Category Archives: Table Of Contents

Spring 2014, Vol. 73, No. 1

Artist’s Project Karen L. Schiff, Counter to Type Drawings appear on the front and back covers of this issue, on pages 2-3, on pages 5–11 with the artist’s essay, “Connecting the Dots/Hijacking Typography,” and in the Reviews section, pages 76–85.

Spring 2014, Vol. 73, No. 1

Artist’s Project Karen L. Schiff, Counter to Type Drawings appear on the front and back covers of this issue, on pages 2-3, on pages 5–11 with the artist’s essay, “Connecting the Dots/Hijacking Typography,” and in the Reviews section, pages 76–85.

Winter 2012, Vol. 71, No. 4

In This Issue Katy Siegel, Shaping the Glass, 5 Artist’s Project Tomma Abts, Untitled, 8 Features Christine Mehring, Richter’s Willkür, 20 Carrie Moyer, Zero to the Bone: Louise Fishman Speaks with Carrie Moyer, 36 Elyse Speaks, The Terms of Craft

Winter 2012, Vol. 71, No. 4

In This Issue Katy Siegel, Shaping the Glass, 5 Artist’s Project Tomma Abts, Untitled, 8 Features Christine Mehring, Richter’s Willkür, 20 Carrie Moyer, Zero to the Bone: Louise Fishman Speaks with Carrie Moyer, 36 Elyse Speaks, The Terms of Craft

Summer 2013, Vol. 72, No. 2

Features Alexandra M. Kokoli, The Voice as Uncanny Index in Susan Hiller’s The Last Silent Movie, 6 Kristen Olds, “Gay Life Artists”: Les Petites Bonbons and Camp Performativity in the 1970s, 16 Forum: Conversations on Queer Affect and Queer Archives

Summer 2013, Vol. 72, No. 2

Features Alexandra M. Kokoli, The Voice as Uncanny Index in Susan Hiller’s The Last Silent Movie, 6 Kristen Olds, “Gay Life Artists”: Les Petites Bonbons and Camp Performativity in the 1970s, 16 Forum: Conversations on Queer Affect and Queer Archives

Spring 2013, Vol. 72, No.1

Editor’s Note Lane Relyea, 5 Features Peggy Wang, Art Critics as Middlemen: Navigating State and Market in Contemporary Chinese Art, 1980s–1990s, 6 Michael Jay McClure, If It Need Be Termed Surrender: Trisha Donnelly’s Subjunctive Case, 20 Artist’s Project Moyra Davey,

Spring 2013, Vol. 72, No.1

Editor’s Note Lane Relyea, 5 Features Peggy Wang, Art Critics as Middlemen: Navigating State and Market in Contemporary Chinese Art, 1980s–1990s, 6 Michael Jay McClure, If It Need Be Termed Surrender: Trisha Donnelly’s Subjunctive Case, 20 Artist’s Project Moyra Davey,

Fall 2012, Vol. 71, No. 3

In This Issue Katy Siegel, Attention Deficit, 5 Features Chris Balaschak, Planet of the Apes: John Szarkowski, My Lai, and The Animals, 6 Adele Nelson, Sensitive and Nondiscurive Things: Lygia Pape and the Reconception of Printmaking, 26 Pamela N. Corey,Crafted

Fall 2012, Vol. 71, No. 3

In This Issue Katy Siegel, Attention Deficit, 5 Features Chris Balaschak, Planet of the Apes: John Szarkowski, My Lai, and The Animals, 6 Adele Nelson, Sensitive and Nondiscurive Things: Lygia Pape and the Reconception of Printmaking, 26 Pamela N. Corey,Crafted

Heather Cassils, After, 2014, 2,000-pound clay bash, remnant sculpture from the performance Becoming an Image, Buddies in Bad Times, Toronto, 2014

Winter 2013, Vol. 72, No. 4

Artist’s Project Jeanne Dunning,Tom Thumb, the New Oedipus, 5 Features Forum: Sexing Sculpture: New Approaches to Theorizing the Object Jillian Hernandez and Susan Richmond, Introduction, 27 Rachel Lachowicz, Portfolio: Material Specificity and the Index of the Feminine, 30 Rachel Middleman,Rethinking

Heather Cassils, After, 2014, 2,000-pound clay bash, remnant sculpture from the performance Becoming an Image, Buddies in Bad Times, Toronto, 2014

Winter 2013, Vol. 72, No. 4

Artist’s Project Jeanne Dunning,Tom Thumb, the New Oedipus, 5 Features Forum: Sexing Sculpture: New Approaches to Theorizing the Object Jillian Hernandez and Susan Richmond, Introduction, 27 Rachel Lachowicz, Portfolio: Material Specificity and the Index of the Feminine, 30 Rachel Middleman,Rethinking

Sara Greenberger Rafferty, PDF Hoarding, 2014, photographs, 10 x 8¼ in. (25.4 x 21 cm)

Fall 2013, Vol. 73, No. 3

Karin Higa: A Collage of Remembrances, 5 Artist’s Project Sara Greenberger Rafferty, Grabs, 1, 47, 64, 82, 91, 104 Features Matthew Goulish, “A Clear Day and No Memories”: Neurology, Philosophy, and Analogy in Kerry Tribe’s H.M., 12 Atreyee Gupta, In

Sara Greenberger Rafferty, PDF Hoarding, 2014, photographs, 10 x 8¼ in. (25.4 x 21 cm)

Fall 2013, Vol. 73, No. 3

Karin Higa: A Collage of Remembrances, 5 Artist’s Project Sara Greenberger Rafferty, Grabs, 1, 47, 64, 82, 91, 104 Features Matthew Goulish, “A Clear Day and No Memories”: Neurology, Philosophy, and Analogy in Kerry Tribe’s H.M., 12 Atreyee Gupta, In

Veronica Friedman, Pages from monthly planners, 1980 and 1981. Veronica Friedman Papers, Gay, Lesbian, Bisexual, Transgender Historical Society, San Francisco (photograph © Barbara McBane).

