{"id":451,"date":"2011-01-01T21:44:48","date_gmt":"2011-01-01T21:44:48","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?p=451"},"modified":"2015-03-11T20:04:07","modified_gmt":"2015-03-11T20:04:07","slug":"no-3-2","status":"publish","type":"post","link":"https:\/\/artjournal.collegeart.org\/?p=451","title":{"rendered":"Fall 2009, Vol. 68, No. 3"},"content":{"rendered":"

In This Issue<\/h2>\n

Judith F. Rodenbeck, Models and Propositions<\/strong>, 5<\/p>\n\n

Features<\/h2>\n

\"Fall<\/p>\n

Hajime Nakatani, Imperious Griffonage: Xu Bing and the Graphic Regime<\/strong>, 6<\/p>\n

Seth McCormick, Reiko Tomii, Hiroko Ikegami, Jeffrey Wechsler, and Midori Yoshimoto, with a response by Alexandra Munroe, Exhibition as Proposition: Responding Critically to The Third Mind<\/strong>, 30<\/p>\n

Patricia Kelly, Jo Baer, Modernism, and Painting on the Edge<\/strong>, 52<\/p>\n

Jane McFadden, Earthquakes, Photoworks, and Oz: Walter de Maria\u2019s Conceptual Art<\/strong>, 68<\/p>\n

Elyse Speaks, \u201cWe bring our lares with us\u201d: Bodies and Domiciles in the Sculpture of Louise Bourgeois<\/strong>, 88<\/p>\n\n

Reviews<\/h2>\n

Clark Buckner on What Makes a Great Exhibition?<\/em>, ed. Paula Marincola, Cautionary Tales: Critical Curating<\/em>, ed. Steven Rand and Heather Kouris, and Curating Subjects<\/em>, ed. Paul O\u2019Neill; Marc James L\u00e9ger on Gerald Raunig, Art and Revolution: Transversal Activism in the Long Twentieth Century<\/em>, and Cultural Activism Today: The Art of Over-Identification<\/em>, ed. BAVO; Soraya Murray on Database Aesthetics: Art in the Age of Information Overflow<\/em>, ed. Victoria Vesna, and New Media in the White Cube and Beyond: Curatorial Models for Digital Art<\/em>, ed. Christiane Paul<\/p>\n","protected":false},"excerpt":{"rendered":"

In This Issue Judith F. Rodenbeck, Models and Propositions, 5 Features Hajime Nakatani, Imperious Griffonage: Xu Bing and the Graphic … More<\/a><\/p>\n","protected":false},"author":9,"featured_media":1233,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kia_subtitle":"","footnotes":""},"categories":[8,10],"tags":[53,54],"class_list":["post-451","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-from-art-journal","category-toc","tag-53","tag-vol68",""],"_links":{"self":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=451"}],"version-history":[{"count":0,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/451\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/1233"}],"wp:attachment":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}