The PPE Portrait Project builds trust between patients and health-care workers during COVID-19.
Author: Julia Bryan-Wilson and Mary Beth Heffernan
Just Being
Art historians Risham Majeed and Blake Bradford offer a proxy visit to three still-new sites dedicated to African American history
Rosa enferma, Together Apart
Kaira M. Cabañas considers our vulnerable yet resilient social relations in a time of pandemic, through the lens of a work by Venezuelan artist Roberto Obregón.
Diné COVID PSA
A graphic public-service announcement for the Diné (Navajo) Nation and beyond, by artist, physician, and community organizer Chip Thomas
Narcissister, a Truly Kinky Artist
Tiffany E. Barber on the darkly humorous world of performance artist Narcissister, whose play on race, gender, and sexuality challenges conventional conceptions of identity
Art History and the Modern in Southeast Asia
Pamela N. Corey reviews an anthology of the work of art historian and critic T. K. Sabapathy.
More Than 100 Stories: Sharing Learning through Creative Evaluation
What happens when an arts bureaucracy steps away from “data-driven” evaluation of its program? Writer Sarah Butler recounts her collaboration with visual artist Nicole Mollett on a unique commission from Arts Council England.
Sky Couture: Jennifer and Kevin McCoy’s BROKER and the Politics of Luxury
David Markus investigates a video work set in a Trump-branded condo and analyzes superluxury living in relation to material culture, consumer desires, and the political inclinations they index.
“Come Out to Show Them”: Speech and Ambivalence in the Work of Steve Reich and Glenn Ligon
Ellen Tani explores how an incidence of police brutality in the Harlem of 1964 is deployed in artworks by musician Steve Reich and visual artist Glenn Ligon.
Traces of Traces: Image Histories in Lebanon
Anneka Lenssen reviews two recent books on photography in Lebanon.
The Future Is Present: Electronic Café and the Politics of Technological Fantasy
In the predigital era, an experiment in community-based virtual network building is launched in Los Angeles. Philip Glahn and Cary Levine uncover the activist collective Mobile Image’s project of 1984, Electronic Café.
The Challenge of a Global Modernism
Edith A. G. Wolfe on two recent studies of “discrepant modernities” in Latin America