Summer 2013, Vol. 72, No. 2

Features Alexandra M. Kokoli, The Voice as Uncanny Index in Susan Hiller’s The Last Silent Movie, 6 Kirsten Olds, “Gay Life Artists”: Les Petites Bonbons and Camp Performativity in the 1970s, 16 Forum: Conversations on Queer Affect and Queer Archives

Veronica Friedman, Pages from monthly planners, 1980 and 1981. Veronica Friedman Papers, Gay, Lesbian, Bisexual, Transgender Historical Society, San Francisco (photograph © Barbara McBane).

Summer 2013, Vol. 72, No. 2

Features Alexandra M. Kokoli, The Voice as Uncanny Index in Susan Hiller’s The Last Silent Movie, 6 Kirsten Olds, “Gay Life Artists”: Les Petites Bonbons and Camp Performativity in the 1970s, 16 Forum: Conversations on Queer Affect and Queer Archives

AJSummer2012

Summer 2012, Vol. 71, No. 2

In This Issue Katy Siegel, What are you working on?, 5 Artist’s Project Lorraine O’Grady, This Will Have Been: My 1980s, 6 Features Kate Mondloch, The Difference Problem: Art History and the Critical Legacy of 1980s Theoretical Feminism, 18 Alex

AJSummer2012

Summer 2012, Vol. 71, No. 2

In This Issue Katy Siegel, What are you working on?, 5 Artist’s Project Lorraine O’Grady, This Will Have Been: My 1980s, 6 Features Kate Mondloch, The Difference Problem: Art History and the Critical Legacy of 1980s Theoretical Feminism, 18 Alex

Spring 2012

Spring 2012, Vol. 71, No. 1

In This Issue Katy Siegel, Art, History, and Criticicsm, 5 Artist’s Project Allen Ruppersberg, PST: Before and After Features Andrew Perchuk, Thomas Crow, and Howard Singerman, Pacific Standard Time: A Preliminary Conversation, 8 Connie Butler, This is Art–These People Are

Spring 2012

Spring 2012, Vol. 71, No. 1

In This Issue Katy Siegel, Art, History, and Criticicsm, 5 Artist’s Project Allen Ruppersberg, PST: Before and After Features Andrew Perchuk, Thomas Crow, and Howard Singerman, Pacific Standard Time: A Preliminary Conversation, 8 Connie Butler, This is Art–These People Are

Art Journal Winter 2011

Winter 2011, Vol. 70, No. 4

In This Issue Katy Siegel, In Print, 5 Artist’s Project Matthew Brannon, Pressing the “Delete” button, not pressing the “Are you sure you want to delete?” button, covers Centennial Essay Sarah Suzuki, Print People: A Brief Taxonomy of Contemporary Printmaking, 6

Art Journal Winter 2011

Winter 2011, Vol. 70, No. 4

In This Issue Katy Siegel, In Print, 5 Artist’s Project Matthew Brannon, Pressing the “Delete” button, not pressing the “Are you sure you want to delete?” button, covers Centennial Essay Sarah Suzuki, Print People: A Brief Taxonomy of Contemporary Printmaking, 6

Art Journal Fall 2011

Fall 2011, Vol. 70, No. 3

In This Issue Katy Siegel, Reconstruction, 5 Centennial Essay Krista Thompson, A Sidelong Glance: The Practice of African Diaspora Art History in the United States, 6 Forum: Performance, Live or Dead Amelia Jones, Introduction, 32 Ron Athey, Getting It Right

Art Journal Fall 2011

Fall 2011, Vol. 70, No. 3

In This Issue Katy Siegel, Reconstruction, 5 Centennial Essay Krista Thompson, A Sidelong Glance: The Practice of African Diaspora Art History in the United States, 6 Forum: Performance, Live or Dead Amelia Jones, Introduction, 32 Ron Athey, Getting It Right

Art Journal Summer 2011

Summer 2011, Vol. 70, No. 2

In This Issue Katy Siegel, Making Time, 5 Centennial Essay Nora A. Taylor, Art without History? Southeast Asian Artists and Their Communities in the Face of Geography, 6 Free Time Joe Scanlan  Free Time: An Introduction, 24 Dexter Sinister, A Note

Art Journal Summer 2011

Summer 2011, Vol. 70, No. 2

In This Issue Katy Siegel, Making Time, 5 Centennial Essay Nora A. Taylor, Art without History? Southeast Asian Artists and Their Communities in the Face of Geography, 6 Free Time Joe Scanlan  Free Time: An Introduction, 24 Dexter Sinister, A Note

Art Journal Spring 20011

Spring 2011, Vol. 70, No. 1

In This Issue Katy Siegel, Race to the Finish, 5 Artist’s Project Paul Sietsema, covers Centennial Essay Richard Shiff, Every Shiny Object Wants an Infant Who Will Love It, 6 Features Saloni Mathur, Charles and Ray Eames in India, 34

Art Journal Spring 20011

Spring 2011, Vol. 70, No. 1

In This Issue Katy Siegel, Race to the Finish, 5 Artist’s Project Paul Sietsema, covers Centennial Essay Richard Shiff, Every Shiny Object Wants an Infant Who Will Love It, 6 Features Saloni Mathur, Charles and Ray Eames in India, 34

Art Journal winter 2010

Winter 2010, Vol. 69, No. 4

In This Issue Katy Siegel, Something Totally Unpredictable, 5 Features Kerry James Marshall, Adrift, Infinity, or Oblivion, from Dailies, Inside Cover Kelly Baum, Santiago Sierra: How to Do Things with Words, 6 Forum: Land Use in Contemporary Art Kirsten Swenson,

Art Journal winter 2010

Winter 2010, Vol. 69, No. 4

In This Issue Katy Siegel, Something Totally Unpredictable, 5 Features Kerry James Marshall, Adrift, Infinity, or Oblivion, from Dailies, Inside Cover Kelly Baum, Santiago Sierra: How to Do Things with Words, 6 Forum: Land Use in Contemporary Art Kirsten Swenson,

Art Journal Winter 1998

Winter 1998, Vol. 57, No. 4

Features Vera Frenkel with Dot Tuer and Clive Robertson, The Story Is Always Partial: A Conversation with Vera Frenkel, 2 Michael Brenson, The Curator’s Moment, 16 Mónica Amor, Okwui Enwezor, Gao Minglu, Oscar Ho, Kobena Mercer, Irit Rogoff, Liminalities: Discussions

Art Journal Winter 1998

Winter 1998, Vol. 57, No. 4

Features Vera Frenkel with Dot Tuer and Clive Robertson, The Story Is Always Partial: A Conversation with Vera Frenkel, 2 Michael Brenson, The Curator’s Moment, 16 Mónica Amor, Okwui Enwezor, Gao Minglu, Oscar Ho, Kobena Mercer, Irit Rogoff, Liminalities: Discussions

aj_fall1998

Fall 1998, Vol. 57, No. 3

Race and Visual Representation Guest edited by James Smalls and Judith Wilson; portfolio selected by Kenseth Armstead James Smalls, Visualizing Race: A Lifelong Process and Training, 2 Kenseth Armstead, Surface Tensions, 4 Eduardo de Jesús Douglas, The Colonial Self: Homosexuality

aj_fall1998

Fall 1998, Vol. 57, No. 3

Race and Visual Representation Guest edited by James Smalls and Judith Wilson; portfolio selected by Kenseth Armstead James Smalls, Visualizing Race: A Lifelong Process and Training, 2 Kenseth Armstead, Surface Tensions, 4 Eduardo de Jesús Douglas, The Colonial Self: Homosexuality

aj_summer1998

Summer 1998, Vol. 57, No. 2

From the Editorial Board, 2 Conversation Janet A. Kaplan, The Quiet in the Land: Everyday Life, Contemporary Art, and the Shakers: A Conversation with Janet A. Kaplan, 5 Features Doug Ashford, The Exhibition as an Artistic Medium, 28 Christina Hill’s

aj_summer1998

Summer 1998, Vol. 57, No. 2

From the Editorial Board, 2 Conversation Janet A. Kaplan, The Quiet in the Land: Everyday Life, Contemporary Art, and the Shakers: A Conversation with Janet A. Kaplan, 5 Features Doug Ashford, The Exhibition as an Artistic Medium, 28 Christina Hill’s

aj_spring1998

Spring 1998, Vol. 57, No. 1

The Reception of Christian Devotional Art Editor’s Statement Pamela M. Jones, The Reception of Christian Devotional Art: The Renaissance to the Present, 2 Articles Roger J. Crum, Facing the Closed Doors to Reception? Speculations on Foreign Exchange, Liturgical Difference, and

aj_spring1998

Spring 1998, Vol. 57, No. 1

The Reception of Christian Devotional Art Editor’s Statement Pamela M. Jones, The Reception of Christian Devotional Art: The Renaissance to the Present, 2 Articles Roger J. Crum, Facing the Closed Doors to Reception? Speculations on Foreign Exchange, Liturgical Difference, and

aj_winter1999

Winter 1999, Vol. 58, No. 4

In This Issue Janet A. Kaplan, 3 Responses Vasif Kortun and Judith Mastai, 4 Benefit Print Maura Reilly, Notes on Kiki Smiths Fall/Winter, 6 Features Mira Schor, Contemporary Feminism: Art Practice, Theory, and ActivismAn Intergenerational Perspective (Emma Amos, Susan Bee,

aj_winter1999

Winter 1999, Vol. 58, No. 4

In This Issue Janet A. Kaplan, 3 Responses Vasif Kortun and Judith Mastai, 4 Benefit Print Maura Reilly, Notes on Kiki Smiths Fall/Winter, 6 Features Mira Schor, Contemporary Feminism: Art Practice, Theory, and ActivismAn Intergenerational Perspective (Emma Amos, Susan Bee,

aj_fall1999

Fall 1999, Vol. 58, No. 3

In This Issue Janet A. Kaplan, On Translation, 3 Responses Patricia Phillips and Maxine Payne Caulfield, 4 Contemporary Indian Art Guest edited by Andrew L. Cohen and Marcella C. Sirhandi Guest Editors’ Statements, 7 Andrew L. Cohenm, Contemporary Indian Painting:

aj_fall1999

Fall 1999, Vol. 58, No. 3

In This Issue Janet A. Kaplan, On Translation, 3 Responses Patricia Phillips and Maxine Payne Caulfield, 4 Contemporary Indian Art Guest edited by Andrew L. Cohen and Marcella C. Sirhandi Guest Editors’ Statements, 7 Andrew L. Cohenm, Contemporary Indian Painting:

aj_summer1999

Summer 1999, Vol. 58, No. 2

In This Issue John Alan Farmer, 3 Responses Russell Ferguson and Naomi Sawelson-Gorse, 4 Features Janet A. Kaplan, Deeper and Deeper: Interview with Marina Abramovic, 6 Carol Becker, The Romance of Nomadism: A Series of Reflections, 22 Olu Oguibe, Finding

aj_summer1999

Summer 1999, Vol. 58, No. 2

In This Issue John Alan Farmer, 3 Responses Russell Ferguson and Naomi Sawelson-Gorse, 4 Features Janet A. Kaplan, Deeper and Deeper: Interview with Marina Abramovic, 6 Carol Becker, The Romance of Nomadism: A Series of Reflections, 22 Olu Oguibe, Finding

aj_spring1999

Spring 1999, Vol. 58, No. 1

Rethinking Studio Art Education Guest edited by Pamela Wye Program-Wide Initiatives Kate Morrison Catterall and Helen Maria Nugent, W.A.R.P.: A Radical Solution to Teaching Foundations, 4 Carol Becker, The Art of Crossing the Street, 10 G. Roy Levin, Art Education

aj_spring1999

Spring 1999, Vol. 58, No. 1

Rethinking Studio Art Education Guest edited by Pamela Wye Program-Wide Initiatives Kate Morrison Catterall and Helen Maria Nugent, W.A.R.P.: A Radical Solution to Teaching Foundations, 4 Carol Becker, The Art of Crossing the Street, 10 G. Roy Levin, Art Education

aj_winter2000

Winter 2000, Vol. 59, No. 4

In This Issue Janet A. Kaplan, 3 Responses Bradley Rubenstein, 4 Network Society Gregg Bordowitz, 5 Features Crossing Boundaries in Cyberspace? The Politics of “Body and Language” after the Emergence of New Media Guest Edited by Ursula Frohne and Christian

aj_winter2000

Winter 2000, Vol. 59, No. 4

In This Issue Janet A. Kaplan, 3 Responses Bradley Rubenstein, 4 Network Society Gregg Bordowitz, 5 Features Crossing Boundaries in Cyberspace? The Politics of “Body and Language” after the Emergence of New Media Guest Edited by Ursula Frohne and Christian

aj_fall2000

Fall 2000, Vol. 59, No. 3

In This Issue Janet A. Kaplan, 3 Features France Morin, The Quiet in the Land: Everyday Life, Contemporary Art, and Projeto Axé, 4 Moira Roth, Of Self and History: Exchanges with Linda Nochlin, 18 John Alan Farmer, Through the Labyrinth:

aj_fall2000

Fall 2000, Vol. 59, No. 3

In This Issue Janet A. Kaplan, 3 Features France Morin, The Quiet in the Land: Everyday Life, Contemporary Art, and Projeto Axé, 4 Moira Roth, Of Self and History: Exchanges with Linda Nochlin, 18 John Alan Farmer, Through the Labyrinth:

aj_summer2000

Summer 2000, Vol. 59, No. 2

In This Issue Janet A. Kaplan, 3 Responses Miriam Schapiro, 4 Conversation Janet A. Kaplan with Bracken Hendricks, Geoffrey Hendricks, Hannah Higgins, Alison Knowles, Flux Generations, 6 Features Roxana Marcoci, The Anti-Historicist Approach: Brancusi, “Our Contemporary”, 18 Charles Green, Doppelgangers

aj_summer2000

Summer 2000, Vol. 59, No. 2

In This Issue Janet A. Kaplan, 3 Responses Miriam Schapiro, 4 Conversation Janet A. Kaplan with Bracken Hendricks, Geoffrey Hendricks, Hannah Higgins, Alison Knowles, Flux Generations, 6 Features Roxana Marcoci, The Anti-Historicist Approach: Brancusi, “Our Contemporary”, 18 Charles Green, Doppelgangers

aj_spring2000

Spring 2000, Vol. 59, No. 1

In This Issue John Alan Farmer, 3 Features Valerie Cassel, France Morin, Apinan Poshyandanda, Mari Carmen Ramírez, Caroline Turner, Igor Zabel, Beyond Boundaries: Rethinking Contemporary Art Exhibitions, 4 John Alan Farmer, The Experimental Exercise of Freedom: A Conversation with Rina

aj_spring2000

Spring 2000, Vol. 59, No. 1

In This Issue John Alan Farmer, 3 Features Valerie Cassel, France Morin, Apinan Poshyandanda, Mari Carmen Ramírez, Caroline Turner, Igor Zabel, Beyond Boundaries: Rethinking Contemporary Art Exhibitions, 4 John Alan Farmer, The Experimental Exercise of Freedom: A Conversation with Rina

aj_winter2001

Winter 2001, Vol. 60, No. 4

In This Issue Janet A. Kaplan, 2 Responses Keith Townsend Obadike, 4 Features Joanna Roche, Performing Memory in Moon in a Tree: Carolee Schneemann Recollects Joseph Cornell, 6 Igor Zabel, Women in Black, 16 Laura Auricchio, Works in Translation: Ghada

aj_winter2001

Winter 2001, Vol. 60, No. 4

In This Issue Janet A. Kaplan, 2 Responses Keith Townsend Obadike, 4 Features Joanna Roche, Performing Memory in Moon in a Tree: Carolee Schneemann Recollects Joseph Cornell, 6 Igor Zabel, Women in Black, 16 Laura Auricchio, Works in Translation: Ghada

aj_fall2001

Fall 2001, Vol. 60, No. 3

In This Issue Janet A. Kaplan, Beyond Words, 3 Responses Ernesto Pujol, 4 Network Society Gregg Bordowitz, 7 Features Mary Katherine Coffey, Histories that Haunt: A Conversation with Ann Hamilton, 10 Joanna Frueh, Bloodred Beauty: A Meditation on Mel Gibson’s

aj_fall2001

Fall 2001, Vol. 60, No. 3

In This Issue Janet A. Kaplan, Beyond Words, 3 Responses Ernesto Pujol, 4 Network Society Gregg Bordowitz, 7 Features Mary Katherine Coffey, Histories that Haunt: A Conversation with Ann Hamilton, 10 Joanna Frueh, Bloodred Beauty: A Meditation on Mel Gibson’s

aj_summer2001

Summer 2001, Vol. 60, No. 2

In This Issue John Alan Farmer Responses Caroline Arscott, 4 Network Society Gregg Bordowitz, 6 Features Connie Butler, Saskia Sassen, Gavin Hipkins, Lee Weng Choy, Allan Sekula, Flight Patterns, 9 Moira Roth, Obdurate History: Dinh Q. Lê, the Vietnam War,

aj_summer2001

Summer 2001, Vol. 60, No. 2

In This Issue John Alan Farmer Responses Caroline Arscott, 4 Network Society Gregg Bordowitz, 6 Features Connie Butler, Saskia Sassen, Gavin Hipkins, Lee Weng Choy, Allan Sekula, Flight Patterns, 9 Moira Roth, Obdurate History: Dinh Q. Lê, the Vietnam War,

aj_spring2001

Spring 2001, Vol. 60, No. 1

In This Issue Janet A. Kaplan and John Alan Farmer, 3 Artist’s Project Ellen Rothenberg, Restless Mobility, 4 Responses Ellen K. Levy, 6 Network Society Gregg Bordowitz, 10 Features Jens Liebchen, Power Station for Art vs. Art for Power Station,

aj_spring2001

Spring 2001, Vol. 60, No. 1

In This Issue Janet A. Kaplan and John Alan Farmer, 3 Artist’s Project Ellen Rothenberg, Restless Mobility, 4 Responses Ellen K. Levy, 6 Network Society Gregg Bordowitz, 10 Features Jens Liebchen, Power Station for Art vs. Art for Power Station,

aj_winter2002

Winter 2002, Vol. 61, No. 4

In This Issue Patricia C. Phillips, At This Time, 3 Features and Artists’ Projects Kevin Chua, Simryn Gill and Migration’s Capital, 4 Alix Ohlin, Andreas Gursky and the Contemporary Sublime, 22 Martin Gantman, See you when we get home, 36

aj_winter2002

Winter 2002, Vol. 61, No. 4

In This Issue Patricia C. Phillips, At This Time, 3 Features and Artists’ Projects Kevin Chua, Simryn Gill and Migration’s Capital, 4 Alix Ohlin, Andreas Gursky and the Contemporary Sublime, 22 Martin Gantman, See you when we get home, 36

aj_fall2002

Fall 2002, Vol. 61, No. 3

In This Issue Janet A. Kaplan, 3 Artist’s Project Ben Katchor, Hotel & Farm, 4 Features Janet A. Kaplan, Johanna d’Arc of Mongolia: Interview with Ulrike Ottinger, 7 Hattie Gordon, Anne Wilson’s Feast, 23 Daniel Rosenberg, One Small Step (for

aj_fall2002

Fall 2002, Vol. 61, No. 3

In This Issue Janet A. Kaplan, 3 Artist’s Project Ben Katchor, Hotel & Farm, 4 Features Janet A. Kaplan, Johanna d’Arc of Mongolia: Interview with Ulrike Ottinger, 7 Hattie Gordon, Anne Wilson’s Feast, 23 Daniel Rosenberg, One Small Step (for

aj_summer2002

Summer 2002, Vol. 61, No. 2

In This Issue Janet A. Kaplan, 3 Artist’s Project Doug Fishbone, A Giant Pile of Bananas—Can You Dig It? Features

aj_summer2002

Summer 2002, Vol. 61, No. 2

In This Issue Janet A. Kaplan, 3 Artist’s Project Doug Fishbone, A Giant Pile of Bananas—Can You Dig It? Features

aj_spring2002

Spring 2002, Vol. 61, No. 1

In This Issue Janet A. Kaplan, 3 Features Rainer Usselmann, 18. Oktober 1977: Gerhard Richter’s Work of Mourning and Its New Audience, 4 Betti-Sue Hertz, Meltdown! What Is Left Over by Carlos Andrade and Todd Ayoung, 26 Catherine Lord, From

aj_spring2002

Spring 2002, Vol. 61, No. 1

In This Issue Janet A. Kaplan, 3 Features Rainer Usselmann, 18. Oktober 1977: Gerhard Richter’s Work of Mourning and Its New Audience, 4 Betti-Sue Hertz, Meltdown! What Is Left Over by Carlos Andrade and Todd Ayoung, 26 Catherine Lord, From

aj_winter2003

Winter 2003, Vol. 62, No. 4

In This Issue Patricia C. Phillips, Why We Should Care, 3 Forum Robin Greeley, Ancient Iraq, Contemporary Crisis, 6 Zainab Bahrani, Iraq’s Cultural Heritage: Monuments, History, and Loss, 10 Harriet Crawford, The Crumbling of an Ivory Tower, 18 John Malcolm

aj_winter2003

Winter 2003, Vol. 62, No. 4

In This Issue Patricia C. Phillips, Why We Should Care, 3 Forum Robin Greeley, Ancient Iraq, Contemporary Crisis, 6 Zainab Bahrani, Iraq’s Cultural Heritage: Monuments, History, and Loss, 10 Harriet Crawford, The Crumbling of an Ivory Tower, 18 John Malcolm

aj_fall2003

Fall 2003, Vol. 62, No. 3

In This Issue Patricia C. Phillips, Close Encounters, 3 Thematic Investigation: Photography and the Paranormal Paranormal Portfolio, 4 Mark Alice Durant, The Blur of the Otherworldly, 6 Louis Kaplan, Where the Paranoid Meets the Paranormal: Speculations on Spirit Photography, 18

aj_fall2003

Fall 2003, Vol. 62, No. 3

In This Issue Patricia C. Phillips, Close Encounters, 3 Thematic Investigation: Photography and the Paranormal Paranormal Portfolio, 4 Mark Alice Durant, The Blur of the Otherworldly, 6 Louis Kaplan, Where the Paranoid Meets the Paranormal: Speculations on Spirit Photography, 18

aj_summer2003

Summer 2003, Vol. 62, No. 2

In This Issue Patricia C. Phillips, At Last We Can No Longer Predict the Futuer 3 Features, Interviews, Conversations Antony Hudek, Excavating the Body Politic: An Interview with Conrad Atkinson, 4 Nicholas Mirzoeff, Newpapers, with a portfolio of artists’ works

aj_summer2003

Summer 2003, Vol. 62, No. 2

In This Issue Patricia C. Phillips, At Last We Can No Longer Predict the Futuer 3 Features, Interviews, Conversations Antony Hudek, Excavating the Body Politic: An Interview with Conrad Atkinson, 4 Nicholas Mirzoeff, Newpapers, with a portfolio of artists’ works

aj_spring2003

Spring 2003, Vol. 62, No. 1

In This Issue Patricia C. Phillips, In This Issue: Reflections, 3 Thematic Investigation Simon Leung, … and there I am: Andy Warhol and the Ethics of Identification, 4 Marc Siegel, Doing It for Andy, 6 Taro Nettleton, White-on-White: The Overbearing

aj_spring2003

Spring 2003, Vol. 62, No. 1

In This Issue Patricia C. Phillips, In This Issue: Reflections, 3 Thematic Investigation Simon Leung, … and there I am: Andy Warhol and the Ethics of Identification, 4 Marc Siegel, Doing It for Andy, 6 Taro Nettleton, White-on-White: The Overbearing

aj_winter2004

Winter 2004, Vol. 63, No. 4

In This Issue Patricia C. Phillips, Unsettled Imaginations, 3 Feature Raymond Spiteri, Envisioning Surrealism in Histoire de l’œil and La femme 100 têtes, 4 Artist Project Sze Tsung Leong, History Images, 19 Christopher Phillips, Drastic Urbanization: The Photographs of Sze

aj_winter2004

Winter 2004, Vol. 63, No. 4

In This Issue Patricia C. Phillips, Unsettled Imaginations, 3 Feature Raymond Spiteri, Envisioning Surrealism in Histoire de l’œil and La femme 100 têtes, 4 Artist Project Sze Tsung Leong, History Images, 19 Christopher Phillips, Drastic Urbanization: The Photographs of Sze

aj_fall2004

Fall 2004, Vol. 63, No. 3

In This Issue Patricia C. Phillips, Art and Risk, 3 Features Alejandro Anreus, The Road to Dystopia: The Paintings of Antonia Eiriz, 4 Branislav Jakovljevic, Unframe Malevich!—Ineffability and Sublimity in Suprematism, 18 Artist Project Eve Andrée Laramée, Netherzone: A Psychogeographical

aj_fall2004

Fall 2004, Vol. 63, No. 3

In This Issue Patricia C. Phillips, Art and Risk, 3 Features Alejandro Anreus, The Road to Dystopia: The Paintings of Antonia Eiriz, 4 Branislav Jakovljevic, Unframe Malevich!—Ineffability and Sublimity in Suprematism, 18 Artist Project Eve Andrée Laramée, Netherzone: A Psychogeographical

aj_summer2004

Summer 2004, Vol. 63, No. 2

In This Issue Patricia C. Phillips, Questions of Influence: Influence of Questions, 3 Feature Derek Conrad Murray, Hip-Hop vs. High Art: Notes on Race as Spectacle, 4 Thematic Investigation, James Meyer and Toni RossAesthetic/Anti-Aesthetic: An Introduction, 20 Arthur C. Danto,

aj_summer2004

Summer 2004, Vol. 63, No. 2

In This Issue Patricia C. Phillips, Questions of Influence: Influence of Questions, 3 Feature Derek Conrad Murray, Hip-Hop vs. High Art: Notes on Race as Spectacle, 4 Thematic Investigation, James Meyer and Toni RossAesthetic/Anti-Aesthetic: An Introduction, 20 Arthur C. Danto,

aj_spring2004

Spring 2004, Vol. 63, No. 1

In This Issue Patricia C. Phillips, Aesthetic Practices, 3 Features Janine Mileaf, Between You and Me: Man Ray’s “Object to be Destroyed”, 4 Jordana Mendelson, Joan Miró’s “Drawing-Collage,” August 8, 1933: The “Intellectual Obscenities” of Postcards, 24 Project Nato Thompson,

aj_spring2004

Spring 2004, Vol. 63, No. 1

In This Issue Patricia C. Phillips, Aesthetic Practices, 3 Features Janine Mileaf, Between You and Me: Man Ray’s “Object to be Destroyed”, 4 Jordana Mendelson, Joan Miró’s “Drawing-Collage,” August 8, 1933: The “Intellectual Obscenities” of Postcards, 24 Project Nato Thompson,

aj_winter2005

Winter 2005, Vol. 64, No. 4

In This Issue Patricia C. Phillips, Reconciliations: New Views and Re-views, 3 Artist Project Mary Lum, 64 Scenes (with an essay by Steven Nelson), 4 Features Roxana Marcoci, Perceptions at Play: Giacometti through Contemporary Eyes, 6 Rebecca M. Brown, P.T.

aj_winter2005

Winter 2005, Vol. 64, No. 4

In This Issue Patricia C. Phillips, Reconciliations: New Views and Re-views, 3 Artist Project Mary Lum, 64 Scenes (with an essay by Steven Nelson), 4 Features Roxana Marcoci, Perceptions at Play: Giacometti through Contemporary Eyes, 6 Rebecca M. Brown, P.T.

aj_fall2005

Fall 2005, Vol. 64, No. 3

In This Issue Patricia C. Phillips, Something to Talk About, 3 Artist Project Barbara Bloom, Commemorative Stamps, Art Journal 1929–2005, 4 Features Patricia C. Phillips, The Aesthetics of Witnessing: A Conversation with Alfredo Jaar, 6 David Levi Strauss and Daniel

aj_fall2005

Fall 2005, Vol. 64, No. 3

In This Issue Patricia C. Phillips, Something to Talk About, 3 Artist Project Barbara Bloom, Commemorative Stamps, Art Journal 1929–2005, 4 Features Patricia C. Phillips, The Aesthetics of Witnessing: A Conversation with Alfredo Jaar, 6 David Levi Strauss and Daniel

aj_summer2005

Summer 2005, Vol. 64, No. 2

In This Issue Patricia C. Phillips, Questions of Seeing, 3 Features Peter Erickson, Respeaking Othello in Fred Wilson’s Speak of Me as I Am, 4 Natalie Kosoi, Nothingness Made Visible: The Case of Rothko’s Paintings, 20 Peggy Phelan, Kevin Concannon,

aj_summer2005

Summer 2005, Vol. 64, No. 2

In This Issue Patricia C. Phillips, Questions of Seeing, 3 Features Peter Erickson, Respeaking Othello in Fred Wilson’s Speak of Me as I Am, 4 Natalie Kosoi, Nothingness Made Visible: The Case of Rothko’s Paintings, 20 Peggy Phelan, Kevin Concannon,

aj_spring2005

Spring 2005, Vol. 64, No. 1

In This Issue Patricia C. Phillips, Art of Attention, 3 Features Steven Nelson, Transgressive Transcendence in the Photographs of Rotimi Fani-Kayode, 4 Elizabeth Mansfield, The New Iconoclasm, 20 Richard Meyer, Slasher Story, 32 Daniel Joseph Martinez and David Levi Strauss,

aj_spring2005

Spring 2005, Vol. 64, No. 1

In This Issue Patricia C. Phillips, Art of Attention, 3 Features Steven Nelson, Transgressive Transcendence in the Photographs of Rotimi Fani-Kayode, 4 Elizabeth Mansfield, The New Iconoclasm, 20 Richard Meyer, Slasher Story, 32 Daniel Joseph Martinez and David Levi Strauss,

aj_winter2006

Winter 2006, Vol. 65, No. 4

In This Issue Patricia C. Phillips, On Locations, 5 Features Simone Osthoff, Elsewhere in Contemporary Art: Topologies of Artists’ Works, Writings, and Archives, 6 Marquard Smith, Journeys, Documenting, Indexing, Archives, and Practice-Based Research: A Conversation with susan pui san lok,

aj_winter2006

Winter 2006, Vol. 65, No. 4

In This Issue Patricia C. Phillips, On Locations, 5 Features Simone Osthoff, Elsewhere in Contemporary Art: Topologies of Artists’ Works, Writings, and Archives, 6 Marquard Smith, Journeys, Documenting, Indexing, Archives, and Practice-Based Research: A Conversation with susan pui san lok,

aj_winter2007

Winter 2007, Vol. 66, No. 4

In This Issue Judith F. Rodenbeck, Blindsight and Microblindness, 5 Features Jane Blocker, Blink: The Viewer as Blind Man in Installation Art, 6 Una Chung, What. Comes. After.: An Introduction to Lin + Lam’s Unidentified Vietnam, 22 Lin + Lam,

aj_winter2007

Winter 2007, Vol. 66, No. 4

In This Issue Judith F. Rodenbeck, Blindsight and Microblindness, 5 Features Jane Blocker, Blink: The Viewer as Blind Man in Installation Art, 6 Una Chung, What. Comes. After.: An Introduction to Lin + Lam’s Unidentified Vietnam, 22 Lin + Lam,

aj_fall2006

Fall 2006, Vol. 65, No. 3

In This Issue Patricia C. Phillips, Remediations—Re-viewing Art, 5 Features Frazer Ward, Alien Durations: Tehching Hsieh, 1978–99, 6 Anna Hammond, Ian Berry, Sheryl Cokelton, Sharon Corwin, Pamala Franks, katherine Hart, Wynona Lynch-McWhite, Charles Reeve, and John Stomberg, The Role of

aj_fall2006

Fall 2006, Vol. 65, No. 3

In This Issue Patricia C. Phillips, Remediations—Re-viewing Art, 5 Features Frazer Ward, Alien Durations: Tehching Hsieh, 1978–99, 6 Anna Hammond, Ian Berry, Sheryl Cokelton, Sharon Corwin, Pamala Franks, katherine Hart, Wynona Lynch-McWhite, Charles Reeve, and John Stomberg, The Role of

aj_summer2006

Summer 2006, Vol. 65, No. 2

In This Issue Patricia C. Phillips, Art That Insists: Persistence with Urgency, 5 Features Perry Bard,

aj_summer2006

Summer 2006, Vol. 65, No. 2

In This Issue Patricia C. Phillips, Art That Insists: Persistence with Urgency, 5 Features Perry Bard,

aj_spring2006

Spring 2006, Vol. 65, No. 1

In This Issue Patricia C. Phillips, Positionings, 5 Features David Raskin, The Shiny Illusionism of Krauss and Judd, 6 Derek Conrad Murray and Soraya Murray, Uneasy Bedfellows: Canonical Art Theory and the Politics of Identity, 22 Artists’ Project Helaine Posner,

aj_spring2006

Spring 2006, Vol. 65, No. 1

In This Issue Patricia C. Phillips, Positionings, 5 Features David Raskin, The Shiny Illusionism of Krauss and Judd, 6 Derek Conrad Murray and Soraya Murray, Uneasy Bedfellows: Canonical Art Theory and the Politics of Identity, 22 Artists’ Project Helaine Posner,

aj_fall2007

Fall 2007, Vol. 66, No. 3

In This Issue Judith F. Rodenbeck, Contingency and Engagement, 5 Features Martha Gever, Like TV: On Barbara Kruger’s Twelve, 6 Kate Mondloch, Be Here (and There) Now: The Spatial Dynamics of Screen-Reliant Installation Art, 20 Forum: The Look of Law

aj_fall2007

Fall 2007, Vol. 66, No. 3

In This Issue Judith F. Rodenbeck, Contingency and Engagement, 5 Features Martha Gever, Like TV: On Barbara Kruger’s Twelve, 6 Kate Mondloch, Be Here (and There) Now: The Spatial Dynamics of Screen-Reliant Installation Art, 20 Forum: The Look of Law

aj_summer2007

Summer 2007, Vol. 66, No. 2

In This Issue Judith F. Rodenbeck, Crossing Memory’s Green Line—Contemporary Art in Beirut, 5 Features Sarah RogersOut of History: Postwar Art in Beirut, 8 Laura U. Marks, Dangerous Gifts: Lamia Joreige’s Objects of War, 21 Lamia Joreige, Objects of War,

aj_summer2007

Summer 2007, Vol. 66, No. 2

In This Issue Judith F. Rodenbeck, Crossing Memory’s Green Line—Contemporary Art in Beirut, 5 Features Sarah RogersOut of History: Postwar Art in Beirut, 8 Laura U. Marks, Dangerous Gifts: Lamia Joreige’s Objects of War, 21 Lamia Joreige, Objects of War,

aj_spring2009

Spring 2009, Vol. 68, No. 1

In This Issue Judith F. Rodenbeck, Retooling, 5 Features Joanna Grabski, Urban Claims and Visual Sources in the Making of Dakar’s Art World City, 6 Gail Gelburd, Cuba and the Art of “Trading with the Enemy”, 24 Susette S. Min,

aj_spring2009

Spring 2009, Vol. 68, No. 1

In This Issue Judith F. Rodenbeck, Retooling, 5 Features Joanna Grabski, Urban Claims and Visual Sources in the Making of Dakar’s Art World City, 6 Gail Gelburd, Cuba and the Art of “Trading with the Enemy”, 24 Susette S. Min,

aj_spring2007

Spring 2007, Vol. 66, No. 1

In This Issue Patricia C. Phillips, The Exquisite and Urgent Importance of Art, 5 Features Matthew Gehring, Words of Art, 8 Rachel Weiss, Visions, Valves, and Vestiges: The Curdled Victories of the Bienal de La Habana, 10 Robert Blackson, Once

aj_spring2007

Spring 2007, Vol. 66, No. 1

In This Issue Patricia C. Phillips, The Exquisite and Urgent Importance of Art, 5 Features Matthew Gehring, Words of Art, 8 Rachel Weiss, Visions, Valves, and Vestiges: The Curdled Victories of the Bienal de La Habana, 10 Robert Blackson, Once

aj_fall2010

Fall 2010, Vol. 69, No. 3

In This Issue Katy Siegel, War and Other Disasters, 5 Features Kerry James Marshall, P-Van, from Dailies, inside covers Walid Raad, Appendix XVIII: Plates 88–107, 7 David McCarthy, David Smith’s Spectres of War and Peace, 20 Cécile Whiting, California War

aj_fall2010

Fall 2010, Vol. 69, No. 3

In This Issue Katy Siegel, War and Other Disasters, 5 Features Kerry James Marshall, P-Van, from Dailies, inside covers Walid Raad, Appendix XVIII: Plates 88–107, 7 David McCarthy, David Smith’s Spectres of War and Peace, 20 Cécile Whiting, California War

aj_springsummer2010

Spring—Summer 2010, Vol. 69, No. 1—2

In This Issue Katy Siegel, Love Unbound by Time, 5 Features Kerry James Marshall, On the Stroll, Inside Covers Hannah B Higgins, Love’s Labor’s Lost and Found: A Meditation on Fluxus, Family, and Somethings Else. 8 P. Adams Sitney, Kate

aj_springsummer2010

Spring—Summer 2010, Vol. 69, No. 1—2

In This Issue Katy Siegel, Love Unbound by Time, 5 Features Kerry James Marshall, On the Stroll, Inside Covers Hannah B Higgins, Love’s Labor’s Lost and Found: A Meditation on Fluxus, Family, and Somethings Else. 8 P. Adams Sitney, Kate

aj_winter2009

Winter 2009, Vol. 68, No. 4

In This Issue Judith F. Rodenbeck, The Shape of Time, 5 Features Qadri Ismail, Bound Together: On a Book of Antiwar Sri Lankan Drawings, 6 Nissim Gal. Bare Life: The Refugee in Contemporary Israeli Art and Critical Discourse, 24 Artists’

aj_winter2009

Winter 2009, Vol. 68, No. 4

In This Issue Judith F. Rodenbeck, The Shape of Time, 5 Features Qadri Ismail, Bound Together: On a Book of Antiwar Sri Lankan Drawings, 6 Nissim Gal. Bare Life: The Refugee in Contemporary Israeli Art and Critical Discourse, 24 Artists’

aj_fall2009

Fall 2009, Vol. 68, No. 3

In This Issue Judith F. Rodenbeck, Models and Propositions, 5 Features Hajime Nakatani, Imperious Griffonage: Xu Bing and the Graphic Regime, 6 Seth McCormick, Reiko Tomii, Hiroko Ikegami, Jeffrey Wechsler, and Midori Yoshimoto, with a response by Alexandra Munroe, Exhibition

aj_fall2009

Fall 2009, Vol. 68, No. 3

In This Issue Judith F. Rodenbeck, Models and Propositions, 5 Features Hajime Nakatani, Imperious Griffonage: Xu Bing and the Graphic Regime, 6 Seth McCormick, Reiko Tomii, Hiroko Ikegami, Jeffrey Wechsler, and Midori Yoshimoto, with a response by Alexandra Munroe, Exhibition

aj_summer2009

Summer 2009, Vol. 68, No. 2

In This Issue Judith F. Rodenbeck, Marking, 5 Features Juliet Bellow, Fashioning Cléopâtre: Sonia Delaunay’s New Woman, 6 Nell Andrew, Living Art: Akarova and the Belgian Avant-Garde, 26 Kate Elswit, Accessing Unison in the Age of Its Mechanical Reproducibility, 50

aj_summer2009

Summer 2009, Vol. 68, No. 2

In This Issue Judith F. Rodenbeck, Marking, 5 Features Juliet Bellow, Fashioning Cléopâtre: Sonia Delaunay’s New Woman, 6 Nell Andrew, Living Art: Akarova and the Belgian Avant-Garde, 26 Kate Elswit, Accessing Unison in the Age of Its Mechanical Reproducibility, 50

Art Journal Spring 2008

Spring 2008, Vol. 67, No. 1

In This Issue Judith F. Rodenbeck, The Science of the Concrete, 5 Artist’s Project Lane Relyea, Debris and Immobility, 6 Heather Mekkelson, Debris Field, 9 Forum: Assemblage and Bricolage Julia Kelly, The Anthropology of Assemblage, 24 Anna Dezeuze, Assemblage, Bricolage,

Art Journal Spring 2008

Spring 2008, Vol. 67, No. 1

In This Issue Judith F. Rodenbeck, The Science of the Concrete, 5 Artist’s Project Lane Relyea, Debris and Immobility, 6 Heather Mekkelson, Debris Field, 9 Forum: Assemblage and Bricolage Julia Kelly, The Anthropology of Assemblage, 24 Anna Dezeuze, Assemblage, Bricolage,

Art Journal Summer 2008

Summer 2008, Vol. 67, No. 2

In This Issue Judith F. RodenbeckMaterial Experience, 5 Features Kymberly N. Pinder, Unbaled: An Interview with Shinique Smith, 6 Paula Birnbaum, Elaine Reichek: Pixels, Bytes, and Stitches, 18 Laura Leffler James, Convergence: History, Materials, and the Human Hand—An Interview with

Art Journal Summer 2008

Summer 2008, Vol. 67, No. 2

In This Issue Judith F. RodenbeckMaterial Experience, 5 Features Kymberly N. Pinder, Unbaled: An Interview with Shinique Smith, 6 Paula Birnbaum, Elaine Reichek: Pixels, Bytes, and Stitches, 18 Laura Leffler James, Convergence: History, Materials, and the Human Hand—An Interview with

aj_winter2008

Winter 2008, Vol. 67, No. 4

In This Issue Judith F. Rodenbeck, Notes on Parrhesia, 5 Forum: I’ll Be Your Mirror, or Why and How Do We Work on Living Artists Suzanne Hudson, Why and How Do We Work on Living Artists, 8 Agnes Berecz, Painting

aj_winter2008

Winter 2008, Vol. 67, No. 4

In This Issue Judith F. Rodenbeck, Notes on Parrhesia, 5 Forum: I’ll Be Your Mirror, or Why and How Do We Work on Living Artists Suzanne Hudson, Why and How Do We Work on Living Artists, 8 Agnes Berecz, Painting