By Nate Harrison
Nate Harrison responds to “Knight’s Heritage: Karl Haendel and the Legacy of Appropriation, Episode One” by Natilee Harren.
By Nate Harrison
Nate Harrison responds to “Knight’s Heritage: Karl Haendel and the Legacy of Appropriation, Episode One” by Natilee Harren.
Christopher Reed shares what he’s reading in this new installment of Art Journal Open’s Bookshelf series.
European Postwar and Contemporary Art Forum shares a News & Notes update on their recent activities.
New in News & Notes: An update from the Queer Caucus for Art.
Derek Conrad Murray shares his reading list in this week’s Art Journal Open Bookshelf.
The newest installment of News & Notes is a report on the Society of Contemporary Art Historians.
By James McAnally
Common Field was born of a singular moment, a shared time of simmering scarcity matched with an abundance of artist-centric models springing up globally. The emergent network is quickly becoming a central figure within a spectrum of new alternative forms increasingly coming to define a deflated decade.
By Sonal Khullar
Sonal Khullar reviews InFlux: Contemporary Art in Asia edited by Parul Dave-Mukherji, Naman P. Ahuja, and Kavita Singh.
By Mia Locks
Curator Mia Locks speaks with artist Math Bass about ambiguity, body movement, and the recent exhibition of Bass’s work that Locks curated, Math Bass: Off the Clock, which was on view at MoMA PS1 from May 3 to September 7, 2015.
In the newest installment of Art Journal Open’s Bookshelf project, Suzanne Preston Blier shares what she’s been reading.
Lareese Hall shares her “work” and “life” bookshelves in this installment of Art Journal Open’s Bookshelf series.
Art Journal Open’s News & Notes section launches with an update from Art Historians Interested in Pedagogy and Technology.