Spring 2002, Vol. 61, No. 1

In This Issue

Janet A. Kaplan, 3


Features

Spring 2002

Rainer Usselmann, 18. Oktober 1977: Gerhard Richter’s Work of Mourning and Its New Audience, 4

Betti-Sue Hertz, Meltdown! What Is Left Over by Carlos Andrade and Todd Ayoung, 26

Catherine Lord, From The Summer of Her Baldness, 34

Janet Sternburg, A Writer’s Need to See, 48

Lauri Firstenberg, Representing the Body Archivally in South African Photography, 58

Andrés Mario Zervigón, The Weave of Memory: Siemon Allen’s Screen and Postapartheid South Africa, 68

Carol Becker and Romi Crawford, An interview with Paul D. Miller a.k.a. DJ Spooky—That Subliminal Kid, 82


Reviews

Blake Stimson on the Phaidon Press Contemporary Artists and Themes and Movements series; Anthony W. Lee on Anne Anlin Cheng, The Melancholy of Race: Psychoanalysis, Assimilation, and Hidden Grief; Helen M. Shannon on Peter T. Nesbett and Michelle DuBois, eds., The Complete Jacob Lawrence; Maura Coughlin on Fiona Carson and Claire Pajaczkowska, Feminist Visual Culture, and Linda Nochlin, Representing Women, and Aruna DíSouza, ed., Self and History: A Tribute to Linda Nochlin. Aruna DíSouza, ed., Self and History: A Tribute to Linda Nochlin