Current Issue: Summer 2015 - Art Journal Open

Selected content from this issue of Art Journal is available at the links below.

**Exhibition announcement for *Invisible Americans: Black Artists of the 30’s*, ca. 1968**, The Studio Museum in Harlem, Romare Bearden papers, 1937–1982, Archives of American Art, Smithsonian Institution

**Installation view of the OBA at the San Diego Museum of Art, 2010** (photograph © Geoffrey Cunningham and Carla Repice; photograph provided by Geoffrey Cunningham)

Features

Caroline V. Wallace
Exhibiting Authenticity: The Black Emergency Cultural Coalition’s Protests of the Whitney Museum of American Art, 1968–1971, 5

Christopher Tradowsky
The Office of Blame Accountability and Art against Ressentiment, 24

Raven Falquez Munsell
Libertà al Cile: Alternative Media and Art as Information at the 1974 Venice Biennale, 44

Silvia Bottinelli
The Discourse of Modern Nomadism: The Tent in Italian Art and Architecture of the 1960s and 1970s, 62

*Libertà al Cile* newspaper, cover pages of issues 1–5, 1974, ink on paper, ea. 39⅜ x 26¾ in. (100 x 68 cm) (documents © Ente Autonomo La Biennale di Venezia, Archivio Storico delle Arti Contemporanee; photographs provided by Ryerson and Burnham Libraries, Art Institute of Chicago)

**Superstudio, *Life—Supersurface, The Happy Island Project*, 1971**, ink, airbrush, graphite, and cut-and-pasted printed paper on paper, 19¾ x 27⅝ in. (50.2 x 70.2 cm). Collection Museum of Modern Art, New York (artwork © Superstudio; digital Image © Museum of Modern Art/licensed by SCALA/Art Resource, NY)

Artist’s Project

Christian Nagler
Yoga for Adjuncts: The Somatics of Human Capital

Reviews

Shannon M. Lieberman on Politics in a Glass Case: Feminism, Exhibition Cultures and Curatorial Transgressions, ed. Angela Dimitrakaki and Lara Perry; Swagato Chakravorty on Giuliana Bruno, Surface: Matters of Aesthetics, Materiality, and Media; and Robert Slifkin on Peter Plagens, Bruce Nauman: The True Artist