{"id":522,"date":"2011-01-01T23:04:27","date_gmt":"2011-01-01T23:04:27","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?p=522"},"modified":"2015-03-11T19:58:56","modified_gmt":"2015-03-11T19:58:56","slug":"no-4-3","status":"publish","type":"post","link":"https:\/\/artjournal.collegeart.org\/?p=522","title":{"rendered":"Winter 2007, Vol. 66, No. 4"},"content":{"rendered":"

In This Issue<\/h2>\n

Judith F. Rodenbeck, Blindsight and Microblindness<\/strong>, 5<\/p>\n\n

Features<\/h2>\n

\"Winter<\/p>\n

Jane Blocker, Blink: The Viewer as Blind Man in Installation Art<\/strong>, 6<\/p>\n

Una Chung, What. Comes. After.: An Introduction to Lin + Lam\u2019s Unidentified Vietnam<\/strong>, 22<\/p>\n

Lin + Lam, Unidentified Vietnam<\/strong>, 25<\/p>\n

Kirsi Peltom\u00e4ki, Affect and Spectatorial Agency: Viewing Institutional Critique in the 1970s<\/strong>, 36<\/p>\n

Gordon Hughes, Game Face: Douglas Huebler and the Voiding of Photographic Portraiture<\/strong>, 52<\/p>\n

Astrid Schmetterling, Archival Obsessions: Arnold Dreyblatt\u2019s Memory Work<\/strong>, 70<\/p>\n

Andrea D. Fitzpatrick, The Movement of Vulnerability: Images of Falling and September 11<\/strong>, 84<\/p>\n\n

Reviews <\/h2>\n

Ken Allan on C\u00e9cile Whiting, Pop L.A.: Art and the City in the 1960s<\/em>; Monica Amor on Nadja Rottner and Peter Weibel, eds., Gego 1957\u00ad\u20131988: Thinking the Line<\/em>, and Mari Carmen Ram\u00edrez, Catherine de Zegher, Robert Storr, and Josefina Manrique, Gego: Between Transparency and the Invisible<\/em>; Godfre Leung on Alexander Alberro and Sabeth Buchmann, eds., Art after Conceptual Art<\/em>, and John C. Welchman, ed., Institutional Critique and After<\/em>; Derek Conrad Murray on Darby English, How to See a Work of Art in Total Darkness<\/em> <\/p>\n","protected":false},"excerpt":{"rendered":"

In This Issue Judith F. Rodenbeck, Blindsight and Microblindness, 5 Features Jane Blocker, Blink: The Viewer as Blind Man in … More<\/a><\/p>\n","protected":false},"author":9,"featured_media":523,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kia_subtitle":"","footnotes":""},"categories":[8,10],"tags":[57,58],"class_list":["post-522","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-from-art-journal","category-toc","tag-57","tag-vol66",""],"_links":{"self":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/522","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=522"}],"version-history":[{"count":0,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/522\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/523"}],"wp:attachment":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=522"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=522"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=522"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}