Posts Tagged: Karl Haendel

Karl Haendel, Knight #2, 2010, pencil on paper, 103 x 74 in. (261.6 x 187.9 cm) (artwork © Karl Haendel)

Knight’s Heritage: Karl Haendel and the Legacy of Appropriation, Episode Two, 2012

By Natilee Harren
In “Episode Two” of her three-part essay, “Knight’s Heritage: Karl Haendel and the Legacy of Appropriation,” Natilee Harren explores appropriation, artistic heritage, and medieval suits of armor through the context of an encounter between Karl Haendel and an artist of an earlier generation, Robert Longo.

Karl Haendel, Knight #2, 2010, pencil on paper, 103 x 74 in. (261.6 x 187.9 cm) (artwork © Karl Haendel)

Knight’s Heritage: Karl Haendel and the Legacy of Appropriation, Episode Two, 2012

By Natilee Harren
In “Episode Two” of her three-part essay, “Knight’s Heritage: Karl Haendel and the Legacy of Appropriation,” Natilee Harren explores appropriation, artistic heritage, and medieval suits of armor through the context of an encounter between Karl Haendel and an artist of an earlier generation, Robert Longo.

Karl Haendel working in his studio, 2001 (photograph © Florian Maier-Aichen)

Knight’s Heritage: Karl Haendel and the Legacy of Appropriation, Episode One, 2000

By Natilee Harren

In Natilee Harren’s three-part essay series on issues of appropriation and artistic heritage, she examines episodes in the work of the Los Angeles–based artist Karl Haendel. In “Episode One,” Harren looks closely at Haendel’s Knight’s Heritage, 1963 (2001), which he made as a graduate student, and how it relates to the career and work of the sculptor Anne Truitt (1921–2004). Haendel made his work, a reconstruction of a 1963 work by Truitt, based on photographs, without ever having seen the Truitt sculpture itself.

Karl Haendel working in his studio, 2001 (photograph © Florian Maier-Aichen)

Knight’s Heritage: Karl Haendel and the Legacy of Appropriation, Episode One, 2000

By Natilee Harren

In Natilee Harren’s three-part essay series on issues of appropriation and artistic heritage, she examines episodes in the work of the Los Angeles–based artist Karl Haendel. In “Episode One,” Harren looks closely at Haendel’s Knight’s Heritage, 1963 (2001), which he made as a graduate student, and how it relates to the career and work of the sculptor Anne Truitt (1921–2004). Haendel made his work, a reconstruction of a 1963 work by Truitt, based on photographs, without ever having seen the Truitt sculpture itself.

sample layout of GIF placement of pop out window_SMALL

Oral Sadism & The Vegetarian Personality (Approximately)

By Karl Haendel

Artist Karl Haendel has been creating an archive of 35mm slides since 2000, composed of found images and photographs. The approximately 10,000 slides are organized into more than 250 categories and subcategories (from the W section: Wedding Geometry, Weapons, White House, World War I), and some of these slides become the basis for his drawings. Though this archive exists in analogue form, Haendel recognized that the popular GIF format functions in a similar manner to that of the slide projector, and thus created a digital slideshow experience of these source images for Art Journal Open. To view Oral Sadism & The Vegetarian Personality (Approximately), click on the image inside this post to launch the project.

sample layout of GIF placement of pop out window_SMALL

Oral Sadism & The Vegetarian Personality (Approximately)

By Karl Haendel

Artist Karl Haendel has been creating an archive of 35mm slides since 2000, composed of found images and photographs. The approximately 10,000 slides are organized into more than 250 categories and subcategories (from the W section: Wedding Geometry, Weapons, White House, World War I), and some of these slides become the basis for his drawings. Though this archive exists in analogue form, Haendel recognized that the popular GIF format functions in a similar manner to that of the slide projector, and thus created a digital slideshow experience of these source images for Art Journal Open. To view Oral Sadism & The Vegetarian Personality (Approximately), click on the image inside this post to launch the project.

Karl Haendel, Knight’s Heritage, 1963, from the series For/After Anne Truitt,
2001, acrylic on wood, 60-1/2 x 60-1/2 x 12 in. (153.7 x 153.7 x 30.5 cm) (artwork © Karl Haendel)

Response to Natilee Harren’s “Knight’s Heritage: Karl Haendel and the Legacy of Appropriation, Episode One, 2000”

By Nate Harrison

Nate Harrison responds to “Knight’s Heritage: Karl Haendel and the Legacy of Appropriation, Episode One” by Natilee Harren.

Karl Haendel, Knight’s Heritage, 1963, from the series For/After Anne Truitt,
2001, acrylic on wood, 60-1/2 x 60-1/2 x 12 in. (153.7 x 153.7 x 30.5 cm) (artwork © Karl Haendel)

Response to Natilee Harren’s “Knight’s Heritage: Karl Haendel and the Legacy of Appropriation, Episode One, 2000”

By Nate Harrison

Nate Harrison responds to “Knight’s Heritage: Karl Haendel and the Legacy of Appropriation, Episode One” by Natilee Harren.