In This Issue
Patricia C. Phillips, Reconciliations: New Views and Re-views, 3
Artist Project
Mary Lum, 64 Scenes (with an essay by Steven Nelson), 4
Features
Roxana Marcoci, Perceptions at Play: Giacometti through Contemporary Eyes, 6
Rebecca M. Brown, P.T. Reddy, Neo-Tantrism, and Modern Art in India, 26
Dialogue: Art and Labor
Jessica Stockholder and Joe Scanlan, Art and Labor: Some Introductory Ideas, 50
Chris Hanson and Hendrika Sonnenberg, Where Are the Drugs?, 52
Hirsch Perlman, A Wastrel’s Progress and the Worm’s Retreat, 64
Artist Portfolio
Angela Dalle Vacche, Scrolls, Boxes, and Trees: Manuela Filiaci’s Work, 70
Forum on Latin American Art Criticism, 82
Robin Greeley, Modernism: What El Norte Can Learn from Latin America
Alejandro Anreusm, Jose Gómez Sicre and the “Idea” of Latin American Art
Francisco Alambert, 1001 Words for Mário Pedrosa
Florencia Bazzano-Nelson, Marta Traba: Internationalism or Regional Resistance?
Andrea Giunta, Jorge Romero Brest and the Coordinates of Aesthetic Modernism in Latin America
Holly Barnet-Sánchez, Tomás Ybarra-Frausto and Amalia Mesa-Bains: A Critical Discourse from Within
Features
Mark A. Cheetham, Matting the Monochrome: Malevich, Klein, and Now, 94
Nana Last, Systematic Inexhaustion, 110
Reviews
Raymond Spiteri on Gérard Durozoi, History of the Surrealist Movement, Jennifer Mundy, ed., Surrealism: Desire Unbound, and Michael Richardson and Krzysztof Fijalkowski, eds., Surrealism Against the Current: Tracts and Declarations; Gregory Sholette on Andrew Hemingway, Artists on the Left: American Artists and the Communist Movement, 1926–1956; Adrian Kohn on Donald Judd, Complete Writings, 1959–1975; and Soraya Murray on Paul D. Miller, a.k.a. Dj Spooky that Subliminal Kid, Rhythm Science