{"id":650,"date":"2011-01-02T14:05:28","date_gmt":"2011-01-02T14:05:28","guid":{"rendered":"http:\/\/artjournal.collegeart.org\/?p=650"},"modified":"2015-03-11T16:25:19","modified_gmt":"2015-03-11T16:25:19","slug":"no-1-11","status":"publish","type":"post","link":"https:\/\/artjournal.collegeart.org\/?p=650","title":{"rendered":"Spring 2001, Vol. 60, No. 1"},"content":{"rendered":"

In This Issue<\/h2>\n

Janet A. Kaplan and John Alan Farmer, 3<\/p>\n\n

Artist’s Project<\/h2>\n

Ellen Rothenberg, Restless Mobility<\/em>, 4<\/p>\n\n

Responses<\/h2>\n

Ellen K. Levy, 6<\/p>\n\n

Network Society<\/h2>\n

Gregg Bordowitz, 10<\/p>\n\n

Features<\/h2>\n

\"Spring<\/p>\n

Jens Liebchen, Power Station for Art vs. Art for Power Station<\/strong>, 12<\/p>\n

Amelia Jones, The Body and Technology: Geoffrey Batchen, Ken Gonzales-Day, Peggy Phelan, Christine Ross, Guillermo G\u00f3mez-Pe\u00f1a<\/strong>, 20<\/p>\n

Lauri Firstenberg, Neo-Archival and Textual Modes of Production: An Interview with Glenn Ligon<\/strong>, 42<\/p>\n

Sabine Marschall, Strategies of Accommodation: Toward an Inclusive Canon of South African Art<\/strong>, 50<\/p>\n

Janet Berry Hess, Regulating\/Representing the Body: South Africa. A Syllabus<\/strong>, 60<\/p>\n

Anna Indych, Nuyorican Baroque: Pep\u00f3n Osorio’s Chucher\u00edas<\/strong>, 72<\/p>\n

Dorinda Neave, Meditations on Space and Time: The Performance Art of Japan’s Dumb Type<\/strong>, 84<\/p>\n\n

Obsessions<\/h2>\n

Bailey Doogan, Logo Girls<\/strong>, 98<\/p>\n\n

Reviews<\/h2>\n

Jenny S. Spencer on Charles R. Garoian, Performing Pedagogy: Toward an Art of Politics<\/em>; Jonathan Weinberg on Deborah Martin Kao, Laura Katzman, and Jenna Webster, Ben Shahn’s New York: The Photography of Modern Times<\/em> and Susan Chevlowe, with contributions by Diana L. Linden, Stephen Polcari, Frances K. Pohl, and Howard Greenfeld, Common Man Mythic Vision: The Paintings of Ben Shahn<\/em>; Gail Levin and John B. Van Sickle on Derek Walcott, Tiepolo’s Hound<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

In This Issue Janet A. Kaplan and John Alan Farmer, 3 Artist’s Project Ellen Rothenberg, Restless Mobility, 4 Responses Ellen … More<\/a><\/p>\n","protected":false},"author":9,"featured_media":611,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kia_subtitle":"","footnotes":""},"categories":[8,10],"tags":[41,42],"class_list":["post-650","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-from-art-journal","category-toc","tag-41","tag-vol60",""],"_links":{"self":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/650","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=650"}],"version-history":[{"count":17,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/650\/revisions"}],"predecessor-version":[{"id":5267,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/650\/revisions\/5267"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/611"}],"wp:attachment":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=650"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=650"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=650"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}