{"id":627,"date":"2011-01-02T13:39:18","date_gmt":"2011-01-02T13:39:18","guid":{"rendered":"http:\/\/artjournalstg.wpenginepowered.com\/?p=627"},"modified":"2015-03-11T16:29:17","modified_gmt":"2015-03-11T16:29:17","slug":"no-4-6","status":"publish","type":"post","link":"https:\/\/artjournal.collegeart.org\/?p=627","title":{"rendered":"Winter 2004, Vol. 63, No. 4"},"content":{"rendered":"

In This Issue<\/h2>\n

Patricia C. Phillips, Unsettled Imaginations<\/strong>, 3<\/p>\n\n

Feature<\/h2>\n

Raymond Spiteri, Envisioning Surrealism in Histoire de l\u2019\u0153il and La femme 100 t\u00eates<\/strong>, 4<\/p>\n\n

Artist Project<\/h2>\n

Sze Tsung Leong, History Images<\/strong>, 19<\/p>\n

Christopher Phillips, Drastic Urbanization: The Photographs of Sze Tsung Leong<\/strong>, 20<\/p>\n\n

Features<\/h2>\n

\"Winter<\/p>\n

Jeremy Braddock, Neurotic Cities: Barnes in Philadelphia<\/strong>, 46<\/p>\n

Kimberly Camp, Response to Jeremy Braddock<\/strong>, 62<\/p>\n

Barbara Jaffee, Jackson Pollock\u2019s Industrial Expressionism<\/strong>, 68<\/p>\n

Alison Mairi Syme, Love among the Ruins: David Cannon Dashiell\u2019s Queer Mysteries<\/strong>, 80<\/p>\n

Julia Robinson, The Sculpture of Indeterminacy: Alison Knowles\u2019s Beans and Variations<\/strong>, 96<\/p>\n

Carol Becker, Amazwi Abesifazane (Voices of Women)<\/strong>, 116<\/p>\n\n

Reviews<\/h2>\n

Jill H. Casid on Camp: Queer Aesthetics and the Performing Subject, A Reader<\/em>, ed. Fabio Cleto; Sylvester Okwunodu Ogbechie on Africas: The Artist and the City; A Journey and an Exhibition<\/em>, and Georges Ad\u00e9agbo: Archeology of Motivations; Rewriting History<\/em>, ed. Silvia Eiblmayr; Kent Mitchell Minturn on Kazimir Malevich: The White Rectangle<\/em>, Writings on Film<\/em>, ed., Oksana Bulgakowa and Margarita Tupitsyn, Malevich and Film<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

In This Issue Patricia C. Phillips, Unsettled Imaginations, 3 Feature Raymond Spiteri, Envisioning Surrealism in Histoire de l\u2019\u0153il and La … More<\/a><\/p>\n","protected":false},"author":9,"featured_media":626,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kia_subtitle":"","footnotes":""},"categories":[8,10],"tags":[27,28],"class_list":["post-627","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-from-art-journal","category-toc","tag-27","tag-vol63",""],"_links":{"self":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/627","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=627"}],"version-history":[{"count":0,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/627\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/626"}],"wp:attachment":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=627"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=627"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=627"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}