{"id":570,"date":"2011-01-01T23:28:19","date_gmt":"2011-01-01T23:28:19","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?p=570"},"modified":"2015-03-11T19:50:35","modified_gmt":"2015-03-11T19:50:35","slug":"no-3-6","status":"publish","type":"post","link":"https:\/\/artjournal.collegeart.org\/?p=570","title":{"rendered":"Fall 2005, Vol. 64, No. 3"},"content":{"rendered":"<p><strong>In This Issue<\/strong><\/p>\n<p>Patricia C. Phillips, <strong>Something to Talk About<\/strong>, 3<\/p>\n<hr\/>\n<p><strong>Artist Project<\/strong><\/p>\n<p>Barbara Bloom, <strong>Commemorative Stamps, Art Journal 1929\u20132005<\/strong>, 4<\/p>\n<hr\/>\n<p><strong>Features<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Fall-2005.jpg\" alt=\"Fall 2005\" width=\"270\" height=\"242\" class=\"alignright size-full wp-image-5226\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Fall-2005.jpg 270w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Fall-2005-200x179.jpg 200w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Fall-2005-210x188.jpg 210w\" sizes=\"auto, (max-width: 270px) 100vw, 270px\" \/><\/p>\n<p>Patricia C. Phillips, <strong>The Aesthetics of Witnessing: A Conversation with Alfredo Jaar<\/strong>, 6<\/p>\n<p>David Levi Strauss and Daniel Joseph Martinez, <strong>Teaching After the End<\/strong>, 28<\/p>\n<hr\/>\n<p><strong>Thematic Investigation<\/strong><\/p>\n<p>Johanna Burton and Lisa Pasquariello, <strong>\u201cAsk Somebody Else Something Else\u201d: Analyzing the Artist Interview<\/strong>, 46<\/p>\n<p>Gwen Allen, <strong>Against Criticism: The Artist Interview in Avalanche Magazine, 1970\u201376<\/strong>, 50<\/p>\n<p>Suzanne Hudson, <strong>Robert Ryman, Retrospective<\/strong>, 62<\/p>\n<p>Tim Griffin, <strong>Method Acting: The Artist-Interviewer Conversation<\/strong>, 70<\/p>\n<p><\/span><\/p>\n<p>Rhea Anastas, <strong>A Response<\/strong>, 78<\/p>\n<hr\/>\n<p><strong>Features<\/strong><\/p>\n<p>Chris Gilbert, Carlos Basualdo, T. J. Demos, and Gregory Sholette, <strong>\u201cDark Matter into Light\u201d: A Round-Table Discussion<\/strong>, 84<\/p>\n<p>Ana Finel Honigman, <strong>Good Artist\/Bad Artist: An Interview with Ellen Harvey<\/strong>, 102<\/p>\n<hr\/>\n<p><strong>Reviews<\/strong><\/p>\n<p>Kelly Dennis on Laura Grindstaff, <em>The Money Shot: Trash, Class, and the Making of TV Talk Shows<\/em>; Monica Amor on Lynn Zelevansky, ed., <em>Beyond Geometry: Experiments in Form, 1940s\u201370s<\/em>, and Ann Goldstein and Lisa Mark, eds., <em>A Minimal Future? Art as Object 1958\u20131968<\/em>; Jon Beasley-Murray on Nelly Richard, <em>The Insubordination of Signs: Political Change, Cultural Transformation, and Poetics of the Crisis<\/em>, Nelly Richard, <em>Masculine\/Feminine: Practices of Difference(s)<\/em>, and Nelly Richard, <em>Cultural Residues: Chile in Transition<\/em>; Jill Dawsey on Ken Ehrlich and Brandon LaBelle, eds., <em>Surface Tension: Problematics of Site<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In This Issue Patricia C. Phillips, Something to Talk About, 3 Artist Project Barbara Bloom, Commemorative Stamps, Art Journal 1929\u20132005, &hellip; <a class=\"more-link\" href=\"https:\/\/artjournal.collegeart.org\/?p=570\">More<\/a><\/p>\n","protected":false},"author":9,"featured_media":572,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kia_subtitle":"","footnotes":""},"categories":[8,10],"tags":[62,63],"class_list":["post-570","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-from-art-journal","category-toc","tag-62","tag-vol64",""],"_links":{"self":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/570","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=570"}],"version-history":[{"count":0,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/570\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/572"}],"wp:attachment":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=570"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=570"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}