In This Issue
Katy Siegel, In Print, 5
Artist’s Project
Matthew Brannon, Pressing the “Delete” button, not pressing the “Are you sure you want to delete?” button, covers
Centennial Essay
Sarah Suzuki, Print People: A Brief Taxonomy of Contemporary Printmaking, 6
Features
Harper Montgomery, “Enter for Free”: Exhibiting Woodcuts on a Street Corner in Mexico City, 26
Triple Canopy, The Binder and the Server, 40
Michael Leja, Fortified Images for the Masses, 60
Bruce Hainley, Store as Cunt, 84
Reviews 110
Stephen Melville on Jacques Derrida, Athens, Still Remains: The Photographs of Jean-François Bonhomme, and Jacques Derrida and Marie-Françoise Plissart, Right of Inspection; Seth McCormick on Hiroko Ikegami, The Great Migrator: Robert Rauschenberg and the Global Rise of American Art; Amanda Douberley on Jonathan D. Lippincott, Large Scale: Fabricating Sculpture in the 1960s and 1970s; Aviva Dove-Viebahn on Maud Lavin, Push Comes to Shove: New Images of Aggressive Women; Richard Lloyd on Gregory Sholette, Dark Matter: Art and Politics in the Age of Enterprise Culture
Artist’s Project
Richard Tuttle, A Connoisseurship of Metaphor, 135