Spring 2009, Vol. 68, No. 1

In This Issue

Judith F. Rodenbeck, Retooling, 5


Spring 2009

Joanna Grabski, Urban Claims and Visual Sources in the Making of Dakar’s Art World City, 6

Gail Gelburd, Cuba and the Art of “Trading with the Enemy”, 24

Susette S. Min, Senam Okudzeto, Martin Beck, Gareth James, Odili Donald Odita, and Lucy Soutter, with responses by Jon Rubin and Andrew E. Herschberger, The Currency of Practice: Reclaiming Autonomy for the MFA, 40

Paul Hertz, Art, Code, and the Engine of Change, 58

Frieder Nake, The Semiotic Engine: Notes on the History of Algorithmic Images in Europe, 76

Patric D. Prince, Imaging by Numbers: A Historical View of Digital Printmaking in America, 90


Natasha Kurchanova on Boris Groys,Art Power, and the exhibition Thinking in Loop: Three Videos on Iconoclasm, Ritual, and Immortality, organized by Boris Groys for Apexart, New York, 2008; Howard Singerman on John Roberts, The Intangibilities of Form: Skill and Deskilling in Art after the Readymade


Imaging, 111