In This Issue
Janet A. Kaplan, On Translation, 3
Responses
Patricia Phillips and Maxine Payne Caulfield, 4
Contemporary Indian Art
Guest edited by Andrew L. Cohen and Marcella C. Sirhandi
Guest Editors’ Statements, 7
Andrew L. Cohenm, Contemporary Indian Painting: A Portfolio, 10
R. Siva Kumar, Modern Indian Art: A Brief Overview, 14
Mary-Ann Milford Lutzker, Intersections: Urban and Village Art in India, 22
Ajay J. Sinha, Contemporary Indian Art: A Question of Method, 31
Marcella C. SirhandiManipulating Cultural Idioms, 40
Preminda S. Jacob, Between Modernism and Modernization: Locating Modernity in South Asian Art, 48
Features
María Fernández, Postcolonial Media Theory, 58
Michael Godby, William Kentridge: Retrospective, 74
Simon Leung with Janet A. Kaplan, Pseudo-Languages: A Conversation with Wenda Gu, Xu Bing, and Jonathan Hay, 86
Reviews
Jonathan Applefield on Off Limits: Rutgers University and the Avant–Garde, 1957–1963; Emmett Williams and Ann Noël, eds., Mr. Fluxus: A Collective Portrait of George Maciunas, 1931–1978; Ken Friedman, ed., A Fluxus Reader. Andrés Zervigón on Lisa Saltzman, Anselm Kiefer and Art after Auschwitz; Anselm Kiefer: Works on Paper in the Metropolitan Museum of Art; Matthew Biro, Anselm Kiefer and the Philosophy of Martin Heiddegger. Margaret Werth on Naomi Sawelson-Gorse, ed., Women in Dada: Essays on Sex, Gender, and Identity. Robert Morgan on Global Conceptualism: Points of Origin, 1950s–1980s. Edward J. Sullivan on Anthony W. Lee, Painting on the Left: Diego Rivera, Radical Politics, and San Francisco’s Public Murals. John Alan Farmer on Hans Haacke, AnsichtsSachen/Viewing Matters