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Author: Jenevieve DeLosSantos and Kathleen Pierce with Key Jo Lee, Gabriela Martínez, Damon Reaves, and Dalila Scruggs

Color photographs of the four roundtable participants. At top left, Damon Reaves; at top right, Gabriela Martinez; at bottom left, Dalila Scruggs; at bottom right, Key Jo Lee.

Holding Space: A Roundtable Conversation on Trauma and Teaching in the Museum

Four museum educators on creating safe spaces for communities

By Jenevieve DeLosSantos and Kathleen Pierce with Key Jo Lee, Gabriela Martínez, Damon Reaves, and Dalila Scruggs on April 22nd, 2021 in Pedagogies arthistorypedagogy, hardlessons, museums, teachingwithempathy, traumainformedpedagogy
Cover of Ina Blom's book Think Tanks Aesthetics: Midcentury Modernism, the Cold War, and the Neoliberal Present. Shows what appears to be a black inkblot under the title.

Ambient Think Tanks

Ina Blom reviews Pamela M. Lee’s book on the aesthetics of a political institution

By Ina Blom on April 8th, 2021 in From Art Journal coldwarart, InaBlom, PamelaMLee, politicalsensibility, politicsandaesthetics, thinktankaesthetics
Close-up shot of a man lying on the grass with his eyes closed and his mouth open in a smile

Interview with Texas Isaiah

“don’t kill this vibe”: Navigating vulnerability, visibility, and privacy in photography

By Makeda Best on April 8th, 2021 in From Art Journal MakedaBest, photography, politicsofvisibility, TexasIsaiah, visualnarrator
Color photograph of two hands holding an interactive sculpture made of folded paper in the shape of a child's 'fortune teller' game.

Hide and Seek

Folk tradition meets revisionist storytelling in Jenny Yurshansky’s printable sculpture

By Jenny Yurshansky on March 25th, 2021 in Contemporary Projects artandimmigration, artandnationalism, interactiveart, printouts

A Conversation with Mays Imad: Trauma-Informed Pedagogy and the Art History Classroom

The neuroscience of teaching in a time of crisis

By Jenevieve DeLosSantos with Mays Imad on March 11th, 2021 in Pedagogies arthistorypedagogy, hardlessons, teachingwithempathy, traumainformedpedagogy
A Fred Eversley sculpture in the form of a green concave lens.

The Object and You: Fred Eversley in Conversation with Jenny Dally

Fred Eversley traces his prolific career from scientific engineer to Light and Space sculptor

By Jenny Dally with Fred Eversley on February 25th, 2021 in Conversations artandscience, fredeversley, lightandspace
Color photograph of forty clay pots arranged in a circle. A woman dressed in black sits in the middle of the circle. In her left hand, she holds a broken clay pot.

Going Backward to Move Forward: Karen Tei Yamashita in Conversation with Boreth Ly on Traces of Trauma

Two scholars discuss the place of personal history in the field

By Karen Tei Yamashita and Boreth Ly on February 11th, 2021 in Conversations artandpolitics, borethly, karenteiyamashita, khmerart, tracesoftrauma
A plain solid-black box.

The Aesthetics of Torture: Listening to Abu Zubaydah’s Interrogation Drawings

Deciphering testimonials of violence from Guantánamo Bay

By Michelle C. Velasquez-Potts on January 28th, 2021 in Texts + Documents GuantánamoBay, listening, torture, visuality
Book cover for the exhibition catalog "member: Pope.L." The cover is solid light-gray; at the center, a small color photo shows a man kneeling on the sidewalk in front of a crosswalk.

Pope.L: The Body and Its Void

Margaret Winslow reviews exhibitions at MoMA and the Whitney

By Margaret Winslow on January 14th, 2021 in From Art Journal artjournal, Blackness, havenotness, margaretwinslow, museumofmodernart, pope.l, whitneymuseum
A grid of deep-red, torn, equal-sized flattened book covers stitched together, 5 across by 6 down.

Burning All Illusion: Abstraction, Black Life, and the Unmaking of White Supremacy

Artists Samuel Levi Jones and Josh Begley challenge the ethics of representing Blackness

By Leigh Raiford on January 14th, 2021 in From Art Journal abstraction, artjournal, Blackness, ethicsofseeing, joshbegley, leighraiford, samuellevijones

Squares, Triangles & Cats

“Relax like a cat” with this soothing, quarantine-friendly coloring project

By Asuka Ohsawa on December 31st, 2020 in Contemporary Projects coloringpages, geometryandart, internetcats, printouts, redandwhitequilts
Detail of a book spread from Imaginary Explosions, page 35. Above black-and-white graphic of mountain topography, text reads, “This distance I arranged so you would not have so far to fall to Earth.”

Fault Lines and Fractures: A Conversation about Imaginary Explosions

Is there life after annihilation?

By Caitlin Berrigan and Sasha Engelmann on December 17th, 2020 in Conversations feministart, imaginaryexplosions

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