Context, Cursilería, and Sorrow: Beatriz González

Teresa Eckmann reviews a retrospective and The Politics of Taste

Haptic Encounters: Margarita Cabrera’s Space in Between

Angelique Szymanek untangles the metaphorical threads in an artist’s soft sculpture

One banner says "Let Us Vote!" in bold, colorful neon letters on a black background; next to it, another banner says "The Official Unofficial Voting Station: Voting for All Who Legally Can’t" in neon green on black

Official Unofficial Voting Station: Voting for All Who Legally Can’t

Exposing voter suppression through performance and installation art

Many masked people wearing red stare at the sky, many with their phones raised to take pictures

The Masked Island

Singapore’s technocracy faces COVID-19

An art installation constructed of vertical metal studs and mic stands, intertwined with black electrical cables

Barricades of Silence: Nikita Gale in Conversation with Jesús Fuenmayor

Exploring space, sound, and radical silence in installation art

A 3-minute, full-color digital animation that collages a series of images produced by the artist to represent wartime conflict

Projections From The Third Half [Cloud Storm]

Zeina Barakeh deconstructs conflict through animation and collage

A text-based, interactive, choose-your-own-adventure game built on the Twine platform

Domain Errors

Visible or invisible . . . ? An interactive game by Dorothy Santos

Horizons Already Here: Video Games and Landscape

Soraya Murray explores video games from an art historical perspective

Audience in the Archive

Didier Morelli reviews Adair Rounthwaite’s book on participatory art in 1980s New York

Stanford Express Care nurse Anna Chico, her head and body hidden behind layers of protective gear, wears a smiling portrait affixed over her heart so that people arriving at the COVID-19 testing clinic can see an image of her face

Facing Social Practice: Mary Beth Heffernan in conversation with Julia Bryan-Wilson

The PPE Portrait Project builds trust between patients and health-care workers during COVID-19

exterior of three tiered metal cladding with Washington monument

Just Being

Art historians Risham Majeed and Blake Bradford offer a proxy visit to three still-new sites dedicated to African American history

Collage with forty dried rose petals glued to paper with handwritten notes by the artist

Rosa enferma, Together Apart

Kaira M. Cabañas considers our vulnerable yet resilient social relations in a time of pandemic, through the lens of a work by Venezuelan artist Roberto Obregón