Sara Reisman reflects on the ways in which artists and institutions consider (or disregard) how individuals with disabilities access their work.
Huey Copeland and Krista Thompson sketch the concept of the afrotrope, a term they have developed over the past decade to describe “those recurrent visual forms that have emerged within and become central to the formation of African diasporic culture and identity.”
Andrew Yang shares a “transdisciplinary cluster” of works that engage the concept of the Anthropocene. When it comes to climate change, Yang asks, “Which we is responsible, or most at risk? What sorts of people, organisms, and entities does we invite or exclude?”