Spring 2000, Vol. 59, No. 1

In This Issue

John Alan Farmer, 3


Features

Spring 2000

Valerie Cassel, France Morin, Apinan Poshyandanda, Mari Carmen Ramírez, Caroline Turner, Igor Zabel, Beyond Boundaries: Rethinking Contemporary Art Exhibitions, 4

John Alan Farmer, The Experimental Exercise of Freedom: A Conversation with Rina Carvajal and Alma Ruiz, 21

Miwon Kwon, The Wrong Place, 33

Shelley Hornstein, Fugitive Places, 45

Aneta Syzlak, The New Art for the New Reality: Some Remarks on Contemporary Art in Poland, 55

Sharon Lockhart, Interview Locations/Family Photographs, 65


Conversations

Francesca Dal Lago, Space and Public: Site Specificity in Beijing, 75


Working Notes

Daniel Mirer, Wishing Rooms, 89


Obsessions

Ernesto Pujol, Notes on Obsessive Whiteness, 98


Reviews

Jody Cutler on Richard J. Powell and Jock Reynolds, To Conserve a Legacy: American Art from Historically Black Colleges and Universities, Juanita M. Holland, ed., Narratives of African American Art and Identity: The David C. Driskell Collection, Adrienne L. Childs, Echoes: The Art of David Driskell; Debra Wacks on Howard Fox, Eleanor Antin, Maurice Berger, Adrian Piper: A Retrospective, John P. Bowles2000 BC: The Bruce Conner Story, Part II, Craig Saper, Dieter Roth: Printed Pressed Bound, 1949–1979; Michelle C. Cone on John Russell, Matisse: Father and Son, John O’Brian, Ruthless Hedonism: The American Reception of Matisse