By Mia Locks
Curator Mia Locks speaks with artist Math Bass about ambiguity, body movement, and the recent exhibition of Bass’s work that Locks curated, Math Bass: Off the Clock, which was on view at MoMA PS1 from May 3 to September 7, 2015.
Bookshelf: Suzanne Preston Blier
In the newest installment of Art Journal Open’s Bookshelf project, Suzanne Preston Blier shares what she’s been reading.
Bookshelf: Lareese Hall
Lareese Hall shares her “work” and “life” bookshelves in this installment of Art Journal Open’s Bookshelf series.
How Have New Technologies Shaped the Introductory Art History Classroom? Why Does It Matter? An Update from Art Historians Interested in Pedagogy and Technology
Art Journal Open’s News & Notes section launches with an update from Art Historians Interested in Pedagogy and Technology.
Bookshelf: Paul A. Ranogajec
Paul A. Ranogajec shares his reading list in this installment of Art Journal Open’s Bookshelf series.
Yoga for Adjuncts: The Somatics of Human Capital
By Christian Nagler
Superficial Thinking: Screen Practices and Screen Architectures
By Swagato Chakravorty
Swagato Chakravorty reviews Surface: Matters of Aesthetics, Materiality, and Media by Giuliana Bruno.
Two for One: robbinschilds in conversation with Dina Deitsch
By Dina Deitsch
In the final installment of her three-part interview series, curator Dina Deitsch speaks with robbinschilds about site, collaboration, and the process of creating Constructions I–IV, which was commissioned for the 2011 exhibition Temporary Structures: Performing Architecture in Contemporary Art at the deCordova Sculpture Park and Museum.
Bookshelf: Judith Rodenbeck
Judith Rodenbeck shares her summer reading in the newest installment of Art Journal Open’s Bookshelf series.
Bookshelf: Matthew Israel
In this week’s Bookshelf, Matthew Israel shares what he’s reading.
Bookshelf: Steven Nelson
Steven Nelson shares what’s on his bookshelf.
“The Cat Is My Medium”: Notes on the Writing and Art of Carolee Schneemann
By Thyrza Nichols Goodeve
For several years, Carolee Schneemann has presented an ever-evolving performative lecture about her work, starting with drawings she made at the ages of four and seven. I first saw it in 2009 at St. Mark’s Church.