Current Issue: Summer 2017

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In This Issue

Rebecca M. Brown
Indigenous Futures, 5

Indigenous Futures

Kate Morris and Bill Anthes
2017: Indigenous Futures, 6

Kathleen Ash-Milby and Ruth B. Phillips
Inclusivity or Sovereignty? Native American Arts in the Gallery and the Museum since 1992, 10

Candice Hopkins
We Are Always Turning Around on Purpose: Reflecting on Three Decades of Indigenous Curatorial Practice, 39

Jessica L. Horton
Indigenous Artists against the Anthropocene, 48

Kate Morris
Crash: Specters of Colonialism in Contemporary Indigenous Art, 70

Jolene Rickard
Diversifying Sovereignty and the Reception of Indigenous Art, 81

Dylan Robinson
Public Writing, Sovereign Reading: Indigenous Language Art in Public Space, 85

Heather Igloliorte
Curating Inuit Qaujimajatuqangit: Inuit Knowledge in the Qallunaat Art Museum, 100

Sherry Farrell Racette
Tuft Life: Stitching Sovereignty in Contemporary Indigenous Art, 114

Marie Watt
In Conversation with Marie Watt: A New Coyote Tale, 124

Artists’ Project

Postcommodity, 136


Caroline A. Jones on W. J. T. Mitchell, Image Science: Iconology, Visual Culture, and Media Aesthetics; Karen Kurczynski on Tania Ørum and Jesper Olsson, A Cultural History of the Avant-Garde in the Nordic Countries, 1950–75; Camila Maroja on Hélio Oiticica: To Organize Delirium and the exhibition Hélio Oiticica: To Organize Delirium; Tracy Bonfitto on Shanay Jhaveri, ed. Chandigarh Is in India; Erica DiBenedetto on Helen Molesworth, ed., with Ruth Erickson, Leap Before You Look: Black Mountain College 1933–1957 and the exhibition Leap Before You Look: Black Mountain College 1933–1957