Visible or invisible . . . ? An interactive game by Dorothy Santos
Author: Dorothy R. Santos
Horizons Already Here: Video Games and Landscape
Soraya Murray explores video games from an art historical perspective
Audience in the Archive
Didier Morelli reviews Adair Rounthwaite’s book on participatory art in 1980s New York
Facing Social Practice: Mary Beth Heffernan in conversation with Julia Bryan-Wilson
The PPE Portrait Project builds trust between patients and health-care workers during COVID-19
Just Being
Art historians Risham Majeed and Blake Bradford offer a proxy visit to three still-new sites dedicated to African American history
Rosa enferma, Together Apart
Kaira M. Cabañas considers our vulnerable yet resilient social relations in a time of pandemic, through the lens of a work by Venezuelan artist Roberto Obregón
Diné COVID PSA
A graphic public-service announcement for the Diné (Navajo) Nation and beyond, by artist, physician, and community organizer Chip Thomas
Narcissister, a Truly Kinky Artist
Tiffany E. Barber on the darkly humorous world of performance artist Narcissister, whose play on race, gender, and sexuality challenges conventional conceptions of identity
Art History and the Modern in Southeast Asia
Pamela N. Corey reviews an anthology of the work of art historian and critic T. K. Sabapathy
More Than 100 Stories: Sharing Learning through Creative Evaluation
What happens when an arts bureaucracy steps away from “data-driven” evaluation of its program? Writer Sarah Butler recounts her collaboration with visual artist Nicole Mollett on a unique commission from Arts Council England
Sky Couture: Jennifer and Kevin McCoy’s BROKER and the Politics of Luxury
David Markus investigates a video work set in a Trump-branded condo and analyzes superluxury living in relation to material culture, consumer desires, and the political inclinations they index
“Come Out to Show Them”: Speech and Ambivalence in the Work of Steve Reich and Glenn Ligon
Ellen Tani explores how an incidence of police brutality in the Harlem of 1964 is deployed in artworks by musician Steve Reich and visual artist Glenn Ligon