Current Issue: Summer 2014 - Art Journal Open

Selected content from this issue of Art Journal is available at the links below.

Artist’s Project

Jonathan Hodgson, Guantánamo Bay: The Hunger Strikes, 5

Forum: Red Conceptualismos del Sur Southern Conceptualisms Network

**Poster for the first meeting of Southern Conceptualisms Network in São Paulo, Brazil, April 2008**, based on Horacio Zabala’s map with stamp interventions

**Fluxus Street, 17a Bienal de São Paulo, 1983**, instalação / installation view, Museu de Arte Contemporânea da Universidade de São Paulo (photographer unknown; photograph provided by Wanda Svevo Historical Archive, Fundação Bienal de São Paulo)

**Escena de Para cenar Artaud [Dining with Artaud], performance, Buenos Aires, 1979** (photograph provided by Rubén Campitelli)

Ana Longoni
Salir del silencio: Arte y política en latinoamérica entre los años 60 y 80, 14
Coming out of Silence: Art and Politics in Latin America from the 1960s to the 1980s, 15

Cristina Freire
Museus em Rede: A dialética impecável de Walter Zanini, 20
A Network of Museums: The Impeccable Dialectic of Walter Zanini, 21

Miguel A. López
Teresa Burga: Desplegando el cuerpo (social) femenino, 66
Teresa Burga: Unfolding the (Social) Female Body, 47

Tamara Díaz Bringas
Nueve entradas en 1989, 66
Nine Innings in 1989, 67

Ana Longoni
Activismo teatral durante la última dictadura argentina: Apuntes sobre el Taller de Investigaciones Teatrales, 90
Theatrical Activism during the Last Argentine Dictatorship: Notes on the Taller de Investigaciones Teatrales, 91

**Teresa Burga, Sin titulo, “¿Que y como porqué?” [Untitled, “What, How, and Why?”], 1975**, tinta sobre papel / ink on paper, 11¾ x 8¼ in. (29.7 x 21 cm). Sammlung Verbund, Vienna (artwork © Teresa Burga; photograph provided by Sammlung Verbund)

**Nudo [Eduardo Marin y Vladimir Llaguno], cartel “La plástica joven se dedica al béisbol” / poster “Young Artists Take Up Baseball,” 1989**, impreso en / printed at Taller de Serigrafía René Portocarrero, Havana (artwork © Nudo)

Reviews

Kim Charnley on Claire Bishop, Artificial Hells: Participatory Art and the Politics of Spectatorship, and Tom Finkelpearl, What We Made: Conversations on Art and Social Cooperation; David Markus on Peter Osborne, Anywhere or Not at All: Philosophy of Contemporary Art; and Charissa N. Terranova on the exhibition Le Corbusier: An Atlas of Modern Landscapes