July, Singapore was able to <a href=\"https:\/\/asia.nikkei.com\/Politics\/Singapore-election\/Singapore-election-results-give-PAP-supermajority-as-rivals-rise\">conduct a successful national parliamentary election<\/a>, in which 95 percent of the 2.6 million eligible voters cast their ballots (as predicted, the ruling People\u2019s Action Party won 83 of 93 total seats).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As of September 9, the government reported one new case &#8220;in the community.&#8221; But there\u2019s more to be gleaned from that day\u2019s numbers. While one new community case is certainly good news, there were also sixty new cases in the dormitories, plus an additional fourteen imported cases from people entering the country. So one community case that day is really seventy-five new cases overall. Control of the population is ultimately an exercise in winning hearts and minds, however, and the government\u2019s spin clearly intends to distinguish between the community and migrant workers. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In the end, the goal of Singapore\u2019s civic leaders during COVID is to walk the fine line between reassuring their constituents that all is well and that trust in their leadership is warranted, and subtly frightening them into staying the course and continuing to do their part. <\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/johnleepictures.com\/\">John Lee<\/a><\/strong> is an American photojournalist currently based in Singapore.<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n","protected":false},"excerpt":{"rendered":"<p>Singapore&#8217;s technocracy faces COVID-19<\/p>\n","protected":false},"author":9,"featured_media":14243,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kia_subtitle":"","footnotes":""},"categories":[16],"tags":[405,377,1436,1555,1435],"class_list":["post-14220","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-projects","tag-art-and-the-novel-coronavirus","tag-covid","tag-photoessay","tag-photography","tag-singapore",""],"_links":{"self":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/14220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14220"}],"version-history":[{"count":0,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/14220\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/14243"}],"wp:attachment":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14220"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14220"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}