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Category: Conversations

The New Polar Aesthetics of Art and Climate Change: A Conversation with Lisa E. Bloom, Elena Glasberg, and Thyrza Nichols Goodeve

A conversation about climate change, aesthetics, and collaboration

By Lisa E. Bloom, Elena Glasberg, and Thyrza Nichols Goodeve on March 9th, 2023 in Conversations

Feminist Interview Project: Cassils in Conversation with Amelia Jones

Amelia Jones and the artist Cassils have a crosstown conversation about influences, practice, and moving beyond language

By Cassils and Amelia Jones on February 9th, 2023 in Conversations
A person, artist Hiwa K, is seen against an urban background, tying motorcycle mirrors to a metal pole.

Belonging without a Home: Hiwa K and Amin Alsaden in Conversation

Amin Alsaden speaks with Hiwa K about conflict, displacement, and the “pre-image”

By Hiwa K and Amin Alsaden on November 17th, 2022 in Conversations

Feminist Interview Project: Senga Nengudi in Conversation with Daisy McGowan

Artist Senga Nengudi discusses her career and the significance of collaboration

By AJ Open on September 15th, 2022 in Conversations
Photograph of green tropical forest with circular collage cutouts of high-rise buildings in Chicago (left) and Singapore (right). Colorful lines intersect at the center of the image.

Peripatetic in the Pandemic

Taking an intercontinental sound walk through the pandemic

By Christa Donner, James Jack, Karin Oen, and Andrew Yang on September 1st, 2022 in Contemporary Projects, Conversations, Uncategorized Conversation, Embodied Senses, Observation, Pandemic, Story, Walk
A photograph of a detail of a sculpture composed of repurposed objects. The photograph shows one of these objects, a marble bust of a young girl, on whose face and chest the artist has written “‘Portrait of a Young Girl’ by Thomas Ball, who also sculpted the Emancipation Memorial. Known as the Freedman’s Memorial, it was paid for by formerly enslaved people and depicts Lincoln ‘freeing’ a kneeling, enslaved African American person while holding the Emancipation Proclamation. Ball initially hired a Black model but fired him because of ‘the unpleasantness of being obliged to conduct him through our apartment.’ Ball then used himself as a model but was eventually persuaded by the commission to work from a photograph of a formerly enslaved Black man named Archer Alexander. In a dedication speech for the memorial, Frederick Douglass said: ‘Truth compels me to admit… Abraham Lincoln was not, in the fullest sense of the word, either our man or our model. In his interests, in his associations, in his habits of thought, and in his prejudices, he was a white man.’ Douglass noted that Lincoln was motivated more to save the Union than to free slaves and that he ‘strangely told us that we were the cause of the war.’ In December 2020 the Boston Art Commission voted unanimously to remove the city’s copy of the statue after a public debate determined it reinforced a racist and paternalistic view of Black people.”

Monuments as Monsters: Michael Rakowitz and Erin L. Thompson in Conversation

Smashing statues

By Michael Rakowitz and Erin L. Thompson on June 16th, 2022 in Conversations

Feminist Interview Project: Christine Sun Kim in Conversation with Tabitha Jacques

The first in a series on practice and futures

By Christine Sun Kim and Tabitha Jacques, guest edited by Katherine Guinness on May 19th, 2022 in Conversations #FeminstInterviewProjectAJO
How has the past year's quarantine affected your professional life?

The Quarantine Question

AJO readers respond to the pandemic in words, sound, and images

By Dana E. Katz and Lisa Pon, Guest Editors on December 21st, 2021 in Contemporary Projects, Conversations, Texts + Documents artandpandemics, artandthenovelcoronavirus, covid, Dana E. Katz, Lisa Pon
A gender-nonconforming person, standing, and a nonbinary person (the artist), sitting with one leg outstretched, are on a rooftop in Mexico City. A bike held up by the gender-nonconforming person balances on the wall of the rooftop.

Transiting in Anti-Patriarchal Worlds: The Queer Photography of Fernando Fuentes

Brian Whitener on the art of collective transformation

By Brian Whitener on November 18th, 2021 in Contemporary Projects, Conversations
Color photograph with a frontal view of an abstract ceramic portrait head that appears to be made from a long coil of clay. The outline of two eyes, a nose, a mouth, and two ears are affixed to its surface. The object is a monochromatic black with a slight sheen to the glaze.

The Weight of Matter: Ebitenyefa Baralaye and Glenn Adamson in Conversation

How the materiality of clay mirrors the body

By Ebitenyefa Baralaye and Glenn Adamson on May 20th, 2021 in Contemporary Projects, Conversations craftmatters, ebitenyefabaralaye, glennadamson, portraiture, sculpture
A Fred Eversley sculpture in the form of a green concave lens.

The Object and You: Fred Eversley in Conversation with Jenny Dally

Fred Eversley traces his prolific career from scientific engineer to Light and Space sculptor

By Jenny Dally with Fred Eversley on February 25th, 2021 in Conversations artandscience, fredeversley, lightandspace, sculpture
Color photograph of forty clay pots arranged in a circle. A woman dressed in black sits in the middle of the circle. In her left hand, she holds a broken clay pot.

Going Backward to Move Forward: Karen Tei Yamashita in Conversation with Boreth Ly on Traces of Trauma

Two scholars discuss the place of personal history in the field

By Karen Tei Yamashita and Boreth Ly on February 11th, 2021 in Conversations artandpolitics, borethly, karenteiyamashita, khmerart, tracesoftrauma

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