{"id":531,"date":"2011-01-01T22:59:08","date_gmt":"2011-01-01T22:59:08","guid":{"rendered":"http:\/\/artjournal.collegeart.org\/?p=531"},"modified":"2015-03-11T19:59:25","modified_gmt":"2015-03-11T19:59:25","slug":"no-3-5","status":"publish","type":"post","link":"https:\/\/artjournal.collegeart.org\/?p=531","title":{"rendered":"Fall 2006, Vol. 65, No. 3"},"content":{"rendered":"<p><strong>In This Issue<\/strong><\/p>\n<p>Patricia C. Phillips, <strong>Remediations\u2014Re-viewing Art<\/strong>, 5<\/p>\n<hr\/>\n<p><strong>Features<\/strong><\/p>\n<p>Frazer Ward, <strong>Alien Durations: Tehching Hsieh, 1978\u201399<\/strong>, 6<\/p>\n<p>Anna Hammond, Ian Berry, Sheryl Cokelton, Sharon Corwin, Pamala Franks, katherine Hart, Wynona Lynch-McWhite, Charles Reeve, and John Stomberg, <strong>The Role of the University Art Museum and Gallery<\/strong>, 20<\/p>\n<hr\/>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Fall-2006.jpg\" alt=\"Fall 2006\" width=\"270\" height=\"326\" class=\"alignright size-full wp-image-5217\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Fall-2006.jpg 270w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Fall-2006-165x200.jpg 165w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Fall-2006-210x253.jpg 210w\" sizes=\"auto, (max-width: 270px) 100vw, 270px\" \/><\/p>\n<p><strong>Thematic Investigation: Forty Years of Video Art<\/strong> <\/p>\n<p>Organized by Yvonne Spielmann<\/p>\n<p>Sean Cubitt, <strong>Grayscale Video and the Shift to Color<\/strong>, 40<\/p>\n<p>Yvonne Spielmann, <strong>Video: From Technology to Medium<\/strong>, 54<\/p>\n<p>Jean Gagnon, <strong>&#8220;A demo tape on how to play video on the violin&#8221;<\/strong>, 70<\/p>\n<p>Christine Ross, <strong>The Temporalities of Video: Extendedness Revisited<\/strong>, 82<\/p>\n<\/hr\/>\n<p><strong>Features<\/strong><\/p>\n<p>Reva Wolf, <strong>Homer Simpson as Oustider Artist, or How I Learned to Accept Ambivalence (Maybe)<\/strong>, 100<\/p>\n<hr\/>\n<p><strong>Reviews<\/strong><\/p>\n<p>PAUL WOOD on Maria Gough, <em>The Artist as Producer: Russion Constructivism in Revoltion<\/em>, and Christina Kiar, <em>Imagine No Possessions: The Socialist Objects of Russian Constructivism<\/em>; SARAH ROGERS on Rebecca L. Stein and Ted Swedenberg, eds. <em>Palestine, Israel, and the Politics of Popular Culture<\/em>; MARIA FERNANDEZ on Brian Massumi, <em>Parables for the Vitual: Movement, Affect, Sensation<\/em> ; and IFTIKHAR DADI on Tapati Guha-Thakurtra, <em>Monuments, Objects, Histories: Institutions of Art in Colonial and Post-Colonial India<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In This Issue Patricia C. Phillips, Remediations\u2014Re-viewing Art, 5 Features Frazer Ward, Alien Durations: Tehching Hsieh, 1978\u201399, 6 Anna Hammond, &hellip; <a class=\"more-link\" href=\"https:\/\/artjournal.collegeart.org\/?p=531\">More<\/a><\/p>\n","protected":false},"author":9,"featured_media":532,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kia_subtitle":"","footnotes":""},"categories":[8,10],"tags":[60,61],"class_list":["post-531","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-from-art-journal","category-toc","tag-60","tag-vol65",""],"_links":{"self":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=531"}],"version-history":[{"count":12,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/531\/revisions"}],"predecessor-version":[{"id":5223,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/531\/revisions\/5223"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/532"}],"wp:attachment":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=531"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=531"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}