{"id":671,"date":"2011-01-02T14:17:59","date_gmt":"2011-01-02T14:17:59","guid":{"rendered":"http:\/\/artjournal.collegeart.org\/?p=671"},"modified":"2015-03-11T16:17:27","modified_gmt":"2015-03-11T16:17:27","slug":"no-3-13","status":"publish","type":"post","link":"https:\/\/artjournal.collegeart.org\/?p=671","title":{"rendered":"Fall 1999, Vol. 58, No. 3"},"content":{"rendered":"<h2>In This Issue<\/h2>\n<p>Janet A. Kaplan, <strong>On Translation<\/strong>, 3<\/p>\n<hr\/>\n<h2>Responses<\/h2>\n<p>Patricia Phillips and Maxine Payne Caulfield, 4<\/p>\n<hr\/>\n<h2>Contemporary Indian Art<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Fall-1999.jpg\" alt=\"Fall 1999\" width=\"270\" height=\"326\" class=\"alignright size-full wp-image-5281\" srcset=\"https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Fall-1999.jpg 270w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Fall-1999-165x200.jpg 165w, https:\/\/artjournal.collegeart.org\/wp-content\/uploads\/2011\/01\/Fall-1999-210x253.jpg 210w\" sizes=\"auto, (max-width: 270px) 100vw, 270px\" \/><\/p>\n<p><strong>Guest edited by Andrew L. Cohen and Marcella C. Sirhandi<\/strong><\/p>\n<p>Guest Editors\u2019 Statements<\/strong>, 7<\/p>\n<p>Andrew L. Cohenm, <strong>Contemporary Indian Painting: A Portfolio<\/strong>, 10<\/p>\n<p>R. Siva Kumar, <strong>Modern Indian Art: A Brief Overview<\/strong>, 14<\/p>\n<p>Mary-Ann Milford Lutzker, <strong>Intersections: Urban and Village Art in India<\/strong>, 22<\/p>\n<p>Ajay J. Sinha, <strong>Contemporary Indian Art: A Question of Method<\/strong>, 31<\/p>\n<p>Marcella C. Sirhandi<\/span><span class=\"title\">Manipulating Cultural Idioms<\/strong>, 40<\/p>\n<p>Preminda S. Jacob, <strong>Between Modernism and Modernization: Locating Modernity in South Asian Art<\/strong>, 48<\/p>\n<hr\/>\n<h2>Features<\/h2>\n<p>Mar\u00eda Fern\u00e1ndez, <strong>Postcolonial Media Theory<\/strong>, 58<\/p>\n<p>Michael Godby, <strong>William Kentridge: Retrospective<\/strong>, 74<\/p>\n<p>Simon Leung with Janet A. Kaplan, <strong>Pseudo-Languages: A Conversation with Wenda Gu, Xu Bing, and Jonathan Hay<\/strong>, 86<\/p>\n<hr\/>\n<h2>Reviews<\/h2>\n<p>Jonathan Applefield on <em>Off Limits: Rutgers University and the Avant\u2013Garde, 1957\u20131963<\/em>; Emmett Williams and Ann No\u00ebl, eds., <em>Mr. Fluxus: A Collective Portrait of George Maciunas, 1931\u20131978<\/em>; Ken Friedman, ed., <em>A Fluxus Reader<\/em>. Andr\u00e9s Zervig\u00f3n on Lisa Saltzman, <em>Anselm Kiefer and Art after Auschwitz<\/em>; <em>Anselm Kiefer: Works on Paper<\/em> in the Metropolitan Museum of Art; Matthew Biro, <em>Anselm Kiefer and the Philosophy of Martin Heiddegger<\/em>. Margaret Werth on Naomi Sawelson-Gorse, ed., <em>Women in Dada: Essays on Sex, Gender, and Identity<\/em>. Robert Morgan on <em>Global Conceptualism: Points of Origin, 1950s\u20131980s<\/em>. Edward J. Sullivan on Anthony W. Lee, <em>Painting on the Left: Diego Rivera, Radical Politics, and San Francisco\u2019s Public Murals<\/em>. John Alan Farmer on Hans Haacke, <em>AnsichtsSachen\/Viewing Matters<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In This Issue Janet A. Kaplan, On Translation, 3 Responses Patricia Phillips and Maxine Payne Caulfield, 4 Contemporary Indian Art &hellip; <a class=\"more-link\" href=\"https:\/\/artjournal.collegeart.org\/?p=671\">More<\/a><\/p>\n","protected":false},"author":9,"featured_media":603,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kia_subtitle":"","footnotes":""},"categories":[8,10],"tags":[45,46],"class_list":["post-671","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-from-art-journal","category-toc","tag-45","tag-vol58",""],"_links":{"self":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=671"}],"version-history":[{"count":9,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/671\/revisions"}],"predecessor-version":[{"id":5288,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/posts\/671\/revisions\/5288"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=\/wp\/v2\/media\/603"}],"wp:attachment":[{"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=671"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=671"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artjournal.collegeart.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}