By James McAnally
Common Field was born of a singular moment, a shared time of simmering scarcity matched with an abundance of artist-centric models springing up globally. The emergent network is quickly becoming a central figure within a spectrum of new alternative forms increasingly coming to define a deflated decade.
By Sonal Khullar
Sonal Khullar reviews InFlux: Contemporary Art in Asia edited by Parul Dave-Mukherji, Naman P. Ahuja, and Kavita Singh.
By Mia Locks
Curator Mia Locks speaks with artist Math Bass about ambiguity, body movement, and the recent exhibition of Bass’s work that Locks curated, Math Bass: Off the Clock, which was on view at MoMA PS1 from May 3 to September 7, 2015.
In the newest installment of Art Journal Open’s Bookshelf project, Suzanne Preston Blier shares what she’s been reading.
Lareese Hall shares her “work” and “life” bookshelves in this installment of Art Journal Open’s Bookshelf series.
Art Journal Open’s News & Notes section launches with an update from Art Historians Interested in Pedagogy and Technology.
Paul A. Ranogajec shares his reading list in this installment of Art Journal Open’s Bookshelf series.
By Christian Nagler
By Swagato Chakravorty
Swagato Chakravorty reviews Surface: Matters of Aesthetics, Materiality, and Media by Giuliana Bruno.
By Dina Deitsch
In the final installment of her three-part interview series, curator Dina Deitsch speaks with robbinschilds about site, collaboration, and the process of creating Constructions I–IV, which was commissioned for the 2011 exhibition Temporary Structures: Performing Architecture in Contemporary Art at the deCordova Sculpture Park and Museum.
Judith Rodenbeck shares her summer reading in the newest installment of Art Journal Open’s Bookshelf series.
In this week’s Bookshelf, Matthew Israel shares what he’s reading.